The Vocal Library High Voice-Concert arrangements for voice and piano in an art song style of 35 great folksongs from the American heritage. These interesting and expressive settings are appropriate for collegiate recitals or advanced high school singers ascontest solos. The songs range from comic to sad from rowdy to inspirational and there are selections appropriate for women and men singers. The collection is primarily comprised of secular folksongs with a few sacred Americanfolk tunes. The same songs appear transposed in the editions for High Voice and Low Voice. There are three bonus duets. Includes fresh arrangements of ?Amazing Grace ? ?Black Is the Color of My True Love'sHair ? ?The Cruel War Is Raging ? ?How Can I Keep from Singing? ? ?I Gave My Love a Cherry ? ?Johnny Has Gone for a Soldier ? ?Shenandoah ? ?Soldier Soldier Will You Marry Me ? ?The Streets of Laredo ? ?Wayfaring Stranger ? ?Wondrous Love? and more.

Le langage de la Folk Livre 2 propose 16 intermédiaire de chansons folkloriques de pointe autour des îles britanniques et d'ailleurs, soigneusement sélectionnés et agencés pour développer les compétences clés et des styles vocaux intégrés à la chanson folklorique.

Produit en association avec The Sage Gateshead et son programme de musique folklorique de renommée nationale, ces livres offrent une richesse de matériel à la fois pour les chanteurs folkloriques établis et ceux qui découvrent le monde de folk.


16 chansons folkloriques variées, progressant de la 5e à la 8e année

Comprend deux chansons non accompagnés et des chansons arrangées avec accompagnement de piano

Notes contextuelles informatifs et des conseils pratiques pour chaque chanson

Les noms des accords prévus pour tous les morceaux, offrant artistes la liberté d'ajouter leur propre accompagnement

L'introduction utile à la chanson genre folklorique, y compris un guide du débutant à l'ornementation

CD avec des représentations authentiques de chaque chanson par les jeunes chanteurs de folk, avec des pistes d'accompagnement pour les morceaux accompagnés

Feuilles de paroles complètes disponibles au format PDF à imprimer sur le CD / Partition CD /

5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano

100 Favourite English Songs. Par SILVERMAN JERRY. Un mélange coloré de chants traditionnels de folk anglais et ballades, ainsi que l'histoire d'un grand nombre de chansons. Beaucoup de chansons folkloriques anglaises sont assez familier en Amérique. Des centaines d'entre eux vint avec les premiers colons au XVIIe siècle - autres avec la Redocoats au XVIIIe siècle - encore d'autres avec les marins et les pêcheurs du XIXe siècle - et enfin le doughboys et G.I. des deux guerres mondiales ont mis sur la contribution du XXe siècle. Le livre comprend la ligne de la mélodie, paroles, des informations historiques et accords de guitare. / Niveau : Débutant à Intermédiaire / Recueil / Songbook

A Martin Scorsese Picture. With a treasure of authentic and vintage footage, a host of characters including Pete Seeger, Allen Ginsberg and Mavis Staples, and in-depth conversation with Dylan himself, Scorsese's Grammy-winning documentary captured a turbulent period in the history of folk and rock music. Focusing upon the years between 1962 and 1966, Scorsese charts the struggles of the young, sophisticated and hugely gifted songwriter as he embraces the sounds of rock whilst being shunned by a traditional music audience that saw Dylan as their own. The film is packed full of magical performances, memorable songs and great recording sessions, and twenty-eight of those wonderful Dylan moments are available here for you to sing and play. Arranged for guitar and voice, with melody line and chord boxes, the songs include such masterpieces as Blowin' in the Wind, Mr Tambourine Man and Like a Rolling Stone.

This collection for progressing students includes art songs as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company · Campian: Jack and Joan · Dowland: Come again sweet love · Dowland: What if I never speed · Gibbons: The Silver Swan · Ireland: Spring Sorrow · Lawes: How happy art thou · Morley: It was a lover and his lass · Morley: Now is the month of Maying · Purcell: I attempt from love's sickness · Purcell: Nymphs and Shepherds · Quilter: Weep you no more · Vaughan Williams: The Call · Vaughan Williams: Bright is the ring of words · FOLKSONGS/SPIRITUALS All Through the Night (arr. Nicholl) · The Gospel Train (Walters) · Greensleeves(arr. Stanley) · He's Got the Whole World in His Hands (arr. Boyd) · How Can I Keep from Singing (arr. Ruck) · I gave my love a cherry (arr. Dean) · Jacob's Ladder (arr. Walters) · My Lord What a Mornin' (arr. Burleigh) · Shenandoah (arr. Walters) · Sometimes I Feel Like a Motherless Child (arr. Walters) · This Little Light of Mine (arr. Ruck).

La communauté Songbook offre 100 chansons avec des mots, des cordes et des accompagnements piano. English songs, chansons écossais, irlandais chansons, chansons gallois, chants sacrés, chansons festives, chansons de plantation, chansons américains, comptines, tours et captures, chansons de mer et soldat chansons. Un livre essentiel ' poche ' récemment réédité./ Recueil / Voix

This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweetheart') - offers choirs attractive literature to expand their repertoires and to perform concerts for many different occasions. The creative choral director has many possibilities for performing this music: thus instruments can be added, or - if there are difficulties due to pronouncing a foreign language - a small ensemble can sing the song, while the remainder of the choir hums the music in the background. The selected songs about themes of love and love's sorrow, dance, festival and celebration, are traditional folksongs which are well-known and popular in the countries of their origin. In puttingtogether this collection special emphasis has been placed on the musical quality of the settings. In addition to traditional settings, many songs in new arrangments by contemporary composers have been included. The settings range in difficulty from easy to moderately difficult. / Musique traditionnelle / Répertoire / Choeur

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Par SUZUKI SHINICHI. Teach voice with the popular Suzuki Voice School! The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Voice School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki voice teacher to develop their potential as a musician and as a person.This Book

Par BIBS EKKEL. Présenté ici est une collection rare de certaines des meilleures chansons folk Gypsy populaire parmi les Roms de Russie et l'Europe de l'est. Tous offerts dans l'original dialecte tribal du romani, comme il convient à chaque chanson, avec le guide de prononciation facile à suivre spécialement formulé pour la langue maternelle anglaise et la traduction littérale en anglais (mot à mot). L'aperçu historique et linguistique court annexe offre un rare aperçu de l'histoire, traditions, langue ainsi que la musique et les chansons de ce peuple unique et mystérieux. Excellent ajout à la collection du tout pianiste ! / Niveau : Débutant à Intermédiaire / Gypsy - Songbooks / Recueil / Chant

Par NYRO LAURA. Bien plus qu'un recueil de chansons, cette collection est un aperçu de la psyché de la fin, le grand artiste folk et le compositeur Laura Nyro. Il dispose d'une entrevue avec Laura, extraits de ses journaux personnels de musique, de notes créatives, de photos de famille et de ses propres tableaux jamais-avant-vu, parmi les autres trésors. Prendre des dispositions P/V/G de 17 chansons/ Recueil / Piano, Chant et Guitare

The Missa Brevis In E-Flat Minor for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness it is suitable for use in church services while its delightful harmonic layout and consciously simple melodies (with clear allusions to folk music) also make it perfect for concert performance.

This excellent collection of 12 varied folk songs from near and far offers fresh settings by well-known Alfred Music arrangers including Jay Althouse, Andy Beck, Mark Hayes, Douglas E. Wagner, Dave and Jean Perry, and more. Available in Medium High and Medium Low editions. / Voix