Par . 74 blockbuster hits are included in this updated 3rd edition for piano, voice and guitar. / Date parution : 2022-09-15/ Recueil / Piano/Vocal/Guitare (PVG)

Nicholas Nye is a poem for young children written by Walter De La Mere (1873-1956) in 1931. It was to set to music for Unison Voices with Piano accompaniment by Llifon Hughes-Jones in 1942.Dr. Llifon Hughes-Jones (1918-1996) was a British composer conductor and teacher. He studied at the Manchester Music college (now the RNCM) and Trinity College London and later taught music for many years atSalford Grammar school. He wrote many works for the National Eisteddfod competitions in which he also adjudicated. He was one of the few composers who regularly wrote in Welsh and the musical culture of Wales is still indebtedto his contributions.

This revised edition features 12 songs from the beloved 1951 musical about a British governess in the Siamese court including: Getting to Know You Hello Young Lovers I Have Dreamed I Whistle a Happy Tune Shall We Dance?

J. Strauss II's One Day When We Were Young for Voice and Piano. Faber Music’s “Music Vault” series provides fully-authorised copies of otherwise-out-of-print titles usually older editions of single songs and other individual pieces principally from the archives of Warner/Chappell EMI and IMP.

100 Chansons, y compris l'aide!, Hey Jude, I will survive, Lemon tree et plus / Chant Et Guitare

from The Sing-Off-America's favorite a cappella show returned for another smash mini-season in 2013 with show-stoppers like this medley from super group fun. If you are up for no lip-synching back-up bands or safety net this chart is for you! Includes: Carry On Some Nights We Are Young. Available: SATB/Solo a cappella. Duration: ca. 3:00.

Based on the famous film starring Burt Lancaster and Tony Curtis this well-received Broadway musical starred John Lithgow who won the Tony Award for Best Actor for his performance. A controlling sometimes vicious columnist (a character modeled after Walter Winchell) gets involved with an ambitious young publicist in late 1950s New York. This folio features 11 songs from the show including: At the Fountain · Don't Know Where You Leave Off · Don't Look Now · For Susan · Laughin' All the Way to the Bank · Welcome to the Night · and more. Includes photos.

Par JOEL BILLY. Ce songbook reprend tous les titres du coffret 4 CDs et DVD paru en 2005. Arrangements pour piano chant et guitare (diagrammes d'accords). / Rép International / Date parution : 2008-09-10/ Recueil / Piano, Chant et Guitare

Par DARIN BOBBY. Ce recueil de chansons comprend 25 chansons de Bobby longue et fructueuse carrière de Darin mettant en vedette des hits comme : fleurs artificielles, au-delà de la mer, Bill Bailey Won't You veuillez Come Home, Dream Lover, si j'étais un charpentier, Mack the Knife, Splish Splash, doit vous avoir été un beau bébé et beaucoup plus / Date parution : 2007-04-13/ Recueil / Piano, Chant et Guitare

Premiered in Vienna in February 1892 under the direction of Hans Richter Massenet's Werther has proven an enduring work one of the composer's most tightly constructed and dramatically urgent. The libretto was fashioned bywriters Georges Hartmann Edouard Blau and Paul Millet after Goethe's 'Sorrows of Young Werther'. Charlotte the eldest daughter of a baliff is engaged to Albert. In his absence she is escorted to the local ball by ayoung visiting poet Werther. Albert returns unexpectedly disappointed at not finding Charlotte he promises her sister he will return in the morning. At the ball Werther falls in love with Charlotte but realises that Alberthas returned and urges Charlotte not to break her promise to marry Albert. Three months later Charlotte and Albert now married walk across the town square on their way to church followed by Werther who is stilldistraught. Albert realizes that Werther must be in love with his wife and Charlotte tells him he must leave town until Christmas. Werther rushes away contemplating suicide.Alone at home on Christmas Eve as Charlotterereads the dejected love letters written to her by Werther he appears and reads to her a passage from a poem where the poet foresees his own death. Charlotte begs him to stop and he realises she loves him too. But she runs fromhis embrace and Werther leaves resolved to die. Albert enters and a message arrives from Werther asking to borrow Albert's pistol. Her reaction convinces him of her love for Werther. The pistols are dispensed and when Albert hasgone she hurries off arriving at his quarters to find him dying. She declares her love and he begs forgiveness and dies.This is the Schirmer edition of the Libretto in French and English.

Arrangement: Coates Dan. Par COATES DAN. Une superbe collection de classiques pop de ces dernières années arrangés pour piano facile par Dan Coates. Inclus les tubes de Madonna, Nickelback et Robbie Williams. / Niveau : Facile / Recueil / Piano, Chant et Guitare

In this brand-new updated edition, Adele: The Complete Collection presents all the songs from Adele's four chart-topping albums in a single songbook. New album 30, additional bonus tracks and the massive Skyfall theme are included, arranged for Piano, Voice and Guitar with chord symbols, chord diagrams and full lyrics. In this newly-published folio, all songs are presented chronologically by album, with details on the bonus tracks included at the back. For pianists, vocalists and guitarists' comprehensive fix of Adele sheet music, The Complete Collection boasts all the songs from the British queen of the ballad that you could ever want to play.
All I Ask
All Night Parking (Interlude)
Best For Last
Can I Get It
Can't Be Together
Can't Let Go
Chasing Pavements
Cold Shoulder
Crazy For You
Cry Your Heart Out
Daydreamer
Don't You Remember
Easy On Me
First Love
Fool That I Am
He Won't Go
Hello
Hiding My Heart
Hold On
Hometown Glory
I Can't Make You Love Me
I Drink Wine
I Found A Boy
I Miss You
I'll Be Waiting
If It Hadn't Been For Love
Lay Me Down
Love In The Dark
Love Is A Game
Lovesong
Make You Feel My Love
Many Shades Of Black
Melt My Heart To Stone
Million Years Ago
My Little Love
My Same
Need You Now
Now And Then
Oh My God
One And Only
Painting Pictures
Remedy
Right As Rain
River Lea
Rolling In The Deep
Rumour Has It
Send My Love (To Your New Lover)
Set Fire To The Rain
Skyfall
Someone Like You
Strangers By Nature
Sweetest Devotion
Take It All
That's It, I Quit, I'm Movin' On
Tired
To Be Loved
Turning Tables
Water Under The Bridge
When We Were Young
Why Do You Love Me
Wild Wild West
Woman Like Me
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Souvenirs d'une décennie dramatique repris dans les paroles et la musique de 53 hits éternelles. Comprend 'Boogie Woogie Bugle Boy', 'Bali %lien%', 'Diamants sont meilleur ami d'une fille' et 'That Old Black Magic'. / Chant Et Guitare

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix