SKU: CA.402305
ISBN 9790007167851.
Score available separately - see item CA.402300.
SKU: CA.3319900
ISBN 9790007188641. Language: German.
Carl Philipp Emanuel Bach is rightly regarded as the most important composer of the German art song before Schubert. He set new standards in the interplay of cantabile melodies and expressive piano accompaniment. He was also in personal contact with the great poets of his time - including Gleim, Kleist and Lessing - and shared their interest in the close relationship between literary and musical poesy. In his late years Bach planned a comprehensive selection of his songs, but the project was not completed. This edition follows the original manuscript of his Polyhymnia collection.
SKU: HL.14003076
Written for SATB choir and organ (or piano) accompaniment.
SKU: GH.N04258
ISBN 9790070030267. A4 inches. Text: Evelyn Lindstrom.
SKU: GH.CG-4612
ISBN 9790070038195. 185 x 262 mm inches.
Sattning baserad pa ett arrangemang av Franz Wullner.
SKU: HL.14018195
ISBN 9788759870747. 8.5x11.75x0.428 inches. International (more than one language).
For SATB Choir (with Divisions). These works may be performed ad libitum with instruments regular with renaissance performance practice.
SKU: CA.4033110
ISBN 9790007104795. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Score available separately - see item CA.4033100.
SKU: HL.1436082
UPC: 196288203834.
This combination pairs a text by one of our greatest hymn writers, Isaac Watts (who was a contemporary of Bach and Handel) with a spirited tune from William Walker's Southern Harmony, an 1835 shaped-note tune book which included many hymns which have since become part of our hymnological canon, including “What Wondrous Love is This†(WONDROUS LOVE) and “Brethren, We Have Met to Worship†(HOLY MANNA). Energy and rhythmic precision will delight singers and listeners alike.
SKU: BA.BA11303
ISBN 9790006565436. 27 x 19 cm inches. Language: German.
Georg Christoph Billers „Drei Motetten“ für vielstimmig gemischten Chor, Solo-Bariton (in „St. Thomas-Motette“ und „Hiobs Botschaft“) und Bassinstrument (ad lib.) zeugen vom vielschichtigen Kompositionsstil des ehemaligen Thomaskantors und sind in praktischen Einzelausgaben mit separater Bassstimme erhältlich.Als zweite der „Drei Motetten“ verweisen die „Botschaften Jesajas“ zunächst auf Johann Sebastian Bachs Motette „Fürchte dich nicht“ BWV 228. Die Motette für vier- bis sechsstimmigen gemischten Chor und Bassinstrument (ad libitum) ist gespickt von musikalischen Zitaten. Sogar Anklänge der Nationalhymne der DDR halten Einzug in Georg Christoph Billers Komposition. Schließlich ertönt im Schlussfugato das „Thema Regium“ aus dem „Musikalischen Opfer“ BWV 1079 von Johann Sebastian Bach.Informationen zu den Audio-Aufnahmen (siehe Multimedia)Botschaften Jesajas Leipziger Vocalensemble Leitung: Georg Christoph Biller Aufnahme: 10. Februar 2018 in der Thomaskirche Leipzig Tonmeister Stefan Antonin / Rondeau Production
SKU: CA.3140105
ISBN 9790007295059. German/English. Text: Franck, Salomon.
Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, represents the final stage of a multi-layered version history, beginning with the cantata Alles, was von Gott geboren BWV 80a, probably composed for Oculi Sunday (the third Sunday in Lent) 1716. As no cantatas were performed during Passiontide in Leipzig, if Bach wanted to re-use the cantata he had to rewrite it for another Sunday or feast day. Reformation Day suggests itself, as Bach had also incorporated the hymn Ein feste Burg ist unser Gott into the Oculi cantata (as an instrumental cantus firmus in the opening movement and in the final chorale). The first version of the Reformation cantata Ein feste Burg ist unser Gott BWV 80b (Carus 31.080/50) was simply expanded by the addition of chorale movements, then the movements of the Oculi cantata, slightly altered, were included in the cantata in the form known today as BWV 80.Only the text of the Oculi cantata Alles, was von Gott geboren BWV 80a survives today. However, the early version of the cantata can easily be extrapolated from the two later versions. This first published reconstruction to date, by the renowned Bach scholar Klaus Hofmann, represents a welcome addition to the small repertoire of Bach cantatas for Passion Sundays.
SKU: JK.01057
Isaiah 26:3-4, Psalm 145:8-9, 14-21.
An expressive hymn for mixed chorus (SATB) and organ, with music from Jesu, Joy of Man's Desiring--by Johann Sebastian Bach.Chorale Tune: Johann Sebastian Bach and Johann Schop Arranger: David Len Allen Lyricist: H.R. Palmer Difficulty: Medium / Difficult acc. Performance time: 3:15Reference: Isaiah 26:3-4, Psalm 145:8-9, 14-21.
SKU: CA.3550405
ISBN 9790007246648. German. Text: Albinus, Johann Georg.
The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven stanzas of the original are realized in seven separate movements. The work’s composer, Johann Ernst Bach, received his musical training from his godfather, Johann Sebastian Bach. He later served in a dual capacity as public lawyer and organist in Eisenach, then from 1756 as Kapellmeister at the ducal court in Weimar.The well-known hymn melody, which has also survived with the text “Mache dich, mein Geist, bereitâ€, can be heard in all movements. As a setting of a penitential psalm, the cantata is particularly suitable for performance during Lent and Holy Week.
SKU: BP.HB795
UPC: 748769307953. 8.5 x 11 inches.
This heartfelt setting by Karen Buckwalter, written in memory of a treasured member of the handbell community, is perfect for any service of remembrance or other reflective setting. Combining a cantata tune from Bach with the hymn Day by Day, it is a beautiful memorial perfect for intermediate groups.
SKU: HL.275001
UPC: 888680741495. 6.75x10.5 inches.
This well-known hymn begins simply with just violin, but it expands and builds into a full festival anthem. Provided with organ accompaniment, befitting the arrangers' gifts, a full score with additional piano parts and trumpet is available separately. A center section introduces a Bach chorale, and then returns even more majestically to the hymn-tune, this time with an invitation to the entire congregation. Lent and Easter season, Communion, General, and festival, all work for this piece. Easy to Medium in difficulty.
