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FOR CHORAL - VOCAL - CHOIR
Bee Viola da Gamba
1
4
7
10
13
16
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
$10.99
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
edited by Wilhelm Rust. 
#
Luis Anjos Teixeira
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
$15.00
#
2 Flutes (duet)
#
Carl Friedrich Abel 1723 - 87
#
Piper Publications
Triosonata B minor
Triosonata B minor
$18.99
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Johann Ludwig Krebs
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Gamba Sonatas W 88 136 137 Vla Urtext
Viola da Gamba
G. Henle
Edition for Gamba (Viola). Composed by Carl Philipp Emanuel Bach. Edited by Erns...
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Edition for Gamba (Viola). Composed by Carl Philipp Emanuel Bach. Edited by Ernst-Gunter Heinemann and Wolfram Ensslin. Strings, Repertoire, Collections. Gamba Sonatas Wq 88, 136, 137. Baroque, Classical. Softcover Book. 104 pages. G. Henle #HN990. Published by G. Henle (HU.HN990). 12.2 x 9.3 x 0.3 inches. Like his father, Carl Philipp Emanuel Bach wrote three sonatas for violada gamba. They were written during his time at the Berlin court of Fred erick the Great and gave the excellent viola da gamba player in the court orchestra an opportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo, Bach followed his fathersexample as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of the harpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola, a practice that has been verified in the sources of the time. This version is available in our Urtext edition as an alternative part.
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Methodes and Traites Viole de gambe - 3 Volumes - Italie 1600-1800
Viola da Gamba
Fuzeau
(Serie IV - Italie 1600-1800). Edited by Vittorio Ghielmi, Paolo Biordi. For Vio...
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(Serie IV - Italie 1600-1800). Edited by Vittorio Ghielmi, Paolo Biordi. For Viola da gamba. Facsimiles. Methodes and Traites. Grade 0. 760 pages. Published by Anne Fuzeau Productions - France
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Sainte-colombe - Pour La Basse (manuscrit De Tournus) - Viole De Gambe
Viola da Gamba
Guntersberg
Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da ...
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Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da Gamba solo from the manuscript M.3 of the Bibliothèque municipale of Tournus In 1992, in the French town of Tournus, an extensive anonymous music manuscript was discovered, which for insiders was nothing less than a sensation. For it turned out that 143 of the pieces in this collection of music for viola da gamba solo were by Sainte-Colombe, the most important viol player and composer in France before Marin Marais. Since, for various reasons, the manuscript is not easy to read for today?s players, we present here for the first time a practical edition that contains all of Sainte-Colombe?s pieces from the Tournus manuscript. The transcription into modern notation has been done with great care, and the original notation retained wherever possible. Sainte-Colombe?s music is so interesting for the performer because it violates many compositional and musical rules, and as a result often seems improvised. Its soothing and frequently melancholy character is unique. It represents a challenge that every viola da gambist should take upon him/herself.
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Ortiz Diego - Trattado De Glosas
Viola da Gamba
Barenreiter
Diego Ortiz?s Trattado is a classic in the art of musical ornamentation. Part 1 ...
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Diego Ortiz?s Trattado is a classic in the art of musical ornamentation. Part 1 provides examples of every cadence while part 2 discusses the interplay between viola da gamba and harpsichord, including many pieces for this combination of instruments as illustrations. All lovers of early music are familiar with Ortiz?s standard work, but how many of them have actually read it? This new edition makes the work more accessible by choosing a synoptic layout: the original Spanish and Italian are printed on a double-page spread along with translations into modern German and English. An introduction by Annette Otterstedt explains the Trattado and its origins, the various tunings, and questions regarding the instrument. The musical section has been freshly engraved, and a separate viol part simplifies performances with a keyboard instrument. For the first time, Ortiz?s text is now available to an international readership in the original and in translation at the same time. The Editor Annette Otterstedt is a concert gamba player and musicologist presently employed as an assistant curator at the Music Instrument Museum in Berlin . She has published several books, including Die Gambe (1994; Eng. trans. as The Viol, 2002) and a great many articles on early music. Ortiz, Diego Trattado de Glosas Edition no. BVK 1594 ISBN 9783761815946 Detailed product information Editor Otterstedt, Anette Language(s) of work Spanish, Italian, English, German Product format Book Binding Hardback Pages / Format 125/24 S. - 33,0 x 25,0 cm
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