SKU: TM.11892SC
Valse Tourbellou Ses Autans, Cantabile, Variations, Vieux Noel et Ronde des Cignales.
SKU: TM.11892SET
SKU: TM.01890SC
Vocal score same as mini score; contains piano reduction. Contains Chandos Anthems Nos. 4 and 5b.
SKU: TM.01890SET
SKU: BA.BA04051
ISBN 9790006443611. 33 x 26 cm inches. Text Language: English, German.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: TM.03131SET
P/C in set.
SKU: BA.BA10706-01
ISBN 9790006550227. 33 x 26 cm inches. Text Language: English. Preface: Amanda Babington.
The Dettinger Te Deum was written to celebrate England's victory over the French at the Battle of Dettingen.It is Handel's last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.* First Urtext edition* Includes a Foreword (Eng/Ger).
SKU: GI.G-008817
UPC: 641151088174. English.
Orlando composer Bob Schaefer always brings out the best in choirs with his musically compelling liturgical works. The images he portrays in each unique composition serve to support the particular liturgical day or ritual action. In this eucharistic anthem he makes use of staggered vocal entrances, creating a wash of sound as the melody first emerges from the lower voices.