From Psalm 28-Light and celebratory this joyous anthem uses rhythmic ostinato-like vocal lines to support the melodic theme. A sustained middle section provides contrast capturing the majesty and mystery of God. The time signature changes and interesting harmonic writing make this a good challenge for more advanced choirs.

This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiritual arrangers in the United States to deliver specially commissioned authentic settings. You'll find familiar melodies such as 'Deep River' and 'Somebody's knockin' at yo' do'' alongside lesser-known spirituals and a range of styles and moods extending from the aspirational to the celebratory. Many of the arrangements include a 'lead voice' part allowing the opportunity for solo singing and idiomatic piano parts support the voices for the accompanied spirituals; pianoreductions are included for the unaccompanied arrangements. This inspirational journey through the African-American spiritual tradition is sure to captivate and delight all upper-voice choirs.Arrangements in tow three or four parts'Lead Voice' parts for three arrangementsAccompanied and unaccompaniedPiano reductions for a capella arrangementsAuthentic arrangements by specialistsRange of styles and moods Edited by Rosephanye Powell and William C. PowellRosephanye Powell is a singer arranger and widely published composer. A graduate of the Florida State University Westminster Choir College and Alabama State University she has distinguished herself as a researcher and interpreter of the African-American spiritual. She has served as a consultant for nationally syndicated radio published articles on the subject and presented lectures and performances at high schools colleges universities music organizations and churches around the United States. Her spiritual arrangements have been commissioned by nationally and internationally recognized professional choral groups and conductors. She was appointed Professor of Voice at Auburn University in 2001.William C. Powell holds degrees from Alabama State University

This wonderful sacred work is a jubilant setting of George Herbert's well-known words and would make an ideal choice for celebratory services and concerts. It may be performed with organ alone or with organ brass (2 alt sax 2 ten sax bari sax 4 tpt 4 tbn) and percussion (timp cym).The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Discovery Level 1-Here is a joyful and celebratory work that is well-crafted for younger performers. Ideal for contest and festival your choirs will shine!

Karl Jenkins's uplifting and celebratory Te Deum (text in Latin) premiered in Nov 2008 is now available on sale as a vocal score. The work is moderate length (15 mins) and scored for strings trumpets percussion and organ making it accessible to choirs of all sizes. Jenkins is the Patron of the Liverpool Welsh Choral who commissioned the new work to celebrate the city's European Capital of Culture year.

The King Shall Rejoice was commissioned by the Dean and Chapter of Westminster to mark the sixtieth anniversary of Her Majesty The Queen's coronation.Setting powerful and optimistic words from Psalm 21 Chilcott establishes a celebratory mood from the outset with dancing 6/8 rhythms and jubilant ringing chords. The voices soon divide into two choirs creating a striking antiphonal effect and the music moves through sections of slower more sustained writing in 4/4.The second half of the work sets an adapted version of the psalm text famously used by William Byrd - 'O Lord make thy servant Elizabeth our Queen rejoice in thy strength' - beforecoming to a buoyant and triumphant close with the final 'amen'.

Together We Sing Series-In this celebratory choral each part sings its own melody which later combine in partner-style form. It's an excellent choice for smaller choirs and younger singers learning to harmonize as well as to sing independently and in unison. The lyric uses English and easy Latin phrases to make learning quick while giving the opportunity for musical development.

Featuring the poem Everyone Sang by Siegfried Sassoon written shortly after the end of World War I Armistice 1918 is a celebratory work stemming from themes of victory and revolution. Challenging yet singable with a virtuosic piano part this setting will make a good addition to honor choir and festival choir repertoire. Jo-Michael Scheibe Choral Series.

No. 1 of Two Hymns of Praise-A tremendous celebratory work arranged by John Rutter for Mixed Choir and Brass Ensemble. Now Thank We All Our God starts with a triumphant fanfare introduction and is a majestic and inspiring piece. It is based on Ecclesiasticus 50:22-24 a 17th Century text by Martin Rinkart and it is believed that it was written for a celebration service to mark the end of the Thirty Years War in 1648. This is the complete Set of Parts for Brass ensemble consisting of 4 Trumpets in B Flat and C 2 Horns 2 Trombones Bass Trombone Percussion and Timpani.

A festive anthem scored for choir with brass quintet timpani and organ this celebratory work could be appropriate for music ministry Sunday renewal Sunday or dedication Sunday.

A sparkling joyous celebratory piece for upper voices suitable for a wide variety of secular and sacred occasions. Originally written for a school choir it is equally effective with adult singers. For SSA Chorus and Piano accompaniment.

Craig Hella Johnson Choral Series-Here is an anthem about inclusivity equality and equity of opportunity inherent in the Amy Lowell poem The Congressional Library. Commissioned by the Cincinnati Vocal Arts Ensemble the Cincinnati Children's Choir and the Cincinnati Chamber Orchestra as a celebratory statement to rededicate historic Memorial Hall.

Howard Helvey's How Can I Keep From Singing? for SATB (with divisions) unaccompanied. Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. The anthem is suitable for performance throughout the liturgical year and the sweeping melodies contrasting textures and rich harmonies complement the celebratory nature of the text. 'The text is perfect for an encore and the setting is commendably straightforward given the beauty of the original melody with only one change of key and no added accidentals.' - Geffrey Webber Choir &Organ November 2016

Zadok rules – Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II June 2013. Inspired by the works of G.F. Handel the text traces all of the English monarchs from William the Conqueror to the present day as well as interweaving well-known pieces such as Zadok the Priest and the Hallelujah Chorus. A celebratory anthem for unison children’s Choir SATB Chorus & chamber Orchestra.

Uses: Palm Sunday Scripture: Matthew 21:1-11; Luke 19:28-38 Triumphant and joyful this Palm Sunday piece urges one and all to lift high the palms of praise and prepare the way for David's royal Son. A lilting 6/8 meter provides a celebratory processional feel while also enhancing the spirited piano accompaniment. Available separately: Unison/opt. 2-Part Treble CelebrationTrax CD. Duration: 2:21