Eight seasonal carols for mixed choir-Eight popular carols for SATB choir unaccompanied. This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist antiquarian linguist and musician G.R. Woodward who both composed his own music and provided many of the texts set by Wood. Seven of the included carols are for Christmas with the remaining one for Easter.

Hail Gladdening Light is an expressive anthem for Double Choir as composed by Charles Wood with words by John Keble.

Charles Wood's Full Fathom Five for SATB choir unaccompanied. This work is a setting of text from The Tempest Act 1 Scene 2 by William Shakespeare. Duration: 2 minutes. A Piano accompaniment is included for rehearsal purposes only.

100 Settings for SA MEN-One thing is for sure: this is the only carol book you need this Christmas!This collection is a real treasury of the most popular Christmas carols specially arranged for the parish choir where tenors and basses sing justone part. The Ultimate SA Men Carol Book consists of 100 carols in total many with descants including the classic arrangements of Charles Wood and John Stainer plus newer settings by Malcolm Archer RichardLloyd Sarah Watts and others - a sackful of music for the busiest season of the year!

POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine

Even such is Time an early motet for double choir written in 1913 ‘as student homework for Dr. Charles Wood’ with whom Howells studied harmony and counterpoint at the Royal College of Music between 1912 and 1917. It was published for the first time in 2008.

Jocelyn Pook’s Hearing Voices was commissioned by BBC3 for the BBC Concert Orchestra who gave the first performance at the Queen Elizabeth Hall London on 3 December 2012 with Melanie Pappenheim mezzosoprano conducted by Charles Hazlewood.The text for Hearing Voices was written by Emma Bernard. It also uses the words of artists Bobby Baker and Julie McNamara Jocelyn's relatives Phyllis Williams and Mary Pook and the seamstress Agnes Richter inmate in a German asylum in the 1890s who covered her straightjacket with densely embroidered text.

Snoopy!!! La comédie musicale par Larry Grossman et Hal Hackady est basée sur la bande dessinée de Charles M. Schulz arachides. Le ' complot ' est rempli de scènes placés de façon aléatoire, semblables à la bande dessinée elle-même et combine l'humour avec leçons de vie sur l'amitié et de croire en vous. / Chant/Vocal/Choeur

The Queens Service-SATB and organStanford's Magnificat and Nunc Dimittis in F was written in 1872 while the composer was a choral and organ scholar at Queens' College Cambridge. Though early in date the work already shows his remarkable talent for composition and his gift for writing large-scale choral music. Edited by Ralph Woodward a latter-day organ scholar of Stanford's old college the setting is entitled The Queens' Service to distinguish it from the more well-known service in the same key. The work has been recorded by Queens' College Chapel Choir on Mirabilis Records (MMSCD4).