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Te Deum I (LISZT FRANZ)
Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo
[Sheet music]
Carus Verlag
S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeu...
(+)
S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo
1.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Missa Choralis (LISZT FRANZ)
Choeur SATB, (Solistes SATB et Orgue)
[Sheet music]
Carus Verlag
S 10. Par LISZT FRANZ. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Fried...
(+)
S 10. Par LISZT FRANZ. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Messen, lateinisch - Langue : Latin / Messe / Répertoire / Choeur SATB, (Solistes SATB et Orgue)
12.60 EUR - Sold by LMI-partitions
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Missa C-Moll (LISZT FRANZ)
Choeur d'Hommes et Orgue
[Sheet music]
Breitkopf & Härtel
Par LISZT FRANZ. / Répertoire / Choeur d'Hommes et Orgue
23.90 EUR - Sold by LMI-partitions
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Missa Solemnis (Graner Messe) (LISZT FRANZ)
Choeur Mixte et Orchestre
[Sheet music]
Barenreiter
Par LISZT FRANZ. / Répertoire / Choeur Mixte et Orchestre
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Tantum Ergo (LISZT FRANZ)
Choeur SSAA (TTBB) et Orgue
[Sheet music]
Carus Verlag
Tonalité : B-Dur - S 42 #2. Par LISZT FRANZ. Verwendung / Anlässe: Eucharistie...
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Tonalité : B-Dur - S 42 #2. Par LISZT FRANZ. Verwendung / Anlässe: Eucharistie, Abendmahl - Verwendung / Kirchenjahr: Fronleic cor am - Langue : Latin/ Répertoire / Choeur SSAA (TTBB) et Orgue
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Nun Danket Alle Gott (LISZT FRANZ / CRUGER JOHANN)
Choeur SSATTBB (TTBB), 2 Trompettes, 3 Trombones,
[Sheet music]
Carus Verlag
Tonalité : F-Dur - S 61. Par LISZT FRANZ / CRUGER JOHANN. Gattungen: Kirchenlie...
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Tonalité : F-Dur - S 61. Par LISZT FRANZ / CRUGER JOHANN. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SSATTBB (TTBB), 2 Trompettes, 3 Trombones,
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Ave Maria, Gratia Plena. 19Th And 20Th Century Ave-Maria Settings For Solo Voice And Organ
Voice, Organ
Barenreiter
This collection contains settings from the late Romantic period through to the E...
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This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition
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O Salutaris Hostia (LISZT FRANZ)
Choeur SSAA et Orgue
[Sheet music]
Carus Verlag
Tonalité : B-Dur - S 40. Par LISZT FRANZ. Verwendung / Anlässe: Eucharistie, A...
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Tonalité : B-Dur - S 40. Par LISZT FRANZ. Verwendung / Anlässe: Eucharistie, Abendmahl - Verwendung / Kirchenjahr: Fronleic cor am - Langue : Latin/ Répertoire / Choeur SSAA et Orgue
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Stabat Mater Speciosa (LISZT FRANZ)
Choeur SSATTBB et Orgue
[Sheet music]
Carus Verlag
Aus: Christus-Oratorium. Par LISZT FRANZ. Tonalité : G-Dur - S 33 #3 / Musique ...
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Aus: Christus-Oratorium. Par LISZT FRANZ. Tonalité : G-Dur - S 33 #3 / Musique religieuse / Répertoire / Choeur SSATTBB et Orgue
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Vater Unser (LISZT FRANZ)
Choeur SSATTBB ou Orgue
[Sheet music]
Carus Verlag
Aus: Zwölf Stücke. Par LISZT FRANZ. Tonalité : As-Dur - Lunn, Jean (Trad. ) -...
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Aus: Zwölf Stücke. Par LISZT FRANZ. Tonalité : As-Dur - Lunn, Jean (Trad. ) - S 29/ Répertoire / Choeur SSATTBB ou Orgue
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Pater Noster III (LISZT FRANZ)
Choeur TTBB et Orgue
[Sheet music]
Carus Verlag
Tonalité : B-Dur - S 41 #2. Par LISZT FRANZ. Vater unser - Langue : Latin/ Rép...
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Tonalité : B-Dur - S 41 #2. Par LISZT FRANZ. Vater unser - Langue : Latin/ Répertoire / Choeur TTBB et Orgue
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Te Deum I (LISZT FRANZ)
Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo
[Sheet music]
Carus Verlag
S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeu...
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S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo
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Franz Liszt: Woodland Dreaming: 2-Part Choir: Vocal Score
Choral 2-part
2-part, Piano
[Sheet music]
-
Intermediate
Edwin Ashdown
The words of Helen Taylor paired with Liszt's Liebestraum. Arranged for 2-Part C...
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The words of Helen Taylor paired with Liszt's Liebestraum. Arranged for 2-Part Choir and Piano by Henry Geehl.
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Sérénade Chant/Piano
Français
Piano, Voice
[Sheet music]
Durand
Référence unique par son ISBN 9790044008834 cette partition musique de Liszt F...
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Référence unique par son ISBN 9790044008834 cette partition musique de Liszt Franz n'est autre que SERENADE CHANT/PIANO qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DC01213716. / Voix Et Piano / Partition
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Nun Danket Alle Gott (LISZT FRANZ / CRUGER JOHANN)
Choeur SSATTBB (TTBB), 2 Trompettes, 3 Trombones,
Carus Verlag
Tonalité : F-Dur - S 61. Par LISZT FRANZ / CRUGER JOHANN. Gattungen: Kirchenlie...
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Tonalité : F-Dur - S 61. Par LISZT FRANZ / CRUGER JOHANN. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SSATTBB (TTBB), 2 Trompettes, 3 Trombones,
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Die Seligpreisungen (LISZT FRANZ)
Solo Baryton, Choeur SSAATTBB et ou Orgue
[Sheet music]
Carus Verlag
Aus: Zwölf Stücke. Par LISZT FRANZ. Tonalité : E-Dur - Lunn, Jean (Trad. ) - ...
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Aus: Zwölf Stücke. Par LISZT FRANZ. Tonalité : E-Dur - Lunn, Jean (Trad. ) - S 25/ Répertoire / Solo Baryton, Choeur SSAATTBB et ou Orgue
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Nun Danket Alle Gott (LISZT FRANZ / CRUGER JOHANN)
Choeur SSATTBB (TTBB), 2 Trompettes, 3 Trombones,
[Sheet music]
Carus Verlag
Tonalité : F-Dur - S 61. Par LISZT FRANZ / CRUGER JOHANN. Gattungen: Kirchenlie...
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Tonalité : F-Dur - S 61. Par LISZT FRANZ / CRUGER JOHANN. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SSATTBB (TTBB), 2 Trompettes, 3 Trombones,
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Der 137. Psalm (LISZT FRANZ)
Solo S, Choeur SSAA, Violon, Piano, Orgue et Harpe
[Sheet music]
Carus Verlag
An Den Wassern Zu Babylon. Par LISZT FRANZ. S 17 / Hymnes et chorals / Réperto...
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An Den Wassern Zu Babylon. Par LISZT FRANZ. S 17 / Hymnes et chorals / Répertoire / Solo S, Choeur SSAA, Violon, Piano, Orgue et Harpe
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Te Deum I (LISZT FRANZ)
Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo
[Sheet music]
Carus Verlag
S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeu...
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S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo
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Mariengarten (LISZT FRANZ)
Choeur SSAT et Orgue
[Sheet music]
Carus Verlag
Aus: Zwölf Stücke. Par LISZT FRANZ. Tonalité : A-Dur - Lunn, Jean (Trad. ) - ...
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Aus: Zwölf Stücke. Par LISZT FRANZ. Tonalité : A-Dur - Lunn, Jean (Trad. ) - S 62 / Hymnes et chorals / Répertoire / Choeur SSAT et Orgue
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La Vallée Close, Sur Des Sonnets De Pétrarque (MURAIL TRISTAN)
Français
Mezzo-Soprano, Clarinette, Violon, Alto et Violonc
Lemoine, Henry
Par MURAIL TRISTAN. Le point de départ : une sorte de triangulation, toute pers...
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Par MURAIL TRISTAN. Le point de départ : une sorte de triangulation, toute personnelle, et spatio-temporelle : Pétrarque, Liszt, Fontaine-de-Vaucluse. Je m'explique : trois pièces des Années de pèlerinage de Liszt sont inspirées de 3 Sonnets de Pétrarque - trois pièces merveilleuses, parmi mes favorites dans ce recueil. Pétrarque vécut de longues années à Fontaine-de-Vaucluse, tourmenté par son amour impossible pour Laure, qui lui inspira son monumental Canzaniere, recueil de 366 poèmes, dont les sonnets choisis par Liszt. Fontaine-de-Vaucluse se trouve à une vingtaine de minutes de voiture de ma résidence actuelle. C'est là que prend source la Sorgue (René Char, Boulez...) dans une résurgence spectaculaire, au fond d'un val fermé par la montagne : la vallée close, vallis clausa en latin, en provençal vau-clusa (fontaine étant à prendre dans son sens étymologique de source, fons en latin). Pétrarque et Liszt, dans leur domaines et époques respectifs, furent de grands innovateurs. La poésie de Pétrarque surprend par son romantisme et l'expression, parfois paroxystique, des sentiments, le piano de Liszt surprend par son audace timbrale et harmonique - et le bouillonnement de la Sorgue à sa résurgence surprend dans un paysage provençal accoutumé à plus de calme et moins d'humidité... Les textes de la pièce sont donc tirés des trois sonnets choisis par Liszt : numéros 47 (Benedetto sia 'I giorno...), 104 (Pace non trovo...), et 123 (I' vidi in terra...). Mais les textes sont entremêlés jusqu'à un certain point, et quelques strophes n'ont pas été utilisées (voir les textes en annexe). Les poèmes sont en toscan ancien, qui diffère légèrement de l'italien moderne. lls sont écrits en vers endécasyllabes, qui s'articulent sur les accents toniques de la langue italienne (ou toscane). Ce qui entraîne quelques conséquences pour la prosodie, et donc le rythme (par exemple, si un mot terminé par une voyelle - ce qui est généralement le cas en italien, sauf s'il y a élision - est suivi d'un mot commençant par une voyelle, les deux syllabes sont réunies et comptent pour un seul pied). Je me suis efforcé, sans systématisme, de tenir compte de ces particularités dans l'écriture vocale. ll n'y a pas de référence musicale précise aux pièces de Liszt, mise à part l'introduction rythmique des cordes dans les sections basées sur Pace non trovo, qui pourrait rappeler les mesures introductives du 104ème Sonnet. / Contemporain / Répertoire / Mezzo-Soprano, Clarinette, Violon, Alto et Violonc
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Instant Introits And Amens Preview Pack
Choral
Alfred Publishing
Here's an indispensable collection of introits, responses, and benedictions from...
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Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic periods. Carefully and skillfully edited and arranged by Patrick M. Liebergen, this reproducible CD-ROM is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily learned, yet dynamic. The reproducible CD-ROM format allows flexibility in weekly use and is a budget-stretcher as well! / Choeur
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Stabat Mater - Op. : 154 (LACHNER FRANZ)
Choral SATB
SATB/SATB (Double Choir)
[Sheet music]
Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...
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Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
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Mélodies Et Duos (FAURE GABRIEL)
Piano, Voice
[Sheet music]
Hamelle
Vol.1 Premières Mélodies. Par FAURE GABRIEL. Gabriel FAURE est né à Pamiers ...
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Vol.1 Premières Mélodies. Par FAURE GABRIEL. Gabriel FAURE est né à Pamiers (Ariège), le 12 mai 1845. Ses dons précoces pour la musique lui permirent d'entrer dès l'âge de neuf ans à la célèbre Ecole Niedermeyer fondée à Paris pour former les organistes et les maîtres de chapelle : durant une dizaine d'années, il y reçut un enseignement de grande qualité, axé principalement sur l'étude de la musique sacrée et des grands chefs-d'oeuvre classiques, auxquels l'initia notamment Camille Saint-Saëns, son professeur de piano. Dès sa sortie de l'Ecole, Fauré entama une brillante carrière d'organiste. En 1896, il succéda à Théodore Dubois à l'orgue de la Madeleine et fut nommé professeur de composition au Conservatoire : il y eut pour élèves Ravel, Koechlin, Enesco, Schmitt. Entre-temps, il avait rencontré Liszt à Weimar et s'était initié à l'art de Wagner dont il ne subit pas véritablement l'influence. Appelé en 1905 à la direction du Conservatoire de Paris, après la démission de Théodore Dubois, membre de l'Institut, critique musical, Fauré vécut ses dernières années dans l'isolement, frappé par une irréversible surdité qui le contraignit à démissionner du Conservatoire en 1920. Il est mort à Paris, le 4 novembre 1924. La musique de ce compositeur quelquefois incompris et qui toucha à presque tous les genres (hormis l'orgue), se révèle d'une grande subtilité. Ennemi de l'emphase, Fauré a mis un contrepoint élégant, une écriture harmonique très personnelle, des inflexions imprévues et le secret de sa sensibilité musicale peu commune au service d'une oeuvre variée et d'une extrême qualité./ Répertoire / Chant et Piano
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Giovanni Sgambati: Liriche - Art Songs: Voice
Piano, Voice
Ricordi
Ed. E. Morelli - Per Voce E Pianoforte - For Voice And Piano-Giovanni Sgambati (...
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Ed. E. Morelli - Per Voce E Pianoforte - For Voice And Piano-Giovanni Sgambati (1841-1914) pianist and composer who studied under Franz Liszt is one of the best representatives of Italian instrumental music from the late 1800s / early 1900s.On the occasion of the centenary of his death Ricordi pays homage to Sgambati with the publication of twelve carefully selected pieces illustrating the finest aspects of his works for voice.This edition includes an introduction providing historical and biographical details plus the original lyrics and the corresponding translations into Italian and English.
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Marianische Gesange 2: Voice: Vocal Album
Voice, Organ
[Sheet music]
Barenreiter
Great significance is attached to the Marian antiphons along with the cult of th...
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Great significance is attached to the Marian antiphons along with the cult of the veneration of the Virgin Mary. This two volume edition contains Latin settings of Marian antiphons from the 18th to the 20th century. The first volume already published contains settings of the Marian antiphon Salve Regina whilst the second volume contains the three other Marian antiphons and the Marian hymn Ave maris stella.These two volumes contain an anthology of works by Johann Michael Haydn Bruckner Gounod Dvorák Elgar Grieg Liszt Mendelssohn a.o. which have been arranged for medium voice and organ without compromising any of the originality of the pieces.
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Gioachino Rossini: Petite Messe solennelle: Mixed Choir: Part
Soli, gemischter Chor, 2 Klaviere und Harmonium
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
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The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
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The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Ave Verum De Franz Liszt
Français
Delatour France
/ Choeur A Cappella
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Richard Wagner: Lohengrin Wwv75: Opera
Opera
Eulenburg
Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interwea...
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Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence.This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished.The original musical text isnow available in a handy format for the first time - and is perfectly suited for study purposes.With German/English preface and Critical Report!
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