SKU: CA.627000
ISBN 9790007012175.
SKU: ST.CN72P
ISBN 9790220228629.
A perfect seasonal choice, Onward we go is a consummate example of Thomas Hewitt Jonesâ??s feeling for young voices, and his passion for sharing the joy of Christmas through memorable tunes. A beautiful, arching melody carries the delightful verse by Canon Gordon Giles, which tells of children singing as they journey to the manger. Shepherds, angels and the Magi accompany them on their way, bearing gifts of love to honour the incarnation in faith, hope and reverence. Expressive and irresistible, words and music go straight to the heart, with a warmth especially inspired by the dedicatees, chorister-tutor Caroline Lenton-Ward and the childrenâ??s choir of St Stephenâ??s, South Dulwich, a church which also played a formative part in the composerâ??s musical upbringing. Onward we go may be performed by unison voices with organ or piano, or with organ or piano and additional flexible instrumental ensemble including any available upper strings and woodwind, plus optional cello, bass guitar or double bass, mark tree and tubular bells.A set of score and parts for the optional ensemble (Cat. No. Y373) will be available to purchase.
SKU: BA.BA01038
ISBN 9790006407705. Text: Hermann Claudius.
One of the compositional focuses of the German composer and pedagogue Karl Marx is on choral and amateur music. His songs based on the words of Hermann Claudius are among the best known.This edition brings together the following pieces for solo soprano and piano:– Kühe: Sie wiegen schwankend sich in schwerem Schreiten– Der Star: Dasalte Wunder ward wieder wahr: auf unserm Dachfirst flötet der erste Star– Späte Rose, in dem hohen Glase– Franziska: Das Heimlichst zwischen dir und mir– Das zwei sich herzlich lieben, gibt erst der Welt den Sinn– Ursame Weihnacht: Mann und Weib und Kind. Draußen weht der Wind– Ein Menschlein ward geboren. Ein Schicksal nimmt den Lauf– Großstadt-Abend: Wir tragen alle den Tod im Leib– Der alte Gärtner: Ich habe sie selber gezogen aus einem winzigen Kern– Auf ein trauriges Mädchen: Dunkel war der Zweig, den du mir brachtest– An die Sonne: Du liebe Sonne, bescheine mich– Hauslied bei Regen: Der Regen, der Regen, der lang entbehrte Segen!– Wie wandelnde Landschaft gehn über die Erde Gesichter der Menschen
SKU: CA.2333600
ISBN 9790007198800. Key: D major. Language: German.
Und das Wort ward Fleisch is a partially imitative motet.
SKU: CA.1942220
ISBN 9790007161316. Language: German. Text: Juhre, Arnim. Text: Arnim Juhre.
SKU: CA.2038505
ISBN 9790007089726. Key: D dorian. Language: German/English.
Score available separately - see item CA.2038500.
SKU: CA.9159800
ISBN 9790007123086. Key: F minor. Language: German.
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Donizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresentata per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
SKU: CA.3900210
ISBN 9790007103583. Key: G major. Language: German/English.
Score available separately - see item CA.3900200.
SKU: CA.707500
ISBN 9790007013653. Language: German.
