Viola-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Edited by Robin LangleyAmongst the most widely-disseminated and influential piano music of the early 19th century the sixteen Nocturnes of John Field are here published together for the first time in an edition that through careful consideration of publishers' plate numbers Russian first editions and the composer's habits of revision reveals the number and chronology of the little-known Nocturne No. 10 and its relation to the unnumbered 'Troubadour' Nocturne H.55.First published in 1997.

Hardback-A newly-edited completely re-engraved and definitive text for one of the greatest British works of the twentieth century.

For his only opera Leonore/Fidelio Beethoven wrote four overtures in total. Chronologically the so-called Leonore Overture no. 3 is the second of the series and perhaps the most performed of all Beethoven?s overtures. During his own lifetime it was heard not only in the theatre but also in concert thereby establishing with the Coriolan and Egmont overtures the new genre of the concert overture. Recognised around the middle of the nineteenth century as a masterpiece it went on to become the ?declared favourite of all orchestras ? as Beethoven biographer Anton Schindler testifies. It now appears as astudy score based on the musical text of the Beethoven Complete Edition with its own specially prepared foreword.

A towering figure among Russian composers of the late 19th century Rimsky-Korsakov was one of music’s master orchestrators. The 3 works in full score in this collection Dance of the Buffoons Capriccio Espagnol Russian Easter Festival (Overture) display his mastery of orchestration. They are reproduced from early authoritative scores.

Vagn Holmboe (1909-1996) was a 20th century composer in the neo-classical style widely recognised as the most important Danish composer since Nielsen. He is best known for his symphonic works solo concertos and chamber music but his choral a cappella compositions are worthy of the same merit. Vagn Holmboe’s Lauda Anima Mea Op.59c is taken from his second collection of Liber Canticorum and consists of three movements: Lauda Anima Mea Laudabo Dominum and Psallam Deo. The texts are taken from the Old Testament and the music is scored for a cappella SATB Choir.

E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

One of the world's most beloved symphonic compositions Scheherazade is a shimmering evocative musical treatment of the legend of the sultan's wife who staved off certain death by entertaining her husband with fascinating stories for 1001 nights.Imbued with exotic Near Eastern moods and the subtle flavour of Russian folk music this lyrical masterpiece - a staple of the orchestral repertoire for more than a century - is renowned for its beauty.Reproduced here from an authoritative early edition the score appears with bar-numbered movements. Ideal for classroom or home study.

The four orchestral suites of J.S. Bach are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition this volume contains: Suite No.1 in C major (BWV 1066) for two Oboes Bassoon Strings and Continuo Suite No.2 in B minor (BWV 1067) for solo Flute Strings and Continuo - renowned for the 'Badinerie' Suite No.3 in D major (BWV 1068) for three Trumpets Timpani two Oboes Strings and Conituno - well known for the lovely 'Air on G String' Suite No.4 in D major (BWV 1069) for three Trumpets Timpani three Oboes Strings and Conituno.All works appear in full score. At a moderate cost this high quality edition is ideal for study purpose.

Score-Just as the Payne/Elgar Symphony No. 3 is not Edward Elgar's definitive statement Mahler did not complete a Symphony No. 10. He did however leave 'a work fully prepared in the sketch ' the complete unorchestrated musical material. Had he lived Mahler would almost certainly have shaped the material further. This means that the performance edition prepared by Deryck Cooke in the early 1960s is not a completion it's an orchestration of the short score left at Mahler's death in 1911. It nevertheless sounds very 'complete ' both in itself and as a summation of the romantic-epic 19th century German musical tradition.

This 20th century orchestral masterpiece offers a rich musical setting of a pastoral Greek fable by Longus. The lush scoring dramatically displays the composer's genius for transmuting a traditional musical idiom into a fresh and stirring language of its own ranging from audacious and driving to softly and hauntingly beautiful.Reproduced here from the original French edition the score appears with rehearsal-numbered movements. Ideal for classroom or home study.

'The individual emotional quality and organic structure of Oration place it high in Bridge’s output and indeed in British music of the first half of this century. . .a profound work. . .'Music and Letters (Trevor Bray) April 1981

Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre

More than a century after the debuts of these classic ballets, audiences thrill to their captivating melodies, magnificent orchestration, and romantic atmosphere. This convenient compilation features the full scores of Swan Lake and The Sleeping Beauty, reprinted from authoritative editions. Instrumentation.

Pastorale héroïque in three acts - Paperback-The genre pastorale h?ro?que is a legacy of the grand si?cle of Louis XIV. However in the 18th century it only rarely reached the stage. But in the second period of his career Rameau turned to this genre again: the more unconventional world of shepherds and nymphs gave him greater freedom in terms of dramatic action stage d?cor and musical virtuosity compared to the trag?die lyrique. This is demonstrated to masterly effect in Acanthe Et C?phise (1751) where even the ballets are fully integrated into the plot. This edition contains all the instrumental numbers from this popular pastorale in a newcritical edition by Nathalie Berthon-Blivet. Performance material available for hire. Based on the Opera Omnia Rameau. Distributed exclusively by B?renreiter.