SKU: HF.FH-2015

ISBN 9790203420156. 9 x 12 inches.

1. Menuett (aus einem alten Spielbuch, um 1740); 2. Gassenhauer (nach H. Newsidler, 1508-1563); 3. Marsch (J.K.F. Fischer, um 1665-1746); 4. Menuett (aus einem alten Spielbuch, um 1740); 5. Alman (aus dem Fitzwilliam-Viginal-Book, 1625); 6. Menuett (J. Krieger, 1652-1735); 7. Polonaise (anonym); 8. Gavotte (aus einem alten Spielbuch, um 1740); 9. Gavotte (aus einem alten Spielbuch, um 1740); 10. Wechsellied zum Tanze (J.F. Reichardt, 1752-1814); 11. Der Jager (J.F. Reichardt, 1752-1814); 12. Courante (J.J. Froberger, 1616-1667); 13. Gavotte (F. Couperin, 1668-1733); 14. Jagerlied (nach einer franz. Volkweise); 15. Menuett (J. Kuhnau, 1660-1722); 16. Menuett (J. Krieger, 1652-1735); 17. Allegro (G.P. Telemann, 1681-1767); 18. Zwei Kontretanze (W.A. Mozart, 1756-1791).

SKU: AP.36-BSMIS101

ISBN 9798892704526. UPC: 659359619236. English.

The Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. The solo composition OLIVER'S BIRTHDAY from award-winning composer Bruce Broughton has become a sought-after work by today's trumpet players. With a naive, relatable melody that spins off into a flurry of mixed meters and tonality, the work is perfect for contest or recital. Recorded by Philip Smith for the International Trumpet Guild. Also transcribed for band accompaniment.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: HL.14034494

Austin Boothroyd has confronted the problem of keeping the beginner interested from Lesson One. The twelve pieces in Up We Go enable the trumpet student to experience the satisfaction of ensemble performance with only a limited number of notes. As security increases, so the progressively more difficult pieces will be found to complement the vital technical practice between lessons.

Priority Direct Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a Priority Direct Import title, our overseas warehouse will ship it to you directly at the time of order, typically within one business day. However, the shipment time will be slower than items shipped from our US warehouse. It may take up to 2-3 weeks to get to you.

SKU: PR.114419070

ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.

Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .