The text of Susanni is a translation of Martin Luther's hymn of 1535, Vom Himmel hoch . The music is based loosely upon the well-known chorale melody, which, at times, is quoted in full in both voices and organ. Except where indicated, singers should adopt a legato style, especially in the repeated quaver patterns. In the bars which appear to be in compound time, conductors should beat in crotchets. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music - as a singer, conductor, teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge, taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King's Singers, with whom he recorded and performed worldwide. For eighteen years he directed the Choir of Magdalen College, Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons, and gave the première of Paul McCartney's Ecce Cor Meum, written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music. / Choeur SATB Et Orgue

This new anthem from Susan and Lee Dengler dances right into your heart. Madrigal-like runs along with solid harmonization establish a stylistic flavor; shifting meter displaces the bar line for further renaissance references.There are some modal chord substitutions that are bright surprises. Enjoy!

Looking to the scriptures Lee and Susan Dengler offer us an expressive adaptation of the celebrated Chronicles admonition to repentance. Effective!

More Songs and Games for the Music Class (Songbook 2)-First We Sing! Songbook Two is a collection of 18 more children's songs rhymes and games from around the world selected transcribed and annotated by Dr. Susan Brumfield. Whether you are looking for new songs to add to your repertoire or for new ways to teach familiar favorites Songbook Two is loaded with more fresh ideas for the music class. This second volume in a series designed to bring delightfully singable songs and practical pedagogy together is perfect for use in both home and school. Songbook Two also features extension activities for the classroom historical references pedagogical indices and suggestions for including these songs in the First We Sing!literacy-based music series available from Hal Leonard. This second volume comes with a Sing-along CD recording featuring Inner Voices a group of 8-12 year old singers from The West Texas Children's Chorus. This enhanced CD also offers PDF songsheets for projection or print options. Songbook Two includes suggestions for Orff instruments and recorder along with seasonal and holiday songs singing games and songs just for fun. Ideally suited for teaching musical skills this collection provides a ???vocabulary??? of music and play from which children can draw today. Adults and kids of all ages will discover the fun and enjoyment of listening learning singing and playing these songs for generations to come!

There is unbounded joy in this vision of heaven painted in song by our nation's early worshippers. “The Sacred Harp” and the “Sacred Lyre” are the folk treasuries that Lee and Susan Dengler researched todeliver this amazing anthem. This positive acclamation is perfect for All Saints' Day or memorial observances. There are no tears to be found in this choral and the pianist will delight in a truly idiomatic part. Don't miss thisunforgettable shout of praise!

Ronald Corp's Susanni is a work scored for Unaccompanied SATB Choir with words from the popular anonymous 15th century text 'A Little Child There Is Yborn'.

Commissioned for the Kentucky Music Educator's Association TTBB All-State Chorus this lively arrangement of a beloved folk song also features piano four-hand accompaniment. “O Susannah!” with its wonderfully freshglee club sound clever vocal effects and unexpected tempo changes is guaranteed to bring the house down! For high school through adult male chorus.

Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.

Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.

Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.

Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur.Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely.Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan.As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world. / Voix Et Piano

The cantata for SATB Choir and Piano In The Beginning was originally written while Gregson was studying at the Royal Academy of Music and scored for women’s Voices and Piano. In 1981 the composer revised and enlarged it extensively. The revised (and published) version is for mixed Choir and Piano. Words are taken from the first four verses of Genesis Chapter 1 the jubilant Latin exhortation Gloria in Excelsis Deo and a poem written by Susan Smith (later Susan Gregson). The compact yet dramatic work is not too technically demanding for intermediate/advanced (grades 6-8) groups. Duration ca. 10 minutes.Edward Gregson is an Englishcomposer of international standing whose music has been performed broadcast and recorded worldwide. He has written orchestral chamber instrumental and choral music as well as music for the theatre film and television.

Ten years of sheet music bestsellers from the world's biggest pop superstars! This book contains more than 300 pages of top hits. Titles include: 21 Guns (Green Day) ? Almost Lover (A Fine Frenzy) ? Chariot (GavinDeGraw) ? Crush (David Archuleta) ? Haven't Met You Yet (Michael Bublé) ? Hey There Delilah (Plain White T's) ? Hips Don't Lie (Shakira) ? Hot N Cold (Katy Perry) ? Inside Your Heaven (CarrieUnderwood) ? Whatever You Like (T.I.) ? Wild Horses (Susan Boyle) ? and more.