The top-selling VoiceDance first in the SATB series is now available for women's voices in an exciting SSAA voicing. Now treble choirs can experience the rhythmic fun and challenge of this unique vocal jazz classic!

Voiced for both SSAA and SATB Kevin Memley displays again his command for expressing poetry in song. The musical lines take us into Christina Rossetti's poem into her dream and speaks for all of us at the same time. High school community and college choirs will embrace the artistry in this concert selection. Medium.

Halloran's setting of this spiritual has long been established as the definitive arrangement. Dick Bolks has revoiced it for SSAA choir and included an accompaniment. Jack's classic edition rings through thanks to Mr. Bolks' superb handling of the task.

This a cappella Shawnee Press Classic by composer Houston Bright has been a staple in choral libraries for many years. Suitable for developing voices and smaller choirs retaining the vocal finesse. Discover again this greatchoral work. Available separately: SSAB a cappella; SATB a cappela; SSAA a cappella; TTBB a cappella. Duration: ca. 2:17.

Otis Redding's classic ballad was a huge hit in 1968 and still remains popular to this day. A soulful and lazy song that manages to be both uplifting and moving and exemplifies Redding's prestigious talent.This wonderful arrangement by Mac Huff is for an unaccompanied SSAA upper voice choir. A pleasing and effective setting faithful to the original with easy-going vocal harmonies.

This unique work for the Christmas season expresses concern for the future of our planet through the voice of a child. A beautiful SSAA version of this best-selling song from The Real Group.

for SSAA unaccompanied A simple and tender seeting of William Blake's famous poem, particularly suitable for younger voices.

Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

This famous hymn by Sebastian Temple was arranged for the British classical crossover quartet All Angels and adapts beautifully for four part upper voice choirs! With glorious soaring phrases and heartfelt emotion your singerswill love to perform this lovely setting.

One of the most beloved standards of all time it is difficult to find a major artist that hasn't recorded it. Szabo's setting is elegant understated and refined. A beautifully crafted ballad arrangement that keeps the average singer in mind groups of any level can sing this chart with success whether a high school quartet or a 100+ voice chours. A lovely moement in any show or quartet set.

Emma Lou Diemer's wit and style are on full display in this collection of short musical settings of limericks by her sister Dorothy Diemer Hendry (1918-2006). SSAA voices with piano or 2 pianos and percussion. Movements include: A Wanna-be Poet At the Derby Homing Pigeons The Beatles and a Beetle Road Rag. Score and Parts for Two Pianos and Percussion available digitally. Duration: 11:00.