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FOR CHORAL - VOCAL - CHOIR
SAXOPHONE Concert band
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My Heart Will Go On (from Titanic) - Pt.2 - Eb Alto Saxophone
My Heart Will Go On (from Titanic) - Pt.2 - Eb Alto Saxophone
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Saxophone (band part)
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Celine Dion
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Hal Leonard - Digital Sheet Music
Soul Bossa Nova - Pt.2 - Eb Alto Saxophone
Soul Bossa Nova - Pt.2 - Eb Alto Saxophone
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Soul Bossa Nova - Pt.3 - Bb Tenor Saxophone
Soul Bossa Nova - Pt.3 - Bb Tenor Saxophone
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Come Sunday Score: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-Duke Ellington's Come Sunday arranged by Paul Murtha for solo Alto Saxoph...
(+)
Score-Duke Ellington's Come Sunday arranged by Paul Murtha for solo Alto Saxophone with Concert Band.Come Sunday was originally composed as part of Ellington'ssuite Black Brown and Beige. After a disappointing critical response to its first performance in 1943 Ellington divided the three-part suite into six shorter sections leaving in 'Come Sunday' and 'Work Song'. It isthis version that he recorded for an album of the same title in 1958.
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Satoshi Yagisawa: Intermezzo: Concert Band: Score
Concert band
De Haske Publications
for Clarinet and Concert Band / Harmonie-Intermezzo est le deuxième mouvement e...
(+)
for Clarinet and Concert Band / Harmonie-Intermezzo est le deuxième mouvement extrait du Concerto pour Clarinette de Satoshi Yagisawa. Le concerto a été créé en 2010 par l?Orchestre d?Harmonie d?Higashi-Hiroshima sous la direction d?Atsushi Kageyama avec la participation de Shinsuke Hashimoto clarinettiste de l?Orchestre Symphonique d?Hiroshima. Cette oeuvre s?inspire du fait que Satoshi Yagisawa et Shinsuke Hashimoto sont tous deux diplômés du Conservatoire de musique de Musashino.Le Concerto pour Clarinette représente l?apogée de la série de concertos de Satoshi Yagisawa qui comprend aussi une Suite concertante pour piano et orchestre un Concerto pour trompette unConcerto pour trombone un Concertino pour saxophone et un Concertino pour percussion solo et orchestre d?harmonie.En raison de sa grande popularité le thème émouvant du deuxième mouvement qui est intitulé Intermezzo est souvent interprété indépendamment.Soliste: Degré de difficulté 4
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Philip Sparke: Sinfonietta No 3: Concert Band: Score
Concert band
Anglo Music
Rheinfelden Sketches-In each of the four movements of this major work for concer...
(+)
Rheinfelden Sketches-In each of the four movements of this major work for concert band the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden which lies on the banks of the Rhein. The opening movement Promenade sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads via a four bar Interlude to the Scherzo which takes the form of a moto perpetuo.
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James Barnes: Citadel: Concert Band: Score
Concert band
Southern Music Ltd
for Concert Band-Citadel was composed to commemorate the 150th anniversary of Th...
(+)
for Concert Band-Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer a saxophone choir introduces a slower more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final dramatic outburstof sound and color.
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Irving Berlin: White Christmas: Concert Band: Score
Concert band
Hal Leonard
Vocal Solo or Alto Saxophone Solo with Concert Band
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Philip Sparke: A Winter's Tale: Concert Band: Score
Concert band
Anglo Music
Philip Sparke a composé cette pièce pour le Western Plains Wind Consortium pl...
(+)
Philip Sparke a composé cette pièce pour le Western Plains Wind Consortium placé sous la direction de son fondateur Daniel Baldwin. La création fut assurée par l?Orchestre d?Harmonie de l?Université d?État de l?Oklahoma Panhandle (Dr. Matthew C. Saunders direction) le 1er décembre 2009 au Centennial Theatre à Goodwell en Oklahama (États-Unis). Les orchestres membres du Western Plains Wind Consortium qui ont contribué à la commande de cette œuvre sont :Garden City High School Symphonic Band - Ryan Elliot & Daniel Baldwin directionSouthwestern Oklahoma State University Wind Ensemble - James South directionPanhandle State University Band - Matthew Saunders direction Holton High School Band - Donald McDaniel directionHolcomb High School Band - Paul White directionBethel College Band - Timothy Shade directionGarden City Community College Band - Daniel Baldwin directionLa commande stipulait que l?œuvre devait synthétiser une ambiance hivernale sans référence au cycle de la Nativité. Philip Sparke a réalisé une scène d?hiver en pleine campagne. A Winter?s Tale s?ouvre avec une série d?accords soutenus joués par les bois et colorés par le timbre cristallin des cloches tandis qu?un saxophone alto chante une complainte crépusculaire. Un passage orchestral court mais dense prélude à l?exposition du thème principal. Les couleurs douces et vaporeuses enveloppent les champs et les forêts enneigés. L?orchestre reprend le thème tandis que l?on entend au loin un tintement de grelots annonçant le passage imminent d?une troïka. Une fois passée la musique s?apaise et le thème principal revient avant de laisser la place au motif d?ouverture qui vient conclure la trame musicale.
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Philip Sparke: A Winter's Tale: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Philip Sparke a composé cette pièce pour le Western Plains Wind Consortium pl...
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Philip Sparke a composé cette pièce pour le Western Plains Wind Consortium placé sous la direction de son fondateur Daniel Baldwin. La création fut assurée par l?Orchestre d?Harmonie de l?Université d?État de l?Oklahoma Panhandle (Dr. Matthew C. Saunders direction) le 1er décembre 2009 au Centennial Theatre à Goodwell en Oklahama (États-Unis). Les orchestres membres du Western Plains Wind Consortium qui ont contribué à la commande de cette œuvre sont :Garden City High School Symphonic Band - Ryan Elliot & Daniel Baldwin directionSouthwestern Oklahoma State University Wind Ensemble - James South directionPanhandle State University Band - Matthew Saunders direction Holton High School Band - Donald McDaniel directionHolcomb High School Band - Paul White directionBethel College Band - Timothy Shade directionGarden City Community College Band - Daniel Baldwin directionLa commande stipulait que l?œuvre devait synthétiser une ambiance hivernale sans référence au cycle de la Nativité. Philip Sparke a réalisé une scène d?hiver en pleine campagne. A Winter?s Tale s?ouvre avec une série d?accords soutenus joués par les bois et colorés par le timbre cristallin des cloches tandis qu?un saxophone alto chante une complainte crépusculaire. Un passage orchestral court mais dense prélude à l?exposition du thème principal. Les couleurs douces et vaporeuses enveloppent les champs et les forêts enneigés. L?orchestre reprend le thème tandis que l?on entend au loin un tintement de grelots annonçant le passage imminent d?une troïka. Une fois passée la musique s?apaise et le thème principal revient avant de laisser la place au motif d?ouverture qui vient conclure la trame musicale.
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Jarrige Nicolas : Celtic Suite. Conducteur/Scores
Français
Concert band
[Score]
Dhalmann
Cette pièce est construite sur un enchaînement de différentes mélodies à ca...
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Cette pièce est construite sur un enchaînement de différentes mélodies à caractère celtique. En effet, ayant été passionné très tôt pour ces musiques, j'ai voulu composer une pièce dans cet esprit. Celtic suite débute avec 'les brumes du Loch ness', qui nous fait traverser la mystérieuse Ecosse. Un tapis sonore d'arpèges de claviers, de tenues de clarinettes et battements de timbales, soutient une délicate flûte se perdant dans le brouillard...Sur 'les crêtes Vosgiennes' étaient installés des temples celtiques dédiés au soleil aujourd'hui disparus. Cette partie construite sous la forme d'un choral y fait allusion par son coté mystérieuse et majestueuse.Dans 'le pub de Dublin' on joue de la musique presque en continu. Les musiciens se succèdent et font danser les gens, apportent joie et bonne humeur lorsque les éléments se déchaînent au dehors. Et un des rythmes de danse fétiche des Irlandais est la 'Jig'. Il s'agit d'une rythmique en 6/8 ternaire. Celui-ci est très entraînant et les musiciens qui jouent ces mélodies savent qu'elles sont très virtuoses! Votre orchestre aura toute la joie de danser sur ce thème enlevé!Notre voyage continue en ' terre Bretonne', haut lieu de la culture Celtique en France, où les danses étaient également chantées, un meneur chantait une phrase qui était répétées par tout le monde. Dans celtic suite, se sont les instruments qui se répondent pour styliser cette tradition.La pièce se finit en Galice, terre Espagnole au bord de l'océan Atlantique. 'Les côtes de Galice' proposent un rythme plus syncopé accompagnant une nouvelle mélodie où les percussionnistes peuvent y exprimer tout leur talent! Une coda pleine d'espérance, plaidant pour le rapprochement des peuples, ponctue cette pièce très entraînante.Nomenclature :Flûte 1 - 2HautboisClarinette 1 SibClarinette 2 - 3 SibSaxophone alto 1Saxophone alto 2 - 3Saxophone ténorSaxophone barytonTrompette 1 SibTrompette 2 - 3 SibCor 1 - 2 en FaTrombone 1Trombone 2 - 3BarytonBassePianoClaviers de percussionBatteriePercussionTimbalesParties optionnelles :Cor 1 en MibCor 2 en MibBaryton Bb (clé de Fa)Basse Bb (cle de Fa et clé de Sol) / Orchestre D'Harmonie
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Hankus Netsky: Nonantum Bulgar (Score Only): Concert Band: Score
Concert band
BandQuest
I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece f...
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I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA I decided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication the event featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion. A Bulgar is a Romanian Jewish Dance thatwas very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewish ornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The 'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba and percussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majestic conclusion. --Hankus Netsky
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Hankus Netsky: Nonantum Bulgar: Concert Band: Score & Parts
Concert band
BandQuest
“I wrote The Nonantum Bulgar in response to a request for a klezmer-style ...
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“I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA Idecided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication theevent featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion.A Bulgar is aRomanian Jewish Dance that was very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewishornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba andpercussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majesticconclusion.” --Hankus Netsky
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Anne McGinty John Edmondson: Discovery Band Book #2: Concert Band: Score
Concert band
Hal Leonard
E Flat Alto Saxophone-Contents: Concert Warm-Ups And Chorales #2; Acapulco Holid...
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E Flat Alto Saxophone-Contents: Concert Warm-Ups And Chorales #2; Acapulco Holiday; Anchors Aweigh; Atlantis; The Coventry Carol; The Duke Of Bedford; Dr. Dixieland; If I Were A Rich Man; Mickey Mouse March; Pep Rally Rock; Sax-O-Matic; Somewhere Out There; The Sound Of Music; Three Carols for Christmas; Treasury Of Carols.
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Philip Sparke: Wilten Festival Overture: Concert Band: Score
Concert band
Anglo Music
To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck ...
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To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare led by the horns forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with ashort Coda. A great experience for the whole band!
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André Waignein: Dunamis: Concert Band: Score & Parts
Concert band
Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...
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Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
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Philip Sparke: Wilten Festival Overture: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck ...
(+)
To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare led by the horns forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with ashort Coda. A great experience for the whole band!
144.99 GBP - Sold by Musicroom UK
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Arthur Sullivan: A Sullivan Ballad: Concert Band: Score
Concert band
Anglo Music
Duet for Flute and Alto Saxophone (or Clarinet) from The Pirates of Penzance-I>T...
(+)
Duet for Flute and Alto Saxophone (or Clarinet) from The Pirates of Penzance-I>The Pirates of Penzance (Les Pirates de Penzance) est sans doute la plus célèbre opérette du compositeur Gilbert et du librettiste Sullivan. L?œuvre fut créée simultanément en Angleterre et aux États-Unis fin décembre 1879 pour sécuriser les droits d?auteur dans les deux pays. Le succès fut immédiat. Après être restée à l?affiche pendant plus de trois mois à New York l?opérette s?est installée à l?Opéra Comique de Londres en 1880 pour 363 représentations.Ruth la gouvernante du jeune Frédéric est chargée de faire en sorte qu?il devienne pilote des mers. Hélas Ruth un tantinet dure d?oreille confond les termes pilote et pirate et met Frédéric en apprentissagechez une bande de charmants pirates orphelins. À ses vingt et un ans il est libéré de son contrat d?apprentissage et peut réintégrer un modèle de société respectable avec pour obligation de dénoncer ses anciens compagnons. Ruth révèle alors que Frédéric est né une année bissextile un 29 février : il n?a donc en réalité que cinq ans ! Il restera donc apprenti pirate jusqu?à son vingt et unième anniversaire. Entre temps Frédéric s?éprend de Mabel une des nombreuses filles du Major-Général Stanley. L?opérette touche à sa fin et les quiproquos s?enchaînent. Les pirates le Major-Général et toutes ses filles se côtoient dans une joyeuse cacophonie à laquelle un sergent de police timoré réussit à mettre un terme en invoquant la loyauté envers la reine Victoria. Et tout le monde cède.Vers la fin de l?Acte II Frédéric et Mabel chantent un duo d?amour d?une beauté envoûtante ?Ah leave me not to pine alone and desolate? (?Ah ne me laisse pas languir et désespérer?). Philip Sparke en a réalisé un arrangement pour Flûte Traversière et Saxophone Alto (ou Clarinette).
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Maxime Aulio: The Butterfly That Stamped: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Le Papillon qui tapait du pied-Rudyard Kipling (1865-1936) est l?un des plus cé...
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Le Papillon qui tapait du pied-Rudyard Kipling (1865-1936) est l?un des plus célèbres écrivains de langue anglaise. Né à Bombay en Inde ce journaliste poète et romancier reçoit le prix Nobel de littérature en 1907. On lui doit notamment les célèbres ouvrages Le Livre de la Jungle (1894) Histoires comme ça (1902) et Kim (1901) entre autres. Rudyard Kipling a sillonné le monde glanant de-ci de-là des mots et des merveilles à raconter aux petits et aux grands. Aujourd?hui encore ses Histoires comme ça enchantent par leur drôlerie et leur poésie ; de délicieux récits d?animaux entre l?Inde et l?Afrique initialement écrits pour sa fille Joséphine qui mourut en 1899 des suites d?unegrippe.Le Papillon qui tapait du pied est un des douze contes du recueil Histoires comme ça. Maxime Aulio s?en est inspiré pour créer une œuvre qui s?inscrit dans la tradition de l?impressionnisme musical français. Le saxophone baryton solo incarne le Roi Salomon fils de David ; les flûtes jouent le couple de papillons ; une clarinette est la Reine Balkis - la Sage Balkis de Saba - tandis que les trompettes et les cornets représentent les Djinns. Les personnages évoluent dans un décor orchestral merveilleux à l?image des jardins et du palais du Roi Salomon. / The Butterfly That Stamped (Le Papillon qui tapait du pied) est une œuvre de commande pour la Fédération Musicale d?Auvergne (France) avec le soutien du Conseil Régional d?Auvergne à l?occasion du 10e anniversaire de l?Orchestre Régional d?Harmonie École. L?œuvre a été donnée en création le 30 avril 2006 au Théâtre Municipal d?Aurillac. L?Orchestre Régional d?Harmonie École d?Auvergne était placé sous la direction de Claude Kesmaecker avec en soliste Alexandre Doisy saxophone baryton.
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Hayato Hirose: Marching Blues: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Marching Blues est écrit dans un style où se croisent les influences blues et ...
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Marching Blues est écrit dans un style où se croisent les influences blues et résolument swing-jazz des grands Big Bands. Idéale pour exploiter le talent des musiciens cette marche développe un solo de vingt-huit mesures confié au tuba saxophone ténor ou saxophone baryton. Quelle que soit la taille de votre formation (d?un petit ensemble instrumental à la formation complète) cette marche séduira aussi bien les musiciens que les auditeurs toutes générations confondues.
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Gerry Rafferty: Baker Street: Concert Band: Score
Concert band
Beriato Music
As written by Gerry Rafferty-Baker Street est une originale station du métro lo...
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As written by Gerry Rafferty-Baker Street est une originale station du métro londonien. Elle fut en outre le lieu des débuts de la carrière musicale du guitariste écossais Gerry Rafferty qui devint mondialement célèbre un jour de 1978 avec la chanson éponyme Baker Street. Véritable phénomène planétaire Baker Street lui permit de vendre son premier album City to City à plus de 4 5 millions d?exemplaires. Cette chanson extraordinaire contient un solo de saxophone d?anthologie (sans doute le plus connu de la musique pop). L?arrangement pour orchestre d?harmonie contient un solo optionnel pour guitare électrique ou guitare basse (ou saxophone alto).Absolument génial !
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Maxime Aulio: The Butterfly That Stamped: Concert Band: Score
Concert band
De Haske Publications
Le Papillon qui tapait du pied-Rudyard Kipling (1865-1936) est l?un des plus cé...
(+)
Le Papillon qui tapait du pied-Rudyard Kipling (1865-1936) est l?un des plus célèbres écrivains de langue anglaise. Né à Bombay en Inde ce journaliste poète et romancier reçoit le prix Nobel de littérature en 1907. On lui doit notamment les célèbres ouvrages Le Livre de la Jungle (1894) Histoires comme ça (1902) et Kim (1901) entre autres. Rudyard Kipling a sillonné le monde glanant de-ci de-là des mots et des merveilles à raconter aux petits et aux grands. Aujourd?hui encore ses Histoires comme ça enchantent par leur drôlerie et leur poésie ; de délicieux récits d?animaux entre l?Inde et l?Afrique initialement écrits pour sa fille Joséphine qui mourut en 1899 des suites d?unegrippe.Le Papillon qui tapait du pied est un des douze contes du recueil Histoires comme ça. Maxime Aulio s?en est inspiré pour créer une œuvre qui s?inscrit dans la tradition de l?impressionnisme musical français. Le saxophone baryton solo incarne le Roi Salomon fils de David ; les flûtes jouent le couple de papillons ; une clarinette est la Reine Balkis - la Sage Balkis de Saba - tandis que les trompettes et les cornets représentent les Djinns. Les personnages évoluent dans un décor orchestral merveilleux à l?image des jardins et du palais du Roi Salomon. / The Butterfly That Stamped (Le Papillon qui tapait du pied) est une œuvre de commande pour la Fédération Musicale d?Auvergne (France) avec le soutien du Conseil Régional d?Auvergne à l?occasion du 10e anniversaire de l?Orchestre Régional d?Harmonie École. L?œuvre a été donnée en création le 30 avril 2006 au Théâtre Municipal d?Aurillac. L?Orchestre Régional d?Harmonie École d?Auvergne était placé sous la direction de Claude Kesmaecker avec en soliste Alexandre Doisy saxophone baryton.
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Otto M. Schwarz: Saxpack: Concert Band: Score
Concert band
Mitropa Music
Otto M. Schwarz a composé Saxpack pour le centenaire de la Musique de la Police...
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Otto M. Schwarz a composé Saxpack pour le centenaire de la Musique de la Police de Vienne. Gert Kolaja l?un des saxophonistes les plus prolifiques d?Autriche est membre de cet orchestre professionnel. Animé par un esprit de curiosité et soucieux d?élargir le répertoire pour Orchestre d?Harmonie Otto M. Schwarz développe des passerelles entre les styles et les genres. Saxpack décrit une scène de crime montée de toutes pièces avant de nous entraîner dans une course-poursuite haletante dans Vienne la nuit. Le contenu est résolument moderne et comporte un grand échantillon des techniques et des effets spéciaux développés par les saxophonistes d?aujourd?hui. Lastructure préserve de multiples espaces d?improvisation du soliste qui alterne entre le saxophone soprano et le saxophone alto. Saxpack fera le bonheur des saxophonistes de l?orchestre et du public.
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Arthur Sullivan: A Sullivan Ballad: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Duet for Flute and Alto Saxophone (or Clarinet) from The Pirates of Penzance-The...
(+)
Duet for Flute and Alto Saxophone (or Clarinet) from The Pirates of Penzance-The Pirates of Penzance (Les Pirates de Penzance) est sans doute la plus célèbre opérette du compositeur Gilbert et du librettiste Sullivan. L?œuvre fut créée simultanément en Angleterre et aux États-Unis fin décembre 1879 pour sécuriser les droits d?auteur dans les deux pays. Le succès fut immédiat. Après être restée à l?affiche pendant plus de trois mois à New York l?opérette s?est installée à l?Opéra Comique de Londres en 1880 pour 363 représentations.Ruth la gouvernante du jeune Frédéric est chargée de faire en sorte qu?il devienne pilote des mers. Hélas Ruth un tantinet dure d?oreille confond les termes pilote et pirate et met Frédéric en apprentissagechez une bande de charmants pirates orphelins. À ses vingt et un ans il est libéré de son contrat d?apprentissage et peut réintégrer un modèle de société respectable avec pour obligation de dénoncer ses anciens compagnons. Ruth révèle alors que Frédéric est né une année bissextile un 29 février : il n?a donc en réalité que cinq ans ! Il restera donc apprenti pirate jusqu?à son vingt et unième anniversaire. Entre temps Frédéric s?éprend de Mabel une des nombreuses filles du Major-Général Stanley. L?opérette touche à sa fin et les quiproquos s?enchaînent. Les pirates le Major-Général et toutes ses filles se côtoient dans une joyeuse cacophonie à laquelle un sergent de police timoré réussit à mettre un terme en invoquant la loyauté envers la reine Victoria. Et tout le monde cède.Vers la fin de l?Acte II Frédéric et Mabel chantent un duo d?amour d?une beauté envoûtante ?Ah leave me not to pine alone and desolate? (?Ah ne me laisse pas languir et désespérer?). Philip Sparke en a réalisé un arrangement pour Flûte Traversière et Saxophone Alto (ou Clarinette).
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Otto M. Schwarz: Saxpack: Concert Band: Score & Parts
Concert band
[Score and Parts]
Mitropa Music
Otto M. Schwarz a composé Saxpack pour le centenaire de la Musique de la Police...
(+)
Otto M. Schwarz a composé Saxpack pour le centenaire de la Musique de la Police de Vienne. Gert Kolaja l?un des saxophonistes les plus prolifiques d?Autriche est membre de cet orchestre professionnel. Animé par un esprit de curiosité et soucieux d?élargir le répertoire pour Orchestre d?Harmonie Otto M. Schwarz développe des passerelles entre les styles et les genres. Saxpack décrit une scène de crime montée de toutes pièces avant de nous entraîner dans une course-poursuite haletante dans Vienne la nuit. Le contenu est résolument moderne et comporte un grand échantillon des techniques et des effets spéciaux développés par les saxophonistes d?aujourd?hui. Lastructure préserve de multiples espaces d?improvisation du soliste qui alterne entre le saxophone soprano et le saxophone alto. Saxpack fera le bonheur des saxophonistes de l?orchestre et du public.
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Hayato Hirose: Marching Blues: Concert Band: Score & Parts
Concert band
De Haske Publications
Marching Blues est écrit dans un style où se croisent les influences blues et ...
(+)
Marching Blues est écrit dans un style où se croisent les influences blues et résolument swing-jazz des grands Big Bands. Idéale pour exploiter le talent des musiciens cette marche développe un solo de vingt-huit mesures confié au tuba saxophone ténor ou saxophone baryton. Quelle que soit la taille de votre formation (d?un petit ensemble instrumental à la formation complète) cette marche séduira aussi bien les musiciens que les auditeurs toutes générations confondues.
96.99 GBP - Sold by Musicroom UK
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Hayato Hirose: Marching Blues: Concert Band: Score
Concert band
De Haske Publications
Marching Blues est écrit dans un style où se croisent les influences blues et ...
(+)
Marching Blues est écrit dans un style où se croisent les influences blues et résolument swing-jazz des grands Big Bands. Idéale pour exploiter le talent des musiciens cette marche développe un solo de vingt-huit mesures confié au tuba saxophone ténor ou saxophone baryton. Quelle que soit la taille de votre formation (d?un petit ensemble instrumental à la formation complète) cette marche séduira aussi bien les musiciens que les auditeurs toutes générations confondues.
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 2 in Eb (Alto Saxophone Alto Horn)-Flexible Praise has been designed with ...
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Part 2 in Eb (Alto Saxophone Alto Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 3 in Bb (Tenor Saxophone Bb Euphonium)-Flexible Praise has been designed w...
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Part 3 in Bb (Tenor Saxophone Bb Euphonium)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
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James Newton Howard: Music from Defiance: Concert Band: Score
Concert band
Hal Leonard
Flute Oboe Clarinet Violin or Alto Saxophone Solo with Band-Featuring the exq...
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Flute Oboe Clarinet Violin or Alto Saxophone Solo with Band-Featuring the exquisite violin solos of Joshua Bell this Oscar®-nominated score is one of James Newton Howard's most memorable. Filled with sensitivity and musical drama this arrangement for band includes several options for the solo part.
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 4 in Eb (Contralto Clarinet Baritone Saxophone Eb Bass)-Flexible Praise h...
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Part 4 in Eb (Contralto Clarinet Baritone Saxophone Eb Bass)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK
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Robert Buckley: Wild Rose Jamboree: Concert Band: Score & Parts
Concert band
[Score and Parts]
-
Intermediate
Hal Leonard
Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Al...
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Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos warm-hearted people majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich reverent theme that features a trumpet solo and a flute/clarinet duet this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band for example) the upper parts being at a medium level and the lower parts (flute 2 clarinet 3 alto saxophone 2 trumpet 3 horn 2 andtrombone 2) at an easier level. Dur: 5:05
74.99 GBP - Sold by Musicroom UK
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 1 in Eb (Alto Saxophone Eb Trumpet/Cornet Eb Clarinet)-Flexible Praise ha...
(+)
Part 1 in Eb (Alto Saxophone Eb Trumpet/Cornet Eb Clarinet)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK
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