SKU: CA.3620049
ISBN 9790007214142. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation. Score and part available separately - see item CA.3620000.
SKU: CA.3600149
ISBN 9790007241698. Key: G major. Language: German/English.
Score and part available separately - see item CA.3600100.
SKU: CA.3622205
ISBN 9790007186494. Language: German.
The Ascension Cantata Du Lebensfurst, Herr Jesu Christ BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms, is in the genre of a Concerto cum aria. An introductory sonata is followed by verse and ritornello in alternation. A special feature of the scoring is the use of the violetta as a string instrument in the middle of the five-part string texture. This can be played by a modern viola. Score available separately - see item CA.3622200.
SKU: CA.3620012
ISBN 9790007214098. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3600212
ISBN 9790007052584. Language: German/English.
There are many so called arias in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody. Score and part available separately - see item CA.3600200.
SKU: CA.3622216
ISBN 9790007214203. Language: German.
The Ascension Cantata Du Lebensfurst, Herr Jesu Christ BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms, is in the genre of a Concerto cum aria. An introductory sonata is followed by verse and ritornello in alternation. A special feature of the scoring is the use of the violetta as a string instrument in the middle of the five-part string texture. This can be played by a modern viola. Score and part available separately - see item CA.3622200.
SKU: CA.3601611
ISBN 9790007213756. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and part available separately - see item CA.3601600.
SKU: CA.3603411
ISBN 9790007213978. Language: German. Text: Ebert, Jakob. Text: Jakob Ebert.
The present cantata is a setting of the first three verses of the hymn Du Friedefurst, Herr Jesu Christ, with a text by Jakob Ebert (1549-1614). In the variety of ways for deploying the instruments in concert and the alternation between the instrumental and vocal parts, it goes beyond the comparatively simple model found in other cantatas of Buxtehude. Score and part available separately - see item CA.3603400.
SKU: CA.3622215
ISBN 9790007214197. Language: German.
SKU: CA.3600213
ISBN 9790007052591. Language: German/English.
SKU: CA.3620000
ISBN 9790007140366. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation.
SKU: CA.3622219
ISBN 9790007214210. Language: German.
The Ascension Cantata Du Lebensfurst, Herr Jesu Christ BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms, is in the genre of a Concerto cum aria. An introductory sonata is followed by verse and ritornello in alternation. A special feature of the scoring is the use of the violetta as a string instrument in the middle of the five-part string texture. This can be played by a modern viola. Score and parts available separately - see item CA.3622200.
SKU: CA.3622213
ISBN 9790007214173. Language: German.
SKU: CA.3601613
ISBN 9790007213770. Language: German.
SKU: CA.3620013
ISBN 9790007214104. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3601612
ISBN 9790007213763. Language: German.
SKU: CA.3600205
ISBN 9790007052560. Language: German/English.
There are many so called arias in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody. Score available separately - see item CA.3600200.
SKU: CA.3600214
ISBN 9790007052607. Language: German/English.
SKU: CA.3622214
ISBN 9790007214180. Language: German.
SKU: CA.3620014
ISBN 9790007214111. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3601609
ISBN 9790007213749. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and parts available separately - see item CA.3601600.
SKU: CA.3603412
ISBN 9790007213985. Language: German. Text: Ebert, Jakob. Text: Jakob Ebert.
SKU: CA.3620019
ISBN 9790007140373. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation. Score and parts available separately - see item CA.3620000.
SKU: CA.3620011
ISBN 9790007214081. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3603413
ISBN 9790007213992. Language: German. Text: Ebert, Jakob. Text: Jakob Ebert.
SKU: CA.3601900
ISBN 9790007090869. Language: German.
There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source.
SKU: CA.3600916
ISBN 9790007053093. Key: D major. Language: German.
Score available separately - see item CA.3600900.
SKU: CA.3601411
ISBN 9790007213664. Language: German.
Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work's charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Duben, refers to the accompanying violin parts in the words con due vel piu violini. This may indicate that each part should be played by several instrumentalists. Score and part available separately - see item CA.3601400.
SKU: CA.3601903
ISBN 9790007091644. Language: German.
There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score available separately - see item CA.3601900.
