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FOR SAXHORN
Baroque Choral SATB
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Minuet in G major by Bach for Choir SATB and Piano Quartet
Minuet in G major by Bach for Choir SATB and Piano Quartet
$7.99
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Choral SATB
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Johann Sebastian Bach
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Ander
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Woods Only, Arrangements
How Beautiful the Voice - Christmas Choral
How Beautiful the Voice - Christmas Choral
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Choral SATB
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Justified Notes Music Group
"Laudate Dominum - Rare Baroque Baroque Choral Piece - Mateo de Dallo y Lana
"Laudate Dominum - Rare Baroque Baroque Choral Piece - Mateo de Dallo y Lana
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Choral SATB
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Arturo Escorza
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Arturo Escorza
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Arturo Escorza
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Noël! 3: Carols And Anthems: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
For Advent Christmas & Epiphany for Mixed Voice Choirs-Noël! 3 is an excitin...
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For Advent Christmas & Epiphany for Mixed Voice Choirs-Noël! 3 is an exciting collection of Advent Christmas and Epiphany music for mixed-voice choirs from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells Berkeley and Warlock and works by today's composers including Richard Rodney Bennett Paul Mealor John Tavener Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season.
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Sunleif Rasmussen: Klar Op Vort Mod Lys For Vor Fod: SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate/advanced
Wilhelm Hansen
POD-Klar Op Vort Mod Lys For Vor Fod was composed by Sunleif Rasmussen in 2016....
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POD-Klar Op Vort Mod Lys For Vor Fod was composed by Sunleif Rasmussen in 2016. Scored for Soprano and Baritone soli Choir SATB and Baroque Ensemble with lyrics by Helle S. Søtrup.Commissioned by the festival 'Himmelske Dage' Copenhagen.
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Earlene Rentz: Festival Jubilate: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Earlene Rentz creates an outstanding festival opener or closer with a Baroque fe...
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Earlene Rentz creates an outstanding festival opener or closer with a Baroque feel. The springboard effect of the dotted rhythms and 6/8 time signature creates a fresh sound that includes piano and brass accompaniment. The use oftwo trumpets and two trombones (optional) with the piano imitate each other at times in the increasing intensity of a joyful dance of song. Celebratory and strong! Available Separately: SATB opt. brass; Score/trumpet/tromboneparts; PianoTrax CD.
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The Greatest Christmas Choruses: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Brought together for the first time a comprehensive collection of timeless Chri...
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Brought together for the first time a comprehensive collection of timeless Christmas choruses newly engraved for mixed Voices. The Greatest Christmas Choruses encompasses an array of contrasting moods the grand the joyous and the ceremonial from the dramatic to the intimate or spiritual the Baroque the Romantic and the contemporary. Selected with introductory notes by Brian Kay.
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Henry Purcell: Purcell Society Volume 18: SATB: Score
Choral SATB
Novello & Co Ltd.
Royal Welcome Songs Part 2 (Hardback)-The Purcell Society Volume 18 (Hardback ed...
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Royal Welcome Songs Part 2 (Hardback)-The Purcell Society Volume 18 (Hardback edition) contains the second part of Henry Purcell’s Royal Welcome Songs. The Purcell Society is dedicated to making his vast list of works available many of which are currently out of print or inaccessible. This volume has been edited by Bruce Wood under the supervision of the Purcell Society. These volumes represent not only the most accurate but also the most authoritative version available. With comprehensive appendices detailed commentary and discussion the original setting of the texts and the full score for SATB Choir and String Quartet and Piano this is a must for any Purcell or Baroque musicenthusiast.
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Michael Nyman: Out Of The Ruins: SATB: Vocal Work
Choral SATB
SATB, Organ
[Sheet music]
Chester
Out of the Ruins touches on Gregorian chant and sacred music of the Baroque. Thi...
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Out of the Ruins touches on Gregorian chant and sacred music of the Baroque. This is a slowly evolving requiem that draws on Armenian traditions with no hint of Nyman’s signature propulsive rhythms.Some of the music can be heard in different form in Nyman’s third Quartet and the soundtrack for Carrington. In 1988 Armenia suffered a devastating earthquake in which caused widespread destruction and killed more than25 000 people. BBC director Agnieszka Piotrowska asked Michael Nyman to write a work to accompany a documentary she was making for the first anniversary and offered text from 10th century poet Grigor Narekatsi’s Book ofLamentations. Nyman is a contemporary British composer of richly layered modular minimalist pieces often incorporating period instruments or instrumentation outside the normal Orchestral offerings. He isparticularly well known for his film scores including The Piano The Cook The Thief His Wife and Her Lover Prospero’s Books and The Claim among many others. His work is widely performed and recorded.
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A Treasury Of Song: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Easy
Hal Leonard
Sight-singing is important in the development of independent musicianship. The m...
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Sight-singing is important in the development of independent musicianship. The music in this collection will aid in the development of this skill but also be interesting enough to motivate the singer and be substantive enough to be useful in a variety of performance applications.Song categories include Patriotic Christmas Folk Song Renaissance and Baroque Part Songs and Spirituals. All songs will stand alone as a cappella settings. Several songs also have optional Piano accompaniments. Sight-reading or analysis tips are included for each selection.
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Johann Sebastian Bach: Now Thank We All Our God: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Now Thank We All Our God was a hymn first written by the German priest Martin Ri...
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Now Thank We All Our God was a hymn first written by the German priest Martin Rinkart in the 1630s. It has been adapted many times over the years most famously by Mendelssohn as a hymn tune. The version here was created as the third movement of Bach's Cantata BWV 79 (The Lord is a Sun and Shield) written for Reformation Day in 1725. It has been arranged for SATB choir with keyboard accompaniment presented here with the popular English text.J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organistand choirmaster and wrote many ecclesiastical works.
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Johann Sebastian Bach: Jesu Joy of Man's Desiring: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest co...
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from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. This chorale movement is one of his most enduring works however the melody was originally composed before Bach’s time in 1642 by Johann Schop. Utilising the already existing melody Bach wrote this setting of Jesu Joy Of Man’s Desiring in 1716 as the 10th and last movement of the church cantata ‘Herz und Mund und Tat und Leben’ (BWV 147) one of the over three hundred cantatas written by the master of the Baroque period.This edition of the familiar melody which is often performed at weddings and Christian festive seasons like Christmas and Easter is arranged for SATB Chorus and Organ. All four verses of the lyrics are provided in English translation along with the original version in German.
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Holy Holy Holy: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
incorporating Sleepers Awake-What better combination than a traditional hymn in...
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incorporating Sleepers Awake-What better combination than a traditional hymn in a Baroque setting? Bach's “Sleepers Awake” from Cantata No. 140 in the background will be familiar allowing you to present a new and comfortable rendition of thebeloved Holy Holy Holy. A ChoirTrax and Instrumental Pak (strings) provide optional rehearsal and/or performance options. Available separately: SATB ChoirTrax CD. Score and Parts for Strings available digitally (80042).Duration: ca: 4:30.
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Michael Praetorius: Lo How a Rose E'er Blooming: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
The German baroque chorale Est Ist Ein' Ros' Entsprungen in a tasteful adaptati...
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The German baroque chorale Est Ist Ein' Ros' Entsprungen in a tasteful adaptation by John Leavitt features the tenor on the melody of the second verse and a soprano descant on the third verse. Includes English and German texts.Available: SATB and TTBB a cappella. Performance Time: Approx. 2:00.
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Pelle Gudmundsen-Holmgreen: No Ground Green: SATB: Parts
Choral SATB
[Sheet music]
Wilhelm Hansen
Set of parts for Pelle Gudmundsen-Holmgreen's No Ground Green for Mixed Choir (S...
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Set of parts for Pelle Gudmundsen-Holmgreen's No Ground Green for Mixed Choir (SATB) and String Quartet (2012). Score: WH31464 Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and I decided to write a new– lighter ground –New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon. The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.
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Johann Crüger: Millennial Suite: Hymns throuhg the Ages: SATB: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
No. 3 Now thank we all our God-The third movement from Millenial Suite: Hymns Th...
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No. 3 Now thank we all our God-The third movement from Millenial Suite: Hymns Through The Ages and modelled along the lines of a Baroque cantata this sprightly enthusiastic piece has been arranged into a wonderful setting for SATB choir with organ accompaniment on both manuals and pedals. There are also parts for a solo Soprano and solo Tenor. This attractive setting by John Burge will delight your choir and any audience or congregation they perform to.
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God of Grace and God of Glory: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
A Baroque-like setting makes this hymn standard come alive with rhythmic vitalit...
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A Baroque-like setting makes this hymn standard come alive with rhythmic vitality and harmonic interest. Available separately: SATB ChoirTrax CD. Score and Parts for Strings available digitally (88442). Duration: ca. 2:25.
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Pelle Gudmundsen-Holmgreen: No Ground Green: SATB: Score
Choral SATB
[Sheet music]
Wilhelm Hansen
Pelle Gudmundsen-Holmgreen's No Ground Green for Mixed Choir (SATB) and String Q...
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Pelle Gudmundsen-Holmgreen's No Ground Green for Mixed Choir (SATB) and String Quartet (2012). Set of parts: WH31464A Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic andI decided to write a new – lighter ground –New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon. The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Part
Choral SATB
SATB, Orchestra
Barenreiter
Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Hay...
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Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Barenreiter
Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Ver...
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Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale
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With Joyful Singing Director Score
Choral SATB
Alfred Publishing
Here's an indispensable collection of introits, responses, and benedictions from...
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Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic Periods. Carefully and skillfully edited and arranged by Patrick Liebergen, this book is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily learned, yet dynamic and filled with joyful singing! / Choeur Mixte (SATB)
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Leonardo Leo Robert C. Clatterbuck: Holy Lord God of Hosts: Mixed Choir a
Choral SATB
[Vocal Score]
Pavane Publishing
The Toccata by Baroque composer Leonardo Leo has provided the accompaniment for ...
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The Toccata by Baroque composer Leonardo Leo has provided the accompaniment for this brilliant anthem. Robert Clatterbuck has composed some wonderful vocal lines that complement the toccata delightfully. This is a great new anthemwith strong flavors from our past. Available: SATB.
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Nightfall
Choral SATB
SATB A Cappella
Boosey and Hawkes
The composer states:'Nightfall is an incantatory piece inspired by how light cha...
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The composer states:'Nightfall is an incantatory piece inspired by how light changes at the end of a day: the adding and subtracting of colours and shadow- the slowly building and diminishing dynamics- the shifting texture as the sun intensifies and then disappears over the horizon.Nightfall should be sung without vibrato so that the vocal colours and their translucent quality remain pure and clear. Recalling Baroque passacaglia procedure, the bass line underpins the entire work.Nightfall requires a chorus of no less than 26 voices with at least two basses. It's important to keep the parts balanced as the texture thickens so that all the lines are always clearly heard.? / Choeur Mixte A Cappella
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Part
Choral SATB
SATB, Orchestra
Barenreiter
Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Hay...
(+)
Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale
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Henry Purcell: Purcell Society Volume 20: Opera: Score
Choral SATB
SATB, Strings
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Dramatic Music Part 2 (Paperback Edition)-Volume 20 of the ‘Purcell Societ...
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Dramatic Music Part 2 (Paperback Edition)-Volume 20 of the ‘Purcell Society’ series Dramatic Music Part 2 contains 16 pieces by Henry Purcell for intermediate/advanced (Grades 6-8) Voice(s) String Instruments and Continuo. The collection includes (among others) At The Close Of The Evening (The Knight Of Malta) If Thou Wilt Give Me Back My Love (A Fool's Preferment) and The Danger Is Over The Battle Is Past (The Fatal Marriage). Edited under the supervision of the Purcell Society by Ian Spink.Henry Purcell was an English composer. Although incorporating Italian and French stylistic elements into his compositions Purcell'slegacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers.The Purcell Society founded in 1876 is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965 scores of all the known works of Purcell were published in 32 volumes.
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Johann Sebastian Bach: Cold and Fugue Season: Mixed Choir a Cappella: Vocal
Choral SATB
[Vocal Score]
Pavane Publishing
This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous ...
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This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous Fugue in G Minor that will have your audience in stitches! Your students will have a blast singing such funny words with such serious Baroque music which has been simplified for young voices. From the first note to the resounding A-Choo! at the end this uproariously funny novelty is sure to be a big hit in your concert! Available: SATB SSAA TTBB 2-Part 3-Part.
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Georg Friedrich Händel: Sing Unto God: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
from Judas Maccabaeus-From Part III of the oratorio Judas Maccabaeus this joyfu...
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from Judas Maccabaeus-From Part III of the oratorio Judas Maccabaeus this joyful chorus dances with Baroque jubilation now in an excellent performing edition with historical notes and background.
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Antonio Vivaldi: Gloria in D RV.589 (Cameron ed.) - Full Score: SATB: Score
Choral SATB
[Sheet music]
Novello & Co Ltd.
Few baroque composers were ever able to create work as sunny as joyous as Vival...
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Few baroque composers were ever able to create work as sunny as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715 during his fruitful time at the Ospedale della Piet . In his lifetime this priest composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn’t until 1957 that the restored work was heard again in its entirety. Since that time this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.
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Antonio Vivaldi: Gloria RV.589: SATB: Vocal Score
Choral SATB
[Vocal Score]
Ricordi
Canto e pianoforte-Complete Vocal score of the celebrated Baroque Oratorio Glori...
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Canto e pianoforte-Complete Vocal score of the celebrated Baroque Oratorio Gloria conceived around 1713 as part of Antonio Vivaldi's responsibilities as maestro di violino of Venice's Pio Ospedale della Piet . This Vocal Score edition includes a Piano reduction of the original orchestral score.
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Giovanni Battista Pergolesi: Magnificat: SATB: Score
Choral SATB
Walton Music
This classic edition of a delightful baroque masterwork is accessible to the med...
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This classic edition of a delightful baroque masterwork is accessible to the medium/advanced choir. Orchestral parts available for rental. For details see www.waltonmusic.com. Duration: ca. 25:00.
6.95 GBP - Sold by Musicroom UK
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Johann Kuhnau: For Us a Child Is Born: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
from Uns ist ein Kind geboren-Originally attributed to J. S. Bach (Cantata BWV 1...
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from Uns ist ein Kind geboren-Originally attributed to J. S. Bach (Cantata BWV 142) this work is now thought to be by German composer and organist Johann Kuhnau who preceded Bach as cantor at the Thomaskirche in Leipzig. This joyful contrapuntal movement isan excellent introduction to the music of the Baroque and is ideal for Christmas and other concert occasions.
11.25 GBP - Sold by Musicroom UK
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Hans Leo Hassler: Kyrie Eleison: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
From Hassler's Missa Secunda this short imitative work offers opportunities for...
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From Hassler's Missa Secunda this short imitative work offers opportunities for choirs to develop the performance practices of the late Renaissance and early Baroque era. An excellent selection for contest or other festival performances.
12.50 GBP - Sold by Musicroom UK
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