Claude Debussy's Et Ses Mélodies Oeuvres Complètes Volume 2 for Voice and Piano.

Claude Debussy's Trois Ballades De François Villon for Voice and Piano with English words by Nita Cox.

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Debussy's Beau Soir is a setting of a poem by Paul Bourget and was written when he was a mere 15 years of age.

Tonalité : D-Moll - Gottwald, Clytus (Arr.) -. Par DEBUSSY CLAUDE. Gattungen: Weltliche Chorsätze - Reihen bei Carus: Zeitgenössische Chormusik - Langue : Français/ Répertoire / Choeur SSSSAAAATTTTBBBB

extrait du - excerpt from Série II Vol. 2-Claude Debussy's S?guidille for Voice and Piano.

extrait du - excerpt from Série II Vol. 3-Claude Debussy's Nuits Blanches for Voice with Piano accompaniment.

de Fêtes Galantes-Claude Debussy's Colloque Sentimental from Fàtes Galantes for Voice and Piano.

You've heard the a cappella version of this Debussy piano piece (famously recorded by the renowned Swingle Singers) on Glee. Here is a more accessible setting that will be lots of fun to rehearse and perform and impressive in performance! Duration: ca. 3:10.

Arrangeur: Clytus Gottwald. Par DEBUSSY CLAUDE. Bearbeitung von Clytus Gottwald Dédié à mon admirable Pierre Boulez/ Répertoire / Choeur SSSSAAAATTTTBBBB et Piano (seulement Pour L

de Fêtes Galantes-Claude Debussy's Le Faune - De Fàtes Galantes for Voice and Piano.

Drei Lieder Nach Texten Von Alexander Puschkin. Par STRAVINSKY IGOR. Stravinsky composée de ces chansons durant sa lune de miel en 1906 et consacre ses paramètres de poèmes érotiques et pastorales Alexandre Pouchkine (qui étaient fondées sur les oeuvres par le Vicomte de Parni) à sa jeune épouse. Les chansons ont été orchestrées en 1907 et pour la première fois un an plus tard. La musique est neo-romantique, élégiaque et délicieux et contient déjà certains ' Debussyisms './ Répertoire / Mezzo-Soprano et Piano

Instrumentation : High voice - Pf (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols