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FRENCH HORN
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FOR FRENCH HORN
I String Orchestra
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THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

$20.00
#
String Trio: 3 violins
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Traditional Carol
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HELEN MARPLE-HORVAT
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Helen Marple-Horvat
Mugungwha have Blossomed (For String Quartet)
Mugungwha have Blossomed (For String Quartet)
$6.99
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String Quartet: 2 violins, viola, cello
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Korean Traditional
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Han-Ki Kim
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Han-Ki Kim
MY HEART AT THY SWEET VOICE String Orchestra, Intermediate Level for 2 violins, viola, cello and str
MY HEART AT THY SWEET VOICE String Orchestra, Intermediate Level for 2 violins, viola, cello and str
$12.50
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String Orchestra
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Camille Saint Saëns
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Sherry Lewis
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Sherry Lewis Publishing
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Salute to Michael Jackson: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Featuring 3 key songs from Michael Jackson's diverse musical career this concis...
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Featuring 3 key songs from Michael Jackson's diverse musical career this concise and easy to learn medley features Thriller I'll Be There and Man in the Mirror.
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Irving Berlin's Christmas: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
This spectacular setting for choir band and optional strings of some of Irving ...
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This spectacular setting for choir band and optional strings of some of Irving Berlin's classic songs offers a variety of entertaining performance options and highlights his most beloved holiday songs. The 7-minute medleyincludes: Happy Holiday Snow I've Got My Love To Keep Me Warm Count Your Blessings Instead of Sheep White Christmas.
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Irving Fine: Serious Song: String Orchestra
String Orchestra
Boosey and Hawkes
A Lament-Study Score - Hawkes Pocket Score 1177. Fine I
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Pyotr Ilyich Tchaikovsky: Scene and Dance (from Swan Lake): String Orchestra:
String Orchestra
Hal Leonard
Swan Lake possibly the most-often performed ballet worldwide tells the story o...
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Swan Lake possibly the most-often performed ballet worldwide tells the story of Odette a princess who is cursed by an evil sorcerer to live as a swan by day and a woman by night. Scene and Dance is based on the famous Swan Theme from the end of Act I.
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Hush Li'l Baby: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
The well-known children's prayer Now I Lay Me Down to Sleep is the basis of this...
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The well-known children's prayer Now I Lay Me Down to Sleep is the basis of this teaching and performance piece for beginners. Lloyd has also included some vocal effects that reinforce proper dynamics and will put a smile on any listener's face. Dur: 3:30
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Sound the Bells of Christmas: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Three festive carols are skillfully combined into a terrific showcase for holida...
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Three festive carols are skillfully combined into a terrific showcase for holiday programming. The familiar strains of these bell songs will make a superb concert opening for your holiday needs. Includes: Westminster Chimes TheMerry Bells All Ring I Heard the Bells on Christmas Day and Ukrainian Bell Carol.
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A Festive Christmas Celebration: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Four Christmas favorites combine to create a sparkling showcase for holiday prog...
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Four Christmas favorites combine to create a sparkling showcase for holiday programs. Perform with band alone or with chorus and strings for a fabulous concert finale! Includes: Deck the Hall Ding Dong! Merrily on High I SawThree Ships and We Wish You a Merry Christmas.
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Pyotr Ilyich Tchaikovsky: Two Ancient Dances: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
From Album for the Young here are two movements arranged for younger players to...
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From Album for the Young here are two movements arranged for younger players to help build confidence teach important performance concepts and introduce them to the distinct musical talent of Tchaikovsky. I. Pavane II. Contredanse
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Music from Hairspray: String Ensemble: Score
String Orchestra
Hal Leonard
From this current Broadway smash hit comes high energy American pop and rock so...
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From this current Broadway smash hit comes high energy American pop and rock songs that give the show its across-the-board appeal. Includes: Good Morning Baltimore I Know Where I've Been The Nicest Kids in Town Run and Tell That and You Can't Stop the Beat.
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John McCabe: Pilgrim String Sextet: String Ensemble: Score
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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The Beach Boys: The Beach Boys: String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
John Moss' superb writing brings us four of the best Beach Boy songs ever to hit...
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John Moss' superb writing brings us four of the best Beach Boy songs ever to hit the airwaves. With I Get Around In My Room Good Vibrations and Barbara Ann your students will love to play these infectious feel-good songs from the '60s.
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Marvin Hamlisch: Salute To Hamlisch: String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Includes: The Entertainer; They're Playing My Song; The Way We Were; I Finally F...
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Includes: The Entertainer; They're Playing My Song; The Way We Were; I Finally Found Someone; One
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John Tavener: Wake Up And Die: String Ensemble: Score and Parts
String Orchestra
[Sheet music]
Chester
Work for Solo Cello and Orchestral Cello Section. Premiered by Yo Yo Ma.Quoting ...
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Work for Solo Cello and Orchestral Cello Section. Premiered by Yo Yo Ma.Quoting Tavener: It was while pondering these traditional dicta that I began to write the opening solo melody for the cello. It is in fact a palindromebecause waking and dying are like two sides of a piece of paper. If you wake up spiritually then you will die to all that is not of God. In the middle section which is also a palindrome the orchestral cellos join in theparadoxical meditation providing a platform as it were while the cello line takes on a much more melismatic and decorative character.In fact the whole work is a series of intellectual contradictions realised by thesimplest of musical metaphysics. Dying life life dying waking up in order to die the solo cello always represents the individual mind dying and the individual mind waking up.Then of a sudden just before the end thesolo chant begins again only to be cut off by a distant sentimental memory the memory of 'the blues' reminding us of ordinary human emotion and of our fallen state. The very end suggests a waking up into a kind of peace (notsoul slumber since after death the soul becomes more intensely alive); but we know nothing of that so the music fades beyond our ears.
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
(+)
The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Michael Nyman: In Re Don Giovanni: String Ensemble: Score
String Orchestra
[Score]
Chester
British composer Michael Nyman ‘discovered’ this work when he playe...
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British composer Michael Nyman ‘discovered’ this work when he played Leporello’s catalogue aria from Mozart’s opera Don Giovanni on the Piano in the style of Jerry Lee Lewis. He has written that that musical discovery ‘dictatedthe dynamic articulation and texture of everything I’ve subsequently done’. The work is based on the first sixteen bars of the Catalogue Aria with thrusting rhythmic propulsion and repeated double stops for all instrumentsproduced within a short thrilling time frame.
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Antonín Dvo?ák: Miniatures Op.75a & Gavotte: String Ensemble: Parts
String Orchestra
Barenreiter
für zwei Violinen und Viola oder drei Violinen-'This work brings me as much ple...
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für zwei Violinen und Viola oder drei Violinen-'This work brings me as much pleasure as if I were writing a major symphony...'. This was how Dvorak communicated to his publisher Simrock the joy he felt while working on Op.75a (Miniatures for Two Violins and Viola) and he immediately set about reworking it for Violin and Piano giving it a new title Romantic Pieces. The four short movements fully evoke the atmosphere of home music-making for which it was written. The Czech edition goes by the title Drobnosti (Miniatures) and is accompanied by a short Gavotte dated 1890 and also written in a simpler style for three Violins. This title is part of the first Complete CriticalEdition of Works by Antonin Dvorak.
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ABBA: The Best of ABBA: String Ensemble: Score
String Orchestra
[Score and Parts]
-
Intermediate
Hal Leonard
The music of the internationally famous pop group ABBA has found its way to the ...
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The music of the internationally famous pop group ABBA has found its way to the Broadway stage and serves as the centerpiece of this highly acclaimed show. Ted Rickett's arrangement several of ABBA's best songs from the production. Overture/Prologue Mamma Mia I Have A Dream and Dancing Queen.
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Dimitri Tiomkin: Suite from It's a Wonderful Life: Orchestra and Vocal: Score &
String Orchestra
[Score and Parts]
Hal Leonard
Includes optional vocal solo and SATB choir (40 parts included). Theme may be pe...
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Includes optional vocal solo and SATB choir (40 parts included). Theme may be performed year-round as a single movement. I. Prologue II. Theme III. Christmas Eve Finale
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Marvin Hamlisch: A Marvin Hamlisch Celebration: Orchestra: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Nobody Does It Better At the Ballet The Entertainer They're Playing My Song The ...
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Nobody Does It Better At the Ballet The Entertainer They're Playing My Song The Way We Were One What I Did for Love
585.99 GBP - Sold by Musicroom UK
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Dalarnian Melody
String Orchestra
Alfred Publishing
Gammal Fäbodpsalm Dalarna (Old Pastoral Hymn de Dalarna) est une mélodie bien ...
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Gammal Fäbodpsalm Dalarna (Old Pastoral Hymn de Dalarna) est une mélodie bien connue et populaire de la Suède qui évoque le caractère nord du nombre des airs folkloriques de Scandinavie. Violons, altos, violoncelles et tous partagent dans la mélodie, avec Violon I employant troisième position, mais il est doublé à l'octave. La ligne de violon solo, inclus dans le Violon I, partie, passe en troisième et cinquième place, en fournissant une bonne opportunité pour le développement de la plus avancée violoniste de jeu expressif. Quelque chose de spécial pour vos élèves d'héritage scandinave! / Orchestre A Cordes
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Energie Blanche, Bleu Lointain (PEPIN CAMILLE)
String Orchestra
[Score and Parts]
Billaudot
Par PEPIN CAMILLE. Ce nonette s'inspire de la série Énergie blanche de Fabienn...
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Par PEPIN CAMILLE. Ce nonette s'inspire de la série Énergie blanche de Fabienne Verdier. Sur le fond lisse et bleu nuit des toiles viennent contraster des traits de peinture blanche, comme une force opposée. Au fil des tableaux, cette énergie évolue en ondulations nocturnes fluides ou rugueuses, en scintillements légers, en nuages vaporeux ou encore en crépitements. Les toiles semblent emplies de matière en apesanteur et c'est pourquoi j'ai imaginé une musique planante, cherchant un équilibre entre mouvement et immobilité. Pour moi, il se dégage de cette série bicolore l'idée d'une vitalité, d'une force, d'une lumière qui habite le vide infini et lointain du ciel. J'ai recréé cette énergie blanche en aspérités (grains de matière ou frêles touches de lumière) venant perturber ces nappes de bleu vibrant et mystérieux aux valeurs longues et étirées. Mon travail a été d'imaginer des variations de ces deux matière-couleurs grâce à la palette de textures extraordinaire qu'offrent les instruments à cordes. La pièce est ainsi conçue comme un voyage coloré et hypnotique en sept tableaux correspondant chacun à une toile de la série de Verdier. Hors champ est un épisode froid et nocturne au sein duquel de faibles lueurs de lumière tentent à peine de percer l'obscurité de la nuit. Des glissandi inquiétants naissent aux altos et violoncelles en stéréo et présentent le motif qui irriguera toute l'œuvre. La contrebasse émet une pulsation irrégulière et mystérieuse, au loin. Une ondulation douce puis majestueuse s'élève dans Ascendance. Avec l'arrivée des violons, elle traverse la matière sombre en répandant ses faisceaux brillants et lumineux. Turbulence est le lieu des perturbations. L'énergie blanche constituée ici de particules vives et chaotiques se dérègle sans cesse et envahit l'espace. Dans Synchronie I, les violoncelles se partagent le motif fondateur de l'ouvrage en un seul et même souffle, pur et suspendu. Puis, ils s'unissent pour ne former qu'une seule voix et un chant de violon les rejoint. Ce dernier se fait l'annonciateur de lumière durant cette brève accalmie. Mémoires du vent rappelle le début de l'œuvre avec cette palpitation irrégulière de la contrebasse et les glissandi inquiétants des cordes graves. Mais ces mémoires sont aussi l'écho des Turbulences qui se transforment ici en Vortex, dans lequel l'énergie blanche et chaotique devient un véritable tourbillon de lumière liquide. Pour clore la pièce, Synchronie II reprend Synchronie I avec la couleur plus froide et mystérieuse des altos, toujours en stéréo. Les touches de lumière des cordes aiguës s'affaiblissent avant de s'éteindre complètement, au loin. Cette pièce appartient au même cycle que mon quatuor à cordes Feuilles d'eau de Silvacane inspiré par la série du même nom de Fabienne Verdier. Camille Pépin / Date parution : 2022-06-08/ Répertoire / Orchestre à Cordes
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An Irish Rhapsody
String Orchestra
Boosey and Hawkes
Arrangeur maître Robert Longfield a transformé un classique symphonique Grundm...
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Arrangeur maître Robert Longfield a transformé un classique symphonique Grundman en une superbe édition pour les ensembles de cordes. Comprend les mélodies folkloriques The Morren (Minstrel Boy), I Know Where I'm Going, Shepherd Reel de l'agneau, coques et moules, The Rakes de mauve et Kathleen O'More. / Orchestre A Cordes
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An Irish Rhapsody
String Orchestra
Boosey and Hawkes
Arrangeur maître Robert Longfield a transformé un classique symphonique Grundm...
(+)
Arrangeur maître Robert Longfield a transformé un classique symphonique Grundman en une superbe édition pour les ensembles de cordes. Comprend les mélodies folkloriques The Morren (Minstrel Boy), I Know Where I'm Going, Shepherd Reel de l'agneau, coques et moules, The Rakes de mauve et Kathleen O'More. / Orchestre A Cordes
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Come Fly With Me (WOOD MARK)
String Orchestra
[Score and Parts]
Alfred Publishing
Par WOOD MARK. The composer, Mark Wood, writes: Come Fly With Me comes from my p...
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Par WOOD MARK. The composer, Mark Wood, writes: Come Fly With Me comes from my personal visualization of flying while improvising music. In writing a work which combines classical and American rock styles, I have created a vehicle for musicians to spread their wings and truly learn the beautiful art of composing their own music on the spot in the improvisation section. (4:00) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes
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A Classic Christmas
String Orchestra
Alfred Publishing
Cet arrangement polyvalent peut être combiné avec le choeur et / ou de la band...
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Cet arrangement polyvalent peut être combiné avec le choeur et / ou de la bande de concert pour faire une finale brillant programme. Hébergement techniques font de cette pièce très jouable. Extraits de trois chefs-d'oeuvre baroque de Noël viennent à cette fête musicale festive de la saison. Titres inclus sont 'Gloria' de Vivaldi, 'du haut du ciel à la terre I Come' de JS Bach, et deux mouvements de Haendel 'Le Messie'. / Orchestre A Cordes
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Arthur Sullivan William Schwenck Gilbert: Themes from Pirates of Penzance:
String Orchestra
[Score and Parts]
Hal Leonard
Poor Wand'ring One ? I Am the Very Model
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Bruce Adolphe: I'm Inclined to New Music: String Orchestra: Score
String Orchestra
Lauren Keiser Music Publishing
for String Orchestra-A comic parody on Eine Kleine Nachtmusik. Also Available fo...
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for String Orchestra-A comic parody on Eine Kleine Nachtmusik. Also Available for string quartet.
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John Tavener: Mother Of God Here I Stand: String Orchestra: Score
String Orchestra
[Sheet music]
-
Intermediate/advanced
Chester
Taken from Veil of the Temple and arranged for string orchestra.
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