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FOR CHORAL - VOCAL - CHOIR
Schubert Choir
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Schubert - The Song of Miriam Op.136 - Timpani
Schubert - The Song of Miriam Op.136 - Timpani
$1.99
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Franz Schubert
#
Adrian Connell
#
Adrian Connell
Ave Maria (Schubert) - SA
Ave Maria (Schubert) - SA
$2.99
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Choral 2-part
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Franz Schubert
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Jenny Walker
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J Walker
Schubert D 965 Op 129 Der Hirt auf dem Felsen Shepherd On The Rock Chamber Ensemble
Schubert D 965 Op 129 Der Hirt auf dem Felsen Shepherd On The Rock Chamber Ensemble
$19.99
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Rainer's Rainbow
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R G Roth
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Rainer's Rainbow
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Classical composers :
• Schubert, François
• Schubert, Ferdinand Lukas
• Schubert, Franz Peter
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Franz Schubert: Mass in A-flat major D 678: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Second version with the variant of the Osanna in excelsis and the Cum Sancto Spi...
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Second version with the variant of the Osanna in excelsis and the Cum Sancto Spiritu-Fugue from the first version.Unlike the four early Masses Schubert did not write his fifth as the result of a request for a particular performance – he evidently intended it as a proof of the mastery to which he had attained in the meantime.The present edition presents the revised second version of the Mass. Also included as an appendix is the discarded Fugue from the first version (extant in a copy made by Schubert’s brother Ferdinand for the intended performance in 1823). This movement – unlike the later a “more modern” Fugue –corresponds to Schubert’s original concept of the Mass which in general he merely modified when revising the work rather than fundamentally altering it.- Urtext of the New Schubert Edition- Full score performance material (BA5623) and vocal score (BA5623-90) available for sale
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Franz Schubert: 100 Songs - Low Voice: Vocal and Piano: Vocal Album
Low voice
[Vocal Score]
Hal Leonard
The most useful collection of Schubert songs available! Unlike international edi...
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The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.
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Franz Schubert: Mass A flat major D 678: Vocal: Vocal Score
[Vocal Score]
Breitkopf & Härtel
For solo soprano alto tenor bass mixed choir and piano. 'To strive for the ...
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For solo soprano alto tenor bass mixed choir and piano. 'To strive for the highest in art' - these are the words with which Franz Schubert announced his A flat major Mass in 1828 a work which he designated as 'Missa solemnis' in his autograph. Alone the genesis of the work shows the importance which the composer placed on this work. Schubert wrote the score between 1819 and 1822 an unusually long period of time for him. He later fundamentally revised the mass when he applied for the post of Vice Court Kapellmeister in Vienna which he did not obtain. After this disappointment he rejected his original intent of dedicating the mass 'to the Emperor orEmpress.' Thanks to Peter Jost's 'Breitkopf Urtext' edition Schubert's 'Missa solemnis' once again adds its luster to the publisher's catalogue: Breitkopf & Härtel published its final version in the Schubert Gesamtausgabe in 1887.
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Franz Schubert: Alfonso und Estrella D 732: Opera: Vocal Score
Opera
[Vocal Score]
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Franz Schubert: Lieder Volume 8 - Medium Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext...
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Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Alfonso und Estrella D 732: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
(+)
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Cello & Double Bass:
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
High voice, Piano
[Sheet music]
-
Advanced
Barenreiter
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schu...
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Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Parts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Vocal Score
[Vocal Score]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: A Taste Of Schubert: Medium Voice: Vocal Work
Medium voice, Piano
Barenreiter
For Medium Voice-Do you know our performing edition of Schubert Lieder? 13 volum...
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For Medium Voice-Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht? of which he wrote several settings.
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Franz Schubert: A Taste Of Schubert: High Voice: Vocal Work
High voice, Piano
[Vocal Score]
Barenreiter
For High Voice-Do you know our performing edition of Schubert Lieder? 13 volumes...
(+)
For High Voice-Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht? of which he wrote several settings.
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Lieder, Band 3 (SCHUBERT FRANZ)
Français
Medium Voice
[Sheet music]
Barenreiter
Mittlere Stimme / Medium Voice. Par SCHUBERT FRANZ. Alle Schubert-Lieder In Neue...
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Mittlere Stimme / Medium Voice. Par SCHUBERT FRANZ. Alle Schubert-Lieder In Neuer Praktischer Ausgabe. Urtext Der Neuen Schubert-Ausgabe. Hrsg Walther Dürr/ Répertoire / Voix Moyennes
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Ave Maria Opus 52 n°6 ? Voix Elevées (Collection Anacrouse) (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
EBR Editions Bourges
Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confi...
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Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano
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Intende Voci (SCHUBERT FRANZ)
Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
[Sheet music]
Carus Verlag
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier...
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Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the 'Mass in E flat'./ Répertoire / Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
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Intende Voci (SCHUBERT FRANZ)
Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
[Sheet music]
Carus Verlag
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier...
(+)
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the 'Mass in E flat'. / Musique religieuse / Répertoire / Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
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Intende Voci (SCHUBERT FRANZ)
Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
[Sheet music]
Carus Verlag
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier...
(+)
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the 'Mass in E flat'. / Musique religieuse / Répertoire / Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
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Franz Schubert: Magnificat in C: SATB: Vocal Score
Choral SATB
[Vocal Score]
Carus Verlag
C-Dur-Schubert's Magnificat in C for SATB and Chamber Group.The Carus edition of...
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C-Dur-Schubert's Magnificat in C for SATB and Chamber Group.The Carus edition of the Magnificat is something of a peculiarity: It first became accessible again through a privately-owned manuscript which was long believed to have been lost. This manuscript was the basis of the old Schubert edition [1888]. Through this discovery the parts of this expressly beautiful work have now been published in the version as they were notated by Schubert in his own hand.
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Intende Voci (SCHUBERT FRANZ)
Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
[Sheet music]
Carus Verlag
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier...
(+)
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the 'Mass in E flat'. / Musique religieuse / Répertoire / Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
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Schubert, H.: Drei Gesänge Zur Professfeier Von Frauen (SCHUBERT ANDREAS / SCHUBERT HEINO)
1 à 3 Voix Egales et Orgue
[Sheet music]
Carus Verlag
Par SCHUBERT ANDREAS / SCHUBERT HEINO. / Répertoire / 1 à 3 Voix Egales et Org...
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Par SCHUBERT ANDREAS / SCHUBERT HEINO. / Répertoire / 1 à 3 Voix Egales et Orgue
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Geist Der Liebe (Mathisson) Op. 11/3 D. 747 (SCHUBERT FRANZ)
Choeur d'Hommes et Guitare
[Sheet music]
-
Easy
Chanterelle
Par SCHUBERT FRANZ. C'est la partie de guitare facultatif au travail vocal bien ...
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Par SCHUBERT FRANZ. C'est la partie de guitare facultatif au travail vocal bien connu de Schubert ' tiré à part de la budget ' de notre volume principal des oeuvres de Schubert pour Male Voice Choir avec accompagnement de guitare - Réf. ECH 548. / Niveau : Assez Facile / Répertoire / Choeur d'Hommes et Guitare
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Franz Schubert: Piano Works for Piano Four-hands Volume II: Piano Duet:
Voice solo
G. Henle
Works for Piano four-hands Volume II-Aucun autre grand compositeur n?a ?crit au...
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Works for Piano four-hands Volume II-Aucun autre grand compositeur n?a ?crit autant d??uvres pour piano ? quatre mains que Franz Schubert ? 54 ?uvres en tout (dont 32 avec num?ro d?opus): des fantaisies des danses des marches des variations rondos sonates etc. Jouer de la musique ensemble souvent dans un cadre convivial faisait partie int?grante de la vie au sein du cercle d?amis de Schubert. Quel plaisir de travailler ces morceaux! Dans les trois volumes de l??dition Henle-Urtext comportant la musique pour piano ? quatre mains de Schubert les morceaux sont class?s par ordre chrono-logique. Le volume II contient 26 morceaux en tout dont 19 sont rassembl?s dans quatre opus de trois quatre et six morceauxs?par?s: Trois Marches militaires Quatre L?ndler ainsi que six Grandes Marches et Trios et autant de Polonaises. Ces ?uvres datent des ann?es 1818 ? 1826. La pi?ce la plus connue de ce volume est sans doute la sonate en Ut majeur D 812 ?galement connue sous le titre de Grand Duo et compos?e en 1824. Cependant sans vouloir rel?guer les autres ?uvres au second plan les sept marches sont elles aussi des ?uvres somptueuses.
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Franz Schubert: Rosamunde Fürstin von Cypern D 797: Orchestra: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Romantisches Schauspiel in vier Akten mit Musikbegleitung Chören und Tänzen-R...
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Romantisches Schauspiel in vier Akten mit Musikbegleitung Chören und Tänzen-Rosamunde Fürstin Von Cypern D 797Incidental music to the four-act play by Helmina von Chézy.On 20 December 1823 Helmina von Chézy?s ?great romantic drama? ?Rosamunde? received its premiere performance at Vienna?s Theater an der Wien. Unfortunately this version of the drama with ghosts shipwreck pirates attempted poisoning and other horrifying ingredients has not survived unlike Schubert?s popular incidental music which was already praised by contemporary critics. Special acknowledgment was given to ?the genius of this much-loved master? and as evidence of its popularity the overture and the ?Hunters? Chorus? had to beplayed again.Now Bärenreiter is issuing one of Schubert?s best-known compositions in a complete vocal score.The appendix includes Chézy?s draft to the play ?Rosamunde? and a reconstruction of the first version of this drama.Urtext edition based on the ?New Schubert Edition?Bilingual Foreword (Ger/Eng)Idiomatic uncluttered Piano reduction (Ger)Full score (BA5570) and vocal score (BA5570-90) available for sale performance material (BA5570-72) available for hire
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Messe In G (SCHUBERT FRANZ)
Solistes STB, Choeur SATB Version 1 (original) : (
Carus Verlag
Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition...
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Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition based on the autograph score [1815], with the recommendations of Ferdinand Schubert. / Messe / Répertoire / Solistes STB, Choeur SATB Version 1 (original) : (
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Messe In G (SCHUBERT FRANZ)
Solistes STB, Choeur SATB Version 1 (original) : (
[Sheet music]
Carus Verlag
Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition...
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Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition based on the autograph score [1815], with the recommendations of Ferdinand Schubert. / Messe / Répertoire / Solistes STB, Choeur SATB Version 1 (original) : (
3.70 EUR - Sold by LMI-partitions
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Naturgenuss (Mathisson) Op. 16/2 D. 422 (SCHUBERT FRANZ)
Choeur d'Hommes et Guitare
[Sheet music]
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Easy
Chanterelle
Par SCHUBERT FRANZ. C'est la partie de guitare facultatif au travail vocal bien ...
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Par SCHUBERT FRANZ. C'est la partie de guitare facultatif au travail vocal bien connu de Schubert ' tiré à part de la budget ' de notre volume principal des oeuvres de Schubert pour Male Voice Choir avec accompagnement de guitare - Réf. ECH 548. / Niveau : Assez Facile / Répertoire / Choeur d'Hommes et Guitare
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Arrangements and Derangements (SCHUBERT FRANZ / CHING MICHAEL (Arr)
Voice, Cello and Piano
[Set of Parts]
ECS Publishing
Interpretations of Schubert. Par SCHUBERT FRANZ / CHING MICHAEL (Arr.). Commissi...
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Interpretations of Schubert. Par SCHUBERT FRANZ / CHING MICHAEL (Arr.). Commissioned by the ARK Trio, these settings interact with famous Schubert songs in respectful or mischievous ways. / Date parution : 2023-06-01/ Répertoire / Soprano, Violoncelle et Piano
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Intende Voci (SCHUBERT FRANZ)
Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
[Sheet music]
Carus Verlag
Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier...
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Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the 'Mass in E flat'. / Musique religieuse / Répertoire / Solo T, Choeur SATB, Hautbois, 2 Clarinettes, 2 Ba
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Franz Schubert: Lieder Volume 6: Voice: Vocal Album
Medium voice, Piano
Barenreiter
Mittlere Stimme / Medium Voice-Based on the New Schubert Edition.Newly engraved ...
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Mittlere Stimme / Medium Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this periodan assistant teacher at his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:High Voice & Piano BA 9106Low Voice & Piano BA 9146
36.50 GBP - Sold by Musicroom UK
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