Giulio Caccini's melody from the 16th century is romantic and lovely. Skilled Canadian composer Larry Nickel has adeptly set the “Ave Maria” text to this tune and the results are wonderful. Originally arranged for theThree Canadian Tenors and broadcast widely on YouTube this setting for SATB will find plenty of uses from school choirs and church choirs.

Caccini's Ave Maria is an exquisite setting of the traditional Latin text and its beauty and simplicity has led to performances by Andrea Bocelli Katherine Jenkins Hayley Westenra and many others. Here it has been arranged by Jonathan Wikeley for SATB choir and Piano accompaniment.

With Chorus SATB. Par CACCINI GIULIO. / Niveau : Elémentaire / Répertoire / Choeur (SATB) et Orchestre à vent

As publishers and musicians ourselves we understand the financial restraints faced by many choir directors. Even if you use just one of the pieces in the set you are paying only the usual price of a single choral piece. If youuse two you're getting double value and if you use three four five or more you're quids in!This first set of Five Ave Marias are for Unison and Unison and 2-Part (SA) Voices with Organ accompaniment.Contains Ave Marias by Jacob Arcadelt Johan Sebastian Bach/Charles Gounod Colin Mawby Giulio Caccini and Franz Schubert.

Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centuries - Medium High Voice A superb collection of 24 Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries, compiled for Medium to High Voice with Piano accompaniment. Songlist Alma Del Core (La Constanza In Amor Vince L'Inganno) [Caldara, Antonio] Amarilli, Mia Bella [Caccini, Giulio] Caro Mio Ben [Giordani, Tommaso] Che Fiero Costume [Legrenzi, Giovanni] Come Raggio Di Sol [Caldara, Antonio] Danza, Danza, Fanciulla Gentile [Durante, Francesco] Gia Il Sole Dal Gange [Scarlatti, Alessandro] Lasciatemi Morire (Adriane's Lament) [Monteverdi, Claudio] Le Violette [Scarlatti, Alessandro] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] Nina [Pergolesi, Giovanni Battista] Nina [Pergolesi, Giovanni] Non Posso Disperar [De Luca, S.] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] Per La Gloria D'adorarvi [Bononcini, Giovanni] Pieta, Signore [Stradella, Alessandro] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Tu Lo Sai [Torelli, Giuseppe] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Vergin, Tutto Amor [Durante, Francesco] Vittoria, Mio Core! [Carissimi, Giacomo]

La plupart des enseignants de la voix et des chanteurs préfèrent toujours la pianistique, merveilleusement gratifiante arrangements de ce matériau italien début faite par Alessandro Parisotti dans les années 1880. Cette nouvelle édition, nouvellement fait des recherches et gravé, comprend l'original Schirmer 24 'plus quatre chansons supplémentaires : Sento nel core (a. Scarlatti), O leggiadri occhi belli (anonyme), Intorno all'idol mio (Cesti), Delizie contente, che l'Alma beate (Cavalli). Avec IPA, mot pour mot traductions et des informations historiques sur chaque chanson et compositeur. Le CD comprend des accompagnements piano et enregistré les leçons de la prononciation. / Chant Et Piano

Opt. Flute-This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush and unexpected for a 16th century piece. The voice writing is straightforward with no surprises; Patrick Liebergen let's the beautiful melody and harmonies speak for themselves. The piano accompaniment is supportive and an optional flute part is included. The Ave Maria text makes it appropriate for school or church use year round.

26 Italian Songs And Arias contains arias sung and loved by the greatest singers in the world, and this version is for Medium/Low Voice with Piano Accompaniment. This edition draws on original manuscripts and historical first editions, along with recent research of prominent musicologists, to meet a high standard of accuracy and authenticity. It also enhances your enjoyment of the arias with a fascinating background about their original appearance in cantatas and operas, and about their composers. It will be easier than ever to learn the arias because the use of the International Phonetic Alphabet removes doubts about correctpronunciation. / Répertoire d'Examen / Recueil / Voix