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Chansons de Verlaine (CASKEN JOHN)
Soprano voice, Piano
Schott
for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2...
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for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano
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Quand L'Alouette A Chanté (ABOULKER ISABELLE)
Français
Choral 3-part
SSA
[Sheet music]
A Coeur Joie
Par ABOULKER ISABELLE. oeuvre publiée en partenariat avec le CENTRE DE DOCUMENT...
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Par ABOULKER ISABELLE. oeuvre publiée en partenariat avec le CENTRE DE DOCUMENTATION POUR L'ART CHORAL - MUSIQUE DANSE BOURGOGNE ' Donner l'occasion aux chanteurs, au-delà de la partition, d'interpréter des textes de grands auteurs français, ou de langue française, est un combat passé de longue date avec moi-même. Je me félicite de l'avoir respecté en choisissant ce poème de Victor Hugo, hymne à la paix, réquisitoire intense contre la guerre et la folie des hommes '. Isabelle ABOULKER, juillet 2010. Isabelle ABOULKER, pianiste et compositrice française reconnue concentre à partir de 1981 son activité créatrice autour de la voix et de ,l'opéra. Attentive à la prosodie, exigeante dans le choix de ses livrets, elle se veut héritière de la tradition française : Debussy, Ravel, Poulenc. Le nom d'Isabelle Aboulker est également indissociable d'opéras pour enfants. De ' Moi, Ulysse ' (1982, commande de Jean-Claude Malgoire pour l'Atelier Lyrique de Tourcoing) à ' Jérémy Fisher ' (2007, commande du Quatuor Debussy et de l'Opéra de Lyon) elle a composé de nombreuses oeuvres destinées au jeune public. Conjointement au développement de sa carrière de compositrice, distinguée par un prix de l'Académie des Beaux-Arts en 1999 et le Prix Musique de la Société des Auteurs et Compositeurs Dramatiques en 2000, Isabelle Aboulker a publié plusieurs ouvrages pédagogiques destinés aux chanteurs durant la période où elle a assumé, de 1983 à 2003, la charge de professeur de formation musicale au Conservatoire National Supérieur de Musique de Paris. / Date parution : 2019-09-06/ Répertoire / Choeur SSA
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Art Of French Song 1 Mezzo: Voice: Vocal Album
Piano, Voice
Peters
Those interested in French music have often had reason to be grateful to Roger N...
(+)
Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationNiedermeyer Le Lac (Meditation poétique)Berlioz AbsenceGounod Ô ma belle RebelleViardot Fleur desséchéeFranck S'il est un charmant gazonMassé ConsolationLalo Ballade à la luneSaint-Saëns La sérénitéDelibes Chanson espagnoleBizet
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Jack Hawes: Magnificat And Nunc Dimittis In D: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Jack Hawes (1916-2004) was a British composer cellist and pianist. He wrote wi...
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Jack Hawes (1916-2004) was a British composer cellist and pianist. He wrote widely for choir orchestra strings and solo instruments and cited his influences as Walton Ireland Bliss Delius and Debussy. His first setting of the evening canticles the Magnificat And Nunc Dimittis in D was completed in 1955 and dedicated to the church of St Mary-Le-Tower Ipswich where he sang as a boy chorister and first began to study the organ. It is scored for SATB with Organ accompaniment and is firmly in the 20th century Anglican style with plenty of soaring melodic lines and big climatic moments.
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Musique Française Pour Choeur Mixte: SATB: Vocal Score
Choral SATB
[Vocal Score]
Leduc, Alphonse
MUSIQUE FRANÇAISE POUR CHOEUR MIXTE réunit une sélection des plus belles oeuv...
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MUSIQUE FRANÇAISE POUR CHOEUR MIXTE réunit une sélection des plus belles oeuvres originales pour choeur de compositeurs français et de superbes arrangements de quelques-unes des plus sublimes mélodies françaises. Ce volume qui conviendra aux choeurs de toutes tailles et de tous niveaux comprend des compositions originales de Hector Berlioz Gabriel Fauré Reynaldo Hahn et Camille Saint-Saëns. On trouvera également d’élégants arrangements de mélodies dont le Baïlèro de Joseph Canteloube Beau soir et Nuit d’ étoiles de Claude Debussy ÀChloris de Reynaldo Hahn Deux Prières de Darius Milhaud Nos souvenirs qui chantent de Francis Poulenc Chanson française de Maurice Ravel et le Choral inappétissant d’Erik Satie.
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50 Art Songs from the Modern Repertoire: Voice & Piano: Mixed Songbook
Piano, Voice
Schirmer
The contents represent composers of fifteen nationalities and cover the most typ...
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The contents represent composers of fifteen nationalities and cover the most typical examples of each composer's style. Includes works by Bartok Debussy and Dunparc. Piano accompaniment.
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Nova (CAMPO REGIS)
Français
12 Voix, Choeur Mixte, Voix d'Enfants et Ensemble
[Sheet music]
Lemoine, Henry
Par CAMPO REGIS. ...proposition de l'ensemble Soli-Tutti... un nouveau projet : ...
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Par CAMPO REGIS. ...proposition de l'ensemble Soli-Tutti... un nouveau projet : 12 voix mixtes, des choeurs amateurs, des instruments. Oui des percussions très aiguës, des crotales, un glockenspiel, des triangles... Et des cuivres ? Seulement deux trompettes jumelles. Les cordes ? quelques altos, des violoncelles, une contrebasse. Des textes de Claude Debussy ! Un siècle après... pour un ouvrage de trente minutes (au moins trente en tout cas). Ecoute mi-amusée mi-... de mes Jeux de Rabelais : le dernier mouvement. Premières idées harmoniques venant tout d'un coup. Et puis la forme en boucle. Oui, pas de mélo. Une bulle d'harmonies. Du mouvement. Téléphone : et le titre ? Rumination. Evidence du titre Nova. Retour au travail. Acharnement. Recherche d'équilibres formels. Chantier. Variations des plaisirs. Joies. Angoisses. Sollicitations. Courrier. Discussion. Distractions. Travail. Enfin réalisation terminée. Euphorie puis brouillard et doutes. Patience infinie de l'éditeur et une nouvelle fois confiance, réconfort. Nouvelles sollicitations... autour de la voix. Coïncidence heureuse des envies. Ainsi Musicatreize, Les Jeunes Solistes, La Péniche-Opéra... (donc définitivement 'compositeur à voix'... amusement à cette idée). Prises en otage des mots. Les mots chahutés. Rires. Bousculades. Puis vengeance de toutes les vieilles cantates de Rome. Enfin petit repos - mais non éternel... Régis Campo / contemporain / Répertoire / 12 Voix, Choeur Mixte, Voix d'Enfants et Ensemble
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The Second Book Of Soprano Solos - Soprano
Soprano voice, Piano
[Sheet music]
-
Intermediate
Schirmer
Description The Second Book Of Soprano Solos The songs in this collection rep...
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Description The Second Book Of Soprano Solos The songs in this collection represent various periods of music history as well as selected sacred solos. Compiled by Joan Frey Boytim. Songlist A Pastoral [Veracini, Francesco Maria] A Spring Morning [Carey, Henry] Art Is Calling For Me [Herbert, Victor] Bescheidebne Liebe [Wolf, Hugo] Das Verlassene Magdlein [Wolf, Hugo] Die Nacht [Strauss, Richard] Down In The Forest [Ronald, Landon] Fiocca La Neve [Cimara, Pietro] Hark! The Echoing Air [Purcell, Henry] Hear My Prayer, O Lord [Dvorak, Antonin] La Zingara [Donizetti, Gaetano] Les Cloches [Debussy, Claude] Love's Philosophy [Quilter, Roger] Mein Glaubiges Herze (My Heart Ever Faithful) [Bach, Johann Sebastian] My Heart Is Like A Singing Bird [Parry, Hubert] O Divine Redeemer [Gounod, Charles] Oh! Had I Jubal's Lyre [Handel, George Frideric] Shepherd! Thy Demeanour Vary [Brown, Thomas] Sleep, Gentle Cherub, Sleep Descend [Arne, Thomas] Song Of The Blackbird [Quilter, Roger] Take O Take Those Lips Away [Beach, Amy] The Sun Shall Be No More Thy Light [Greene, Maurice] The Sun Whose Rays Are All Ablaze (The Mikado) [Sullivan, Arthur] These Are They Which Came [Gaul, Alfred Robert] To The Birds (A Des Oiseaux) [Hue, Georges] Un Moto Di Gioja [Mozart, Wolfgang Amadeus] Vergebliches Standchen Op.84 No.4 [Brahms, Johannes] Vieille Chanson [Bizet, Georges] Villanelle (I Saw The Swift Swallow Flying) [Dell'acqua, Eva]
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French Songs And Choruses For Mixed-Voice Choir: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
This collection of French Songs & Choruses includes a wealth of original choral ...
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This collection of French Songs & Choruses includes a wealth of original choral music by French composers as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities this is the perfect collection for finding new performance pieces but would work equally well as a complete concert programme. The selections in this songbook are second-to-none with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here with these choral compositions by giants of French classicalmusic often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré a new edition of Maurice Ravel's incredible Trois Chansons Camille Saint-Saëns's Calme Des Nuits and Trinquons?as well as Reynaldo Hahn's three Rondels originally written for SATB choir.? French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour?by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing while others like Debussy's Beau Soir?offer a similarly beautiful take on a different theme. With all of these songs the joy will be in careful selection fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs?is sure to enhance or invigorate your choir's repertoire giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses?included in this collection will make a perfectly French-flavoured addition to your general
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Bonnardot Jacqueline - Les Plaisirs Du Chant Vol.3b + Cd - Voix Moyenne, Piano
Français
Medium voice, Piano
[Sheet music + CD]
Lemoine, Henry
Ce volume 3B des Plaisirs du chant est, comme les précédents, destiné aux j...
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Ce volume 3B des Plaisirs du chant est, comme les précédents, destiné aux jeunes chanteurs, ainsi qu'aux cours de formation musicale. Les morceaux sont présentés dans une tessiture moyenne. Dans un but pédagogique, les morceaux choisis sont pour la plupart écrits dans un mouvement assez lent, et donc, plus difficiles à lier et à animer. Des petits chefs-d'oeuvre comme Die Lotosblume, Das Verlassene Mägdelein, Romance, Lungi da te, Canciôn de Cuna , demandent de la part de l'interprète une grande sensibilité musicale et des nuances subtiles. Leur exécution exige une grande attention. Pour les trois premiers numéros, précisons que jusqu'à la fin du 18e siècle, les ornements et variations n'étaient pas écrits, mais laissés à l'imagination des chanteurs (ces embellissements pouvaient changer d'un concert à l'autre). Nous avons un peu perdu ce sens de l'improvisation mais les étudiants pourront s'inspirer des ornements et variations très simples proposés dans le CD par les deux chanteurs. Pour La Rondinella de Charles Gounod, nous avons choisi le texte italien, paru à Londres en 1865, plutôt que le texte français L'Ame d'un ange sur un poème de Th. de Banville. Toutes les pièces de ce recueil peuvent être chantées par des voix féminines ou masculines (sauf Das Verlassene Mädgdelein de Wolf qui se prête davantage à une voix de soprano). L'air de Fortunio peut être chanté par toutes les voix pour le travail, mais dans une situation d'examen, il est plus adapté à une voix masculine. Autrement, les textes musicaux et poétiques conviennent à toutes les voix, même la berceuse de Montsalvage. Pour le CD, j'ai demandé la collaboration d'une soprano et d'un ténor dans le seul but de varier les couleurs à l'écoute du disque. Les deux artistes ont chanté avec une grande économie de moyens pour que l'écoute du CD n'incite pas les jeunes chanteurs à forcer. L'accompagnement enregistré du piano seul aidera à la mise en place du morceau avant le travail avec l'accompagnateur. Pour la préparation à l'étude d'un morceau, on pourra s'inspirer des exercices ciblés et classés qui se trouvent dans le livre Le Professeur de chant : un luthier qui construit une voix (référence: VV375 ) paru aux Editions Van de Velde. L' expérience prouve que tous ces morceaux sont travaillés avec un grand plaisir par les étudiants et sont source de progrès. Jacqueline Bonnardot Contenu : Debussy C.: Romance - Du Buisson: Plainte sur la mort de Monsieur Lambert - Gounod C.: Aubade - La Rondinella - Messager A.: Fortunio - Montsalvatge X.: Cancion de cuna para dormir a un negrito - Paisiello G.: Nel cor più non mi sento (La Molinara) - Purcell H.: Strike The Viol - Sarti G.: Lungi da te ben mio - Schumann R.: Die Lotosblume - Wolf H.: Das Verlassene Mägdlein Compositeur/Auteur : BONNARDOT Jacqueline Discipline/Instrument : voix moyenne et piano Collection : Bonnardot Jacqueline Support : Partition + CD Style/Genre : classique Date de parution : août-08 Nombre de pages : 34
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Art of French Song Vol.2: High Voice: Vocal Album
Piano, Voice
Peters
Those interested in French music have often had reason to be grateful to Roger N...
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Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationReber GuitareGounod Le soirGounod Le premier jour de maiViardot Les deux rosesViardot La mésangeFranck NocturneMassé SouvenirsLalo Chant BretonSaint-Saëns Chanson tristeBizet Vieille chanson Massenet Madrigal
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Daniel Knaggs: Trois Chansons: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
This set of three French songs was written as an homage to the Trois Chansons of...
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This set of three French songs was written as an homage to the Trois Chansons of Debussy and Ravel. The composer takes a particular interest in combining ideas of the past and the present through these works that are beautiful and challenging. Richard Nance Choral Series.
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Ich Bin So Allein
Choral SSAATTBB
Schott
Dernièrement, le pape ' choeur ' Clytus Gottwald a organisé plus tard pièces ...
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Dernièrement, le pape ' choeur ' Clytus Gottwald a organisé plus tard pièces du répertoire romantique pour choeur a cappella. Il a dit: ' l'idée de faire de la musique au tournant du XIXe au XXe siècle accessible aux chorales dans les transcriptions sont sortis de la compréhension que chorale a cappella musique avait été sous-développée à ce moment-là. ' Afin de réaliser cette idée, Gottwald a porté sur des morceaux de Wagner, Mahler, par l'intermédiaire de Ravel, Debussy, Messiaen et Holliger. Cet arrangement est basé sur une chanson originale de piano de Paul Hindemith sur un poème par Else Lasker-Schüler, et son doux et expressive rend particulièrement adapté pour un paramètre de la choral. / Choeur Mixte (SSAAATTBBB) A Cappella
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Sämtliche Lieder II Band 2 (SIMON KLAUS)
Piano, Voice
Schott
Frühe Lieder II (1911-1915) - Erstausgabe. Par SIMON KLAUS. All songs and liede...
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Frühe Lieder II (1911-1915) - Erstausgabe. Par SIMON KLAUS. All songs and lieder composed in the years 1910-1937 by the composer Erwin Schulhoff from Prague, who was persecuted by the National Socialists, are now published in three volumes for the first time, documenting his very different creative phases and stages of life: Whereas Vol. I and II stand for the emancipation from being a successor to Wagner and Debussy, Vol. III contains not only the well-known atonal Fünf Gesänge from 1919 but also fresh jazzy popular songs and political songs for the masses written after 1933 when he turned to communism./ Recueil / Chant et Piano
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Art of French Song Vol.1: High Voice: Vocal Album
Piano, Voice
Peters
Those interested in French music have often had reason to be grateful to Roger N...
(+)
Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationNiedermeyer Le Lac (Meditation poétique)Berlioz AbsenceGounod Ô ma belle RebelleViardot Fleur desséchéeFranck S'il est un charmant gazonMassé ConsolationLalo Ballade à la luneSaint-Saëns La sérénitéDelibes Chanson espagnoleBizet
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French Chansons.: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate
Faber Music Limited
This volume of secular choral masterpieces provides around 20 minutes of materia...
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This volume of secular choral masterpieces provides around 20 minutes of material for SATB choir. The pieces can be presented as a complete French themed programme or used as part of a wider set. Including music from some of the greatest French composers such as Debussy Saint Saens and Faure 'French Chansons' will be loved by choirs and audiences alike.
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Opera and Classica
Voice solo
Volonte and Co
Real Book 100 Works. 100 Greatest Opera, Ballet and Classical Masterpieces are i...
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Real Book 100 Works. 100 Greatest Opera, Ballet and Classical Masterpieces are included in this Real Book for C Instruments. Sheet music with melody line, chords and lyrics - to sing and play the best of Opera and Classical Music. Features works from Verdi, Puccini, Offenbach, Bellini, Wagner, Ponchielli, Mozart, Rossini, Catalani, Bizet, Massenet, Leoncavallo - G. Donizetti, C ajkovskij, Albinoni, Bach, Gounod, Schubert, Pachelbel, Debussy, Brahms, Grieg, Rimskij-Korsakov, Beethoven, Vivaldi,Paganini, Strauss (Senior), Mendelssohn, Boccherini, Chopin and Händel. / Opéra-opérette / Recueil / Voix
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Lili Boulanger: Quatre Chants (Four Songs): Voice & Piano: Instrumental Work
Piano, Voice
Hal Leonard
Lili Boulanger was the sister of the famous music teacher Nadia Boulanger. She w...
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Lili Boulanger was the sister of the famous music teacher Nadia Boulanger. She was a composer for the last 10 years of her tragically short life - she died at 25. Her music is generally beautiful delicately coloured and touching standing in the main line of French music exemplified by Faure albeit somewhat tinged with the influence of Debussy's Impressionism.These four Songs are settings of texts by de Calone and Maeterlinck among others with an English version by Jane May. The first song Dans l'immense tristesse speaks of a mother's grief on the death of a child. Attente (Expectation) is about the anticipation of love Reflets isgentle and reflective yet tinged with fear which breaks out towards the end whereas Le Retour (The Return) deals with the return of Ulysses to Ithaca.
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Bonnardot Jacqueline - Mélodies Favorites + Cd - Voix Elevee Ou Moyenne, Piano
Français
High voice, Piano
[Sheet music + CD]
Lemoine, Henry
Partition pour voix élevées ou moyennes et piano Collection : Bonnardot Jacque...
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Partition pour voix élevées ou moyennes et piano Collection : Bonnardot Jacqueline Nombre de pages : 90 Contenu : Bizet G.: Guitare (V. Hugo) - Chabrier E.: L'Ile heureuse (E. Mikhaël) - Chausson E.: Les Papillons (Th. Gautier) - Nanny (Leconte de Lisle) - Debussy Cl.: Green (P. Verlaine) - Mandoline (P. Verlaine) - Duparc H.: Soupir (Sully Prud'homme) - Chanson triste (J. Lahor) - Gounod Ch.: Viens ! les gazons sont verts (J. Barbier)- Venise (A. de Musset) - Mignon (L. Galet, d'après Goethe) - Koechlin Ch.: Dame du ciel (E. Haraucourt) - Liszt F.: Enfant, si j'étais roi (V. Hugo) - Poulenc F.: Air champêtre (d'après.J. Moréas) - Roussel A.: Le jardin mouillé (H. de Regner)- Saint Saëns C.: L'Attente (V. Hugo) -Séverac D. de: Les Hiboux (Ch. Baudelaire)
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Art Of French Song 2 Mezzo: Mezzo-Soprano: Vocal Album
Piano, Voice
Peters
Those interested in French music have often had reason to be grateful to Roger N...
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Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Reber GuitareGounod Le soirGounod Le premier jour de maiViardot Les deux rosesViardot La mésangeFranck NocturneMassé SouvenirsLalo Chant BretonSaint-Saëns Chanson tristeBizet Vieille chanson Massenet MadrigalMassenet Ouvre tes yeux bleusChabrier Les
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...D'Ombres Lointaines... (JARRELL MICHAEL)
Français
Mezzo-Soprano et Orchestre
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Encore la peinture, avec Léonard de Vinci cette fois, dans...
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Par JARRELL MICHAEL. Encore la peinture, avec Léonard de Vinci cette fois, dans ...d'ombres lointaines...: 'Tu décriras les paysages sous le vent et sous l'eau, et au lever du soleil et au coucher du soleil. Tu décriras un vent terrestre et un vent marin, tu décriras une pluie'. Ces paysages, bien sûr, ne sont pas un programme (de même que La Mer de Debussy n'a jamais été de la musique à programme). L'agencement des textes du peintre, leur sériation encore - 'Du brouillard, des reflets et des couleurs, de l'ombre, des nuages, de la neige, du néant et des limites, de la lune et de l'air et de l'arc-en-ciel' - ne prescrit pas des objets (à décrire), mais, comme dirait Ponge, un objeu. Transformer les objets en objeu, c'est ce que font ces pages-paysages engagées dans sa machine d'écriture, ce qu'il appelle sa 'petite mécanique', celle qui se joue de lui à lui: 'comme un jeu d'échec où l'on imagine une suite optimale de coups qui fonctionnent dans un temps limité, car des événements extérieurs, le partenaire, développent une stratégie sans doute prévue mais inattendue au moment où elle se présente'. Peter Szendy / contemporain / Répertoire / Mezzo-Soprano et Orchestre
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Requiem (FAURE GABRIEL)
SAM et Piano
Hal Leonard
SAM-Klang. Par FAURE GABRIEL. Le Requiem de Gabriel Fauré est sans doute l’œ...
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SAM-Klang. Par FAURE GABRIEL. Le Requiem de Gabriel Fauré est sans doute l’œuvre chorale la plus connue et la plus fréquemment interprétée de la fin du XIXe siècle et du début du XXe siècle. En tant que chef de chœur et organiste, Fauré a cherché à façonner une nouvelle musique religieuse, loin du bel canto qui régnait à Paris et du style romantique allemande plébiscité qui dominait une grande partie du paysage musical européen. Son style musical distinctif a constitué la base de l’école impressionniste de Debussy et Ravel (son élève) qui a suivi. Avec des versions pour église (1893) ou salle de concert (1900), le Requiem est une œuvre quasi unique en son genre par sa sobriété, notamment en raison de l’omission d’une Séquence complète du ‘Dies irae’ et de la finale séraphique ‘In Paradisum’. L’œuvre fait sienne la conviction de Fauré selon laquelle la mort doit être considérée “comme une heureuse délivrance, une aspiration vers le bonheur céleste, plutôt qu’une expérience douloureuse”. Cette réduction pour piano présentée ici est fidèle à l’édition de Desmond Ratcliffe publiée par Novello en 1975. Le tempo original de Fauré et les subtilités de la dynamique ont été conservés, bien que certaines des marques de respiration originales du compositeur, aujourd’hui considérées comme superflues dans les partitions contemporaines, aient été supprimées. Les passages pour voix de ténor dans l’Introit et l’Agnus Dei peuvent être chantés par toutes les voix basses lorsque cela est possible. Si non, le passage peut être chanté par un ensemble de voix masculines plus aiguës et d’altos. Note éditoriale : De par sa conception, cette édition SAM-Klang propose un défi de circonstance en proposant un niveau de chant légèrement plus élevé que dans la version SATB originale. À certains endroits, une subtile redistribution des entrées vocales dans les sections polyphoniques a été nécessaire. Néanmoins, l’accompagnement orchestral original peut être utilisé sans restriction avec cette version, et l’œuvre peut tout aussi bien être interprétée avec piano. / Date parution : 2023-06-01/ Répertoire / SAM et Piano
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Moreau J.b. - Piejus A. - Athalie, Tragédie De Jean Racine - Voix
Symétrie
Les articles qui constituent la première partie de ce livre contribuent à écl...
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Les articles qui constituent la première partie de ce livre contribuent à éclairer les différentes attitudes de Berlioz à l'égard du texte, musical et littéraire. Ceux de la deuxième partie sont consacrés aux diverses formes de contextualisation dont dépend la création berliozienne. Enfin, cet ouvrage fait ressortir aussi ce que signifie, dans le champ de la philosophie musicale du XXe siècle, la présence -ou l'absence -de Berlioz dans l'esthétique de Mahler ou la pensée d'Adorno, l'examen des opinions de cet autre novateur qu'est Debussy, ou encore les motifs d'admiration d'un musicien plus radical encore dans ses options créatives comme Varèse.
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Sämtliche Lieder I Band 1 (SIMON KLAUS)
Piano, Voice
Schott
Frühe Lieder I (1910/1911) - Erstausgabe. Par SIMON KLAUS. All songs and lieder...
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Frühe Lieder I (1910/1911) - Erstausgabe. Par SIMON KLAUS. All songs and lieder composed in the years 1910-1937 by the composer Erwin Schulhoff from Prague, who was persecuted by the National Socialists, are now published in three volumes for the first time, documenting his very different creative phases and stages of life: Whereas Vol. I and II stand for the emancipation from being a successor to Wagner and Debussy, Vol. III contains not only the well-known atonal Fünf Gesänge from 1919 but also fresh jazzy popular songs and political songs for the masses written after 1933 when he turned to communism./ Recueil / Chant et Piano
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Favorite French Art Songs - Volume 1: Vocal Solo: Vocal Album
High voice, Piano
[Sheet music + Audio access]
Hal Leonard
A collection of 11 popular French songs from Debussy Faure Franck Duparc Sai...
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A collection of 11 popular French songs from Debussy Faure Franck Duparc Saint-Saens and Paladilhe. Includes translations and pronunciation guides. Accompanying CD includes piano accompaniments.
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Gateway To French Melodies Low (With Cd)
Low voice
[Sheet music + CD]
Alfred Publishing
Gateway to Mélodies françaises nous entraîne dans un jardin parfumé de la po...
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Gateway to Mélodies françaises nous entraîne dans un jardin parfumé de la poésie et la musique qui est à la fois passionnée et raffinée. Chaque chanson apporte à la vie l'un des grands thèmes de l'art français l'amour, la nature, le but de la vie - à la beauté sensuelle, séduisante grâce, et souvent avec humour.Comprendre ce que vous chantez est le concept de base de la série de la passerelle. Chaque lyrique se traduit, à la fois mot par mot et en lecture en anglais. Le chanteur peut apprendre la chanson avec confiance, comme des points obscurs de la phonétique, la grammaire et l'interprétation sont claires. Le contexte culturel de chaque chanson est allumé, ainsi que sa place dans la vie et l'oeuvre du compositeur.Beaucoup de chansons merveilleuses trouvé ici a été épuisé depuis plus d'un siècle et quelques-uns sont publiés ici pour la première fois. Les chansons suivantes:'Plaisir d'amour', la chanson par excellence de l'amour doux-amer, édité à partir originale du compositeur en 1784 EditionSept oeuvres de compositeurs femmes, y compris les deux soeurs qui étaient divas de l'opéra romantique Malibran, Pauline Viardot et MariaTravaux de français maîtres d'opéra tels que Gounod, Saint-Saëns, Bizet, Massenet etSix chansons de Gabriel Fauré et Claude Debussy par quatreDeux duos de contraste périodes historiquesLes accompagnements au piano se font entendre sur le CD compagnon, magnifiquement joué par Joan Thompson et expert conçu par un Grammy Award gagnant Matthew Snyder. / Voix Graves
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W Denis Browne: 6 Songs High: High Voice: Vocal Album
High voice, Piano
Thames Publishing
Gems in their own right these songs offer tantalizing glimpses of what might ha...
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Gems in their own right these songs offer tantalizing glimpses of what might have been had Browne been granted time.The life of gifted composer Organist musician and teacher W Denis Browne was cut cruelly short when at age 26 he was mortally wounded at the battle for Gallipoli just a few weeks after he buried his friend the poet Rupert Brooke on Skyros. In his brief years he had a particularly active musical life showing brilliance in his music criticism and composing a few works most of which were destroyed at his request after his death. These six songs and in particular To Gratiana Dancing and Singing demonstrate great gifts proceeding from bud to bloom andanticipating some of the impressionistic later works of Debussy.
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