Thou Soul Of The Universe by W.A. Mozart arranged for TT(Bar)B and piano by Basil Ramsey.

Par MAROON 5. Schoolmates since Junior High and now based in Los Angeles, Maroon 5 blend elements of R and B, soul and funk influences into their rock and roll songs. All 12 songs from Maroon 5's debut album, arranged for piano and voice with full lyrics and guitar chord boxes. Includes their hit singles Harder To Breathe and This Love . / Niveau : Elémentaire / Rép International / Recueil / Piano, Chant et Guitare

Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

An exceptionally wide-ranging selection of 22 of the best audition songs for male voices. From Jazz and Soul to Pop, Rock and R n'B, this collection has something to suit every occasion, whether you are auditioning for a band or a stage production, or impressing the judges at a competition! Each song has been carefully identified with the relevant vocal range, so you can tell at a glance which songs are best suited to your unique voice. The book is complete with 2 CDs of outstanding backing tracks, professionally recorded to give you the very best virtual backing band! With songs ranging from This Love and Clocks to Luck Be A Lady and The Music Of The Night , this package represents the ultimate audition sourcebook for men. / Piano/Vocal/Guitare (PVG)

(A Tribute to the Blues Brothers)-From their founding in 1978 as part of a Saturday Night Live sketch the duo known as the Blues Brothers has been an ongoing musical phenomenon. Enjoy 8 minutes of non-stop entertainment with this medley featuring their songs including: I Can't Turn You Loose Soul Man I Got Everything I Need Do You Love Me. Available separately: SATB SAB TTBB ShowTrax CD. Combo parts available digitally (tpt1 tpt2 tsx tbn barsx gtr b dm). Duration: ca. 6:25.

From the undisputed Queen of Soul this is one of Aretha's iconic songs and always listed as one of the greatest pop & R&B songs of all time. This arrangement stays true to the style and allows your students a chance to dig into this important style.

Classified by BMI as #25 in the Top 100 Songs of the Century this 1966 pop hit by Bobby Hebb has been covered by hundreds of artists. The soul-stirring melody will be a fantastic selection for vocal jazz and pop groups alike. Available separately: SATB SAB SSA ShowTrax CD. Rhythm Section available digitally (gtr b dm).

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

An exceptionally wide-ranging selection of 22 of the best audition songs for female voices. From Jazz and Soul to Pop, Rock and R'n'B, this collection has something to suit every occasion, whether you are auditioning for a band or a stage production, or impressing the judges at a competition. Each song has been carefully identified with the relevant vocal range, so you can tell at a glance which songs are best suited to your unique voice. The book is complete with 2 CDs of outstanding backing tracks, professionally recorded to give you the very best virtual backing band! With songs ranging from From A Distance and The Closest Thing To Crazy to Murder On The Dancefloor and Toxic, this package represents the ultimate audition sourcebook for women

(A Tribute to the Blues Brothers)-From their founding in 1978 as part of a Saturday Night Live sketch the duo known as the Blues Brothers has been an ongoing musical phenomenon. Enjoy 8 minutes of non-stop entertainment with this medley featuring their songs including: I Can't Turn You Loose Soul Man I Got Everything I Need Do You Love Me. Available separately: SATB SAB TTBB ShowTrax CD. Combo parts available digitally (tpt1 tpt2 tsx tbn barsx gtr b dm). Duration: ca. 6:25.

This hit by soul and R&B band Earth Wind & Fire is a show-stopping choral! The music-themed lyrics hot instrumental accompaniment and rhythmic vocals combine to create a fresh dynamic performance piece for all ages.Available: SATB; SAB; SSA; 2-Part; Digital Instrument Pack; StudioTrax CD.

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.