Für Klarinette Bassetthorn (2 Klarinetten) und Klavier-?Favourite dish in exchange for favourite music? this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the Basset Horn stopped to pay avisit to Felix Mendelssohn Bartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of ?Dampfnudeln? (steamed dumplings) and ?Rahmstrudel? (sweet-cheese strudel)that Mendelssohn was mad about if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in dminor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime Concerto is superbly arranged here for Horn Quartet Trumpet Quartet or Clarinet Quartet by Robert King. King's arrangement of the Concerto for Horn Trumpet or Clarinet Quartet includes all three movements; 1) Adagio and Allegro 2) Grave and 3) Allegro. For all Horn Trumpet and Clarinet Quartets King's rearrangement ofTelemann's popular Concerto makes works by the popular composer more accessible and versatile.

A selection of Christmas Carols and Traditional Classics with backing CD. This instrumental series is arranged for Flute Trumpet Clarinet Alto Saxophone Tenor Saxophone Horn in F and Trombone. The instrumental parts can be used along with the CD or in any combination.

The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.

Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However

Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the day of Preparation ? ' for voices and ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Soli Deo Gloria and Kings Place, and first performed by the Hebrides Ensemble at the 2012 Edinburgh Festival.The parent work sets the Resurrection narratives from St John's Gospel. Five instrumental solos for different instruments (theorbo, cello, clarinet, harp, horn) are reproduced unabridged. They serve as prologue and interludes at respective points of the work. / Cor

This book is part of an instrumental series arranged for Flute Clarinet Alto Sax Tenor Sax Trumpet Horn in F and Trombone. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the early intermediate player along with a fully orchestrated CD with backing tracks and demonstration tracks.

Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for French Horn with a fully orchestrated CD accompaniment. The french horn book is compatible with that for flute, clarinet, alto saxophone, tenor saxophone, trumpet, and trombone. A piano accompaniment is available separately (order no. 31799) and includes a CD that features various instrument demo tracks from the series. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

60 popular themes from the movies in arrangements for solo French Horn (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

Horn and Clarinet Quartet. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Cor et Quatuor de Clarinettes : 1 Cor en Fa 3 Clarinettes Sib 1 Clarinette Basse - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 4 mn 10 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Cor et 4 Clarinettes

Le Horn Concerto en mi bémol majeur était composé en 1781 pendant une période extrêmement productive que Mozart s instrumental écrit concernait (1779-1781). Il a survécu mais seulement dans des fragments. La pièce a été écrite soi-disant pour le virtuose de Salzbourg, Joseph Leitgeb. Il s'agit d'une édition particulièrement spéciale de la Rondo pour cor et Piano en raison de l'expertise de l'éditeur, Bernhard Paumgartner. Comme un spécialiste de Mozart et directeur du Mozarteum de Salzbourg pendant de nombreuses années, connaisseur du Bernhard Paumgartner de Mozart et la pratique musicale de son temps sont clairement dans son travail éditorial. / Cor Et Orchestre

La partition Quintette de Gabaye a été composée pour Musique de Chambre et plus particulièrement pour Flûte, Hautbois, Clarinette, Cor Et Basson. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte, Hautbois, Clarinette, Cor Et Basson / Parties