Two Pianos, Four Hands. By Franz Liszt. Arranged by Erno Szegedi. EMB. Size 9x12 inches. 50 pages. Published by Editio Musica Budapest.

By Franz Liszt. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 3700 pages. Published by Subito Music.

Orchestra Concert Band

SKU: PR.44641256L

For Orchestra. Composed by Ellen Taaffe Zwilich. This edition: Orchestra version. Contemporary. Large Score. With Standard notation. Composed 2010. 28 pages. Duration 12 minutes. Theodore Presser Company #446-41256L. Published by Theodore Presser Company (PR.44641256L).

UPC: 680160596010. 11 x 17 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

Composed by Bill Calhoun. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. 78 pages. Duration 2 minutes, 54 seconds. Published by Carl Fischer

Concert Band (Score) - Grade 2

SKU: HL.48024522

Composed by Kathryn Salfelder. Windependence Apprentice Novice. Concert. Softcover. 16 pages. Boosey & Hawkes #M051664078. Published by Boosey & Hawkes (HL.48024522).

UPC: 888680900434. 9.0x12.0x0.055 inches.

Composed for the commission project celebrating the 85th birthday of legendary conductor, Frank Battisti, this beautiful lyric piece from Kathryn Salfelder offers a rewarding emotional depth for young bands. Evoking feelings of nostalgia, yearning, and growth, some of the moments are peaceful, while others are full of angst. The music evolves from a tone row provided by Mr. Battisti himself, and features shifting tonal centers and textures ranging from lush full band passages to lighter soloistic passages. Recorded by the New England Conservatory Wind Ensemble – Charles Peltz, conductor. Dur: 3:45.

Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Cornet 1, Cornet 2, Cornet 3, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.14540034F

9X12 Band Score. Composed by Ellen Taaffe Zwilich. Sws. Wind Band Select. Contemporary. Full score. With Standard notation. Composed 2010. 28 pages. Duration 12:30. Theodore Presser Company #145-40034F. Published by Theodore Presser Company (PR.14540034F).

ISBN 9781598063240. UPC: 680160595914. 9x12 inches. Key: G major.

Originally composed for orchestra with 3 offstage brass sextets, Fanfare; Reminiscence and Celebration has been re-created by Ellen Taaffe Zwilich for symphonic band plus three offstage brass sextets for a dazzling theater-in-the-round concert experience. The score is provided in 11x17 format for ease in reading. For advanced and university ensembles. Duration: 12’.

Band concert band - Grade 2

SKU: CF.YPS106F

Composed by Bill Calhoun. SWS. Young Performance Series. Full score. With Standard notation. 12 pages. Duration 2 minutes, 47 seconds. Carl Fischer Music #YPS106F. Published by Carl Fischer Music (CF.YPS106F).

ISBN 9780825887772. UPC: 798408087777. 9x12 inches.

A lush and musically expressive ballad for band that pulls at your heart strings, Reminiscence is tender and emotionally charged with musical tension that resolves beautifully at the end. Bill Calhoun has become a composer you can trust to write music of a very high quality.

By Fibich Zdenek. Czech title: Nalady, dojmy a upominky op. 41/III. Published by Praha (Czech import).

Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250 The composer writes: 'Even when I was writing Adieu, I knew that I wished to write Angels Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angels Music was started in Rome, where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however, it is true to say that, in the Roman churches I visited, I saw countless angels playing in the top of frescoes and altars. Without these angels, together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico, (in fact there are only a few paintings by him in Rome, but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are, in the short rhythmic agitating part of the quartet, reminiscences of the Italian medieval Trotto dance, and in the most expressive part ofthe piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet, the distant, extremely muted sound in the high register which opens the piece, was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density, these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form, I felt, that not only should the little songs be created, played and die out in an echo, but also that the general pattern of the quartet should give the feeling of music which, from the distance, is getting closer and closer, culminates and at last disappears like an echo. Related to this, the general pattern of Angels Music is divided into three: a pre-echo, culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the small cells into the general pattern.'

Concert Band (Score & Parts) - Grade 6

SKU: HL.44010846

Composed by Jan Van der Roost. De Haske Concert Band. Concert Piece. Set (Score & Parts). Composed 2010. De Haske Publications #1094715010. Published by De Haske Publications (HL.44010846).

UPC: 884088561376. 9x12 inches. English-German-French-Dutch.

From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly 'ancient times' while the tonal language is of a much more modern nature!

From Ancient Times is een mijlpaal in het oeuvre van Jan Van der Roost. Doorgaans vinden zijn werken hun oorsprong veelal in de Vlaamse vocaalpolyfonie uit de renaissancetijd. Maar met gregoriaans gezang en middeleeuwse dansen grijpthij nu terug naar nog eerdere tijden. De basis voor dit grootse werk mag dan in 'ancient times' liggen, de toonspraak is dat zeer zeker niet..!

From Ancient Times ist ein Meilenstein in Jan Van der Roosts Oeuvre, das vor allem von der Musik aus der Zeit der flamischen Vokalpolyphonie inspiriert ist. Mit gregorianischen Reminiszenzen und einem mittelalterlichen Tanz wird jedoch auch auf noch altere Musik zuruckgegriffen: Grundlage dieses grossartigen Werkes sind wahrlich alte Zeiten (ancient times), die Tonsprache hingegen ist vorwiegend modern.

From Ancient Times est une oeuvre de grande envergure, qui puise dans la musique franco-flamande de la Renaissance. La trame s'appuie sur quelques principes et techniques d'ecriture caracteristiques de cette ecole qui a profondement transforme la musique occidentale. On y trouve egalement des reminiscences gregoriennes et une danse medievale, mais le langage sonore reste essentiellement moderne. From Ancient Times est un sublime hommage aux maitres des temps anciens.

From Ancient Times e un brano di grande impatto che attinge nella musica rinascimentale franco-fiamminga. La trama si appoggia su principi e tecniche di scrittura caratteristici di questa scuola che ha profondamente trasformato la musica occidentale. Si colgono anche reminescenze gregoriane e una danza medioevale, ma il linguaggio sonoro resta moderno. From Ancient Times e un omaggio ai grandi maestri dei tempi antichi.

(Mixed Choir)

SKU: HL.14065246

Composed by Percy E. Fletcher. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC60727. Published by Music Sales (HL.14065246).