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Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
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Chamber Music with String Instruments
Chamber Orchestra
[Study Score / Miniature]
G. Henle
13 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edit...
(+)
13 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edited by Egon Voss, Robert D. Levin, Sabine Kurth, Rainer Cadenbach, Emil Platen, and Ernst Herttrich. Henle Study Scores. Classical. Softcover. G. Henle #HN9020. Published by G. Henle
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Pastorale op. 43
Chamber Orchestra
Schott
C Major
. Composed by Ludwig van Beethoven (1770-1827). Edited by Helmut W...
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C Major
. Composed by Ludwig van Beethoven (1770-1827). Edited by Helmut W. May. Sheet music. Concertino (Chamber Orchestra). Set of supplemental string parts. Op. 43. 22 pages. Duration 5'. Schott Music #CON 21-60. Published by Schott Music (HL.49001943).
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I Remember
Chamber Orchestra
[Score and Parts]
Lauren Keiser Music Publishing
By Michael Cohen. Score and Parts. LKM Music. 76 pages
$29.95 - See more - Buy online
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Building Technic with Beautiful Music - Volume II (Bass)
Chamber Orchestra
Belwin
Edited by Thom Proctor, written by Samuel Applebaum. Instrumental solo book for ...
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Edited by Thom Proctor, written by Samuel Applebaum. Instrumental solo book for bass. 36 pages. Published by Belwin.
$7.95 - See more - Buy online
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An American Tapestry
Chamber Orchestra
Boosey and Hawkes
Score and Parts. By Daniel Kallman. (Set). Boosey and Hawkes Chamber Music. Pub...
(+)
Score and Parts. By Daniel Kallman. (Set). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.
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Kammermusik No. 1 Op. 24 No. 1 (Chamber Music No. 1)
Chamber Orchestra
[Study Score / Miniature]
Hal Leonard
(Eulenburg Study Score). By Paul Hindemith (1895-1963). Study Score. Study Score...
(+)
(Eulenburg Study Score). By Paul Hindemith (1895-1963). Study Score. Study Score. Softcover. 106 pages. Hal Leonard #ETP1463. Published by Hal Leonard
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Maria Wiegenlied, Op. 76, No. 52
Chamber Orchestra
[Score]
Schott
Full Score. By Max Reger. Schott. Softcover. Size 9x12 inches. 12 pages. Publish...
(+)
Full Score. By Max Reger. Schott. Softcover. Size 9x12 inches. 12 pages. Published by Schott.
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180 Beats Per Minute String Sextet Score And Parts
Chamber Orchestra
[Sheet music]
-
Advanced
Schott
String sextet (2 Vl. * 2 Va. * 2 Vc. oder 2 Vl. * Va. * 3 Vc.) - difficult For s...
(+)
String sextet (2 Vl. * 2 Va. * 2 Vc. oder 2 Vl. * Va. * 3 Vc.) - difficult For string sextet. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 1993. 76 pages. Duration 6'. Schott Music #ED21265. Published by Schott Music
$54.00 - See more - Buy online
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Spiritual Concerto - I Want to Die Easy
Chamber Orchestra
[Set of Parts]
-
Intermediate
Schott
Score and Parts. Composed by Helmut W. May. Sheet music. Concertino (Chamber...
(+)
Score and Parts. Composed by Helmut W. May. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Composed 1979. Duration 17'. Schott Music #CON190-70. Published by Schott Music
$59.00 - See more - Buy online
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The Great Divide for Chamber Orchestra
Chamber Orchestra
Hal Leonard
By Steven Winteregg. Full Score. LKM Music. 60 pages. Hal Leonard #X077576. Publ...
(+)
By Steven Winteregg. Full Score. LKM Music. 60 pages. Hal Leonard #X077576. Published by Hal Leonard
$48.95 - See more - Buy online
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Just Brass Lollipops 3 Carmichael Stardust (Iveson) 10 Part
Chamber Orchestra
Chester
Chamber Orchestra. Music Sales America. Post-1900. 38 pages. Chester Music #CH55...
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Chamber Orchestra. Music Sales America. Post-1900. 38 pages. Chester Music #CH55615. Published by Chester Music
$21.00 - See more - Buy online
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Phaedra
Chamber Orchestra
[Score]
Faber Music Limited
By Benjamin Britten (1913-1976). For Small Orchestra. Larger Works; Masterworks;...
(+)
By Benjamin Britten (1913-1976). For Small Orchestra. Larger Works; Masterworks; Score; Vocal Extended Work. Faber Edition. 20th Century; Masterwork. Published by Faber Music
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Dance Mix
Chamber Orchestra
Boosey and Hawkes
Score and Parts. By Robert Smith. (Set). Boosey and Hawkes Chamber Music. Publi...
(+)
Score and Parts. By Robert Smith. (Set). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.
$65.00 - See more - Buy online
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Three Shanties
Chamber Orchestra
[Sheet music]
Novello & Co Ltd.
Arranged for Woodwind Octet
. Composed by Malcolm Arnold (1921-2006). Arra...
(+)
Arranged for Woodwind Octet
. Composed by Malcolm Arnold (1921-2006). Arranged by Jo�£o M. Pereira. Music Sales America. Softcover. 28 pages. Novello and Co Ltd. #NOV164714. Published by Novello and Co Ltd. (HL.14043243).
$20.99 - See more - Buy online
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24 hours - In Stock
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Doublespeak
Chamber Orchestra
[Score and Parts]
St Rose Music Publishing
Composed by Nico Muhly. Music Sales America. Classical. Set (Score and Parts). 8...
(+)
Composed by Nico Muhly. Music Sales America. Classical. Set (Score and Parts). 84 pages. St. Rose Music #MUSSRO100090. Published by St. Rose Music
$45.00 - See more - Buy online
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24 hours - In Stock
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Kammermusik No. 7, Op. 46, No. 2
Chamber Orchestra
[Study Score / Miniature]
Eulenburg
(Organ and Chamber Orchestra). By Paul Hindemith (1895-1963). Edited by Giselher...
(+)
(Organ and Chamber Orchestra). By Paul Hindemith (1895-1963). Edited by Giselher Schubert. For Organ, Chamber Orchestra (Study Score). Study Score. Softcover. 70 pages. Eulenburg Edition #ETP1469. Published by Eulenburg Edition
$24.99 - See more - Buy online
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Paul Hindemith - Kammermusik No. 6, Op. 46, No. 1
Chamber Orchestra
[Study Score / Miniature]
Eulenburg
(Viola d'amore and Chamber Orchestra Study Score (New Edition)). By Paul Hindemi...
(+)
(Viola d'amore and Chamber Orchestra Study Score (New Edition)). By Paul Hindemith (1895-1963). Edited by Giselher Schubert. For Chamber Orchestra, Viole d'Amour. Schott. Softcover. 44 pages. Eulenburg Edition #ETP1468. Published by Eulenburg Edition (HL.
$22.99 - See more - Buy online
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Art of the Fugue, BWV 1080
Chamber Orchestra
[Study Score / Miniature]
Eulenburg
For Chamber Orchestra. By Johann Sebastian Bach. (Study Score). Schott. Size 5....
(+)
For Chamber Orchestra. By Johann Sebastian Bach. (Study Score). Schott. Size 5.25x7.5 inches. 184 pages. Published by Eulenburg London (Schott).
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Octet Op. 32
Chamber Orchestra
[Study Score / Miniature]
Eulenburg
By Louis Spohr. (Score). Schott. Book only. 102 pages. Published by Eulenburg.
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24 hours - In Stock
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Sextet in B-flat Major, Op. 18
Chamber Orchestra
[Study Score / Miniature]
Eulenburg
By Johannes Brahms. (Study Score). Schott. Size 5.25x7.5 inches. 72 pages. Publ...
(+)
By Johannes Brahms. (Study Score). Schott. Size 5.25x7.5 inches. 72 pages. Published by Eulenburg London (Schott).
$13.99 - See more - Buy online
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Concerto
Chamber Orchestra
-
Intermediate
Schott
Score. Composed by Johann Wilhelm Hertel. Edited by Edward H. Tarr. This edi...
(+)
Score. Composed by Johann Wilhelm Hertel. Edited by Edward H. Tarr. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 44 pages. Duration 23'. Schott Music #CON74. Published by Schott Music
$28.99 - See more - Buy online
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24 hours - In Stock
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Symphony No. 1 Wq 183/1
Chamber Orchestra
-
Advanced
Schott
Supplemental Set. Composed by Carl Philipp Emanuel Bach. Edited by Guenter K...
(+)
Supplemental Set. Composed by Carl Philipp Emanuel Bach. Edited by Guenter Kehr. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. Duration 12'. Schott Music #CON6-60. Published by Schott Music
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Marilyn Forever
Chamber Orchestra
[Study Score / Miniature]
Schott
Chamber Opera (Study Score). Composed by Gavin Bryars. This edition: Saddle ...
(+)
Chamber Opera (Study Score). Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Study Score. Classical, Opera. Softcover. Composed 2010-2013. 106 pages. Duration 90'. Schott Music #ED13828. Published by Schott Music
$46.00 - See more - Buy online
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Three Studies from Couperin (ADES THOMAS)
Chamber Orchestra
Faber Music Limited
Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically rew...
(+)
Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically reworks three pieces by the Baroque composer into music that is distinctively Adès without dismissing the source material. The basic structures of harmony and duration in ?Les Amusemens?, ?Les Tours de Passe-passe?, and ?L?Âme-en-Peine? remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals an enthralling music that could be no other composer. The Three Studies has earned critical praise and popularity, having received over 200 public performances in more than 20 countries since its 2006 premiere. ?Three Studies from Couperin, looks at the music as if through a kaleidoscope, the shattered pieces of the original tumbling around like glinting fragments of coloured glass.? Financial Times / Date parution : 2022-06-14/ Répertoire / Orchestre de Chambre
47.32 EUR - Sold by LMI-partitions
(Seller in french langage)
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Nico Muhly: Doublespeak: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Book]
St Rose Music Publishing
The sheet music for Nico Muhly's Doublespeak arranged for Chamber Ensemble and...
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The sheet music for Nico Muhly's Doublespeak arranged for Chamber Ensemble and composed for the orchestral sextet 'eighth blackbird'. The piece is arranged for Flute (Soprano Recorder) Clarinet in B flat Percussion (Castanets Tenor Drum Pedal Bass Drum) Glockenspiel Piano Violin and Cello. It works for 2-6 players and this item includes the full score as well as the parts. Doublespeak had its debut at the Edlis Neeson Theatre in Chicago performed by the new musical six-piece 'eighth blackbird'. The piece is a slow and repetitive one punctuated bymoments of stark beauty. It is according to Muhly something of a tribute to the great Philip Glass the forefather of minimalist classical music. It takes implicit inspiration from his entire oeuvre but also explicitly incorporates portions of his most famous and valued works interweaving them inside a new composition that captures what 'eighth blackbird' do best. The Doublespeak sheet music would be ideal for Chamber Ensembles looking to perform or practise minimalist music drawn from the 1960s and 1970s. If you love Philip Glass or Nico Muhly or both this composition is a real treat.
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Nico Muhly: Balance Problems: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Sheet music]
St Rose Music Publishing
Balance Problems by contemporary classical composer Nico Muhly is a work arrang...
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Balance Problems by contemporary classical composer Nico Muhly is a work arranged for Chamber Ensemble. This product includes the full score and parts for each instrument that is Flute Clarinet in B Trumpet in C Viola Violin (or Acoustic Guitar) and Violoncello. Balance Problems was commissioned by Linda and Stuart Nelson for yMusic an innovative ensemble that intersects the line between pop and classical music. Their debut album was named the number one classical album of the year by Time Out New York and this new Nico Muhly composition forms one track from their 2014 offering also titled 'BalanceProblems.' This work is in the key of C and lasts around 8 minutes.
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Philip Glass: Facades (Score): Score
Chamber Orchestra
Dunvagen Music Publishers
American composer Philip Glass is widely known as one of the most celebrated in...
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American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of?music with repetitive structures.?Façades is a work that describes superficial qualities. Philip Glass wrote this piece as part of the soundtrack for the film Koyaanisqatsi but it was not used and so became anindependent work. In fact it became a staple of live performances of the Philip Glass Ensemble during its era (1981). Originally its eerily flowing sonorities were to have accompanied visual scenes of New York?s Wall Streetapocalyptically deserted. The piece was given a new name Glasspiece #2 when it was choreographed for the New York City Ballet.This work is for Flute 1 & 2 OR Saxophone 1 & 2 with string ensemble Violin 1 & 2 Viola andCello. You will receive one of each with the set of parts.
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Anne Boyd: The Quiet Place: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubl...
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Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd
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Thomas Adès: Chamber Symphony For Fifteen Players Op.2: Orchestra: Score
Chamber Orchestra
[Sheet music]
Faber Music Limited
Thomas Ades' Chamber Symphony Op.2 was first performed on the 24th February 1991...
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Thomas Ades' Chamber Symphony Op.2 was first performed on the 24th February 1991 in Cambridge at the West Road Concert Hall. It was performed by the Contemporary Music Festival Ensemble for the Cambridge Festival of Contemporary Music conducted by the composer himself. Chamber Symphony Op.2 is a written for a chamber orchestra consisting of fifteen players.
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
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Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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Peter Varga Antonio Vivaldi: 4 Sonatas: Recorder: Score
Chamber Orchestra
EMB (Editio Musica Budapest)
per flauto dolce e basso continuo-4 Sonatas by Vivaldi for Treble Recorder and C...
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per flauto dolce e basso continuo-4 Sonatas by Vivaldi for Treble Recorder and Continuo transcribed from the Violin Sonatas:Sonata in C Minor (RV 27 originally in G Minor)Sonata in C Major (RV 23 originally in G Major)Sonata in D Minor (RV 36 originally in B Minor)Sonata in F Minor (RV 8 originally in C Minor)
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Gustav Holst: The Wandering Scholar Vocal Score: Mixed Choir: Vocal Score
Chamber Orchestra
Faber Music Limited
Gustav Holst's The Wandering Scholar a one-act chamber opera for Baritone Sop...
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Gustav Holst's The Wandering Scholar a one-act chamber opera for Baritone Soprano Tenor Bass and Orchestra. Edited by Benjamin Britten and Imogen Holst. Full score and Orchestral parts are availble for hire. The Wandering Scholar Holst’s last opera was written in 1929-30 and was first performed in The David Lewis Theatre Liverpool in 1934 conducted by Dr. J. E. Wallace and produced by Frederick Wilkinson. This was a few months before Holst’s death and he was too ill to go to the performance. He had no chance to revise the score which has remained unpublished until now. He leftseveral pencil queries in the margins such as ‘Tempo?’ ‘More?’ ‘More harmony?’ etc. And in one of his note-books he left queries about several words in the libretto which he had doubts about. The editors have answered these queries by making some alterations in speed and dynamics and by suggesting metronome marks throughout the work. They have also made several alterations in the libretto which they feel that Holst might have made himself if he had had the chance to revise the work with his friend Clifford Bax.
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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Nico Muhly: Aston Magna: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
St Rose Music Publishing
Nico Muhly's Aston Magna for two Violins Viola da gamba and Harpsichord. Score ...
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Nico Muhly's Aston Magna for two Violins Viola da gamba and Harpsichord. Score and parts.This 12 minute work was commissioned by Lee Elman to celebrate the Aston Magna Estate for world premiere performances by Aston Magna Music Festival on July 17 18 and 19 2014.
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Robert Saxton: Fantasy Pieces: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Fantasy Pieces
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Thomas Simaku: Albanian Folk Song: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Thomas Simaku's Albanian Folk Song 'My Beautiful Morea' for Violin Cello and Gu...
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Thomas Simaku's Albanian Folk Song 'My Beautiful Morea' for Violin Cello and Guitar. Score and parts.
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Thomas Simaku: Albanian Folk Song: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Thomas Simaku's Albanian Folk Song 'My Beautiful Morea' for Violin Cello and Gu...
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Thomas Simaku's Albanian Folk Song 'My Beautiful Morea' for Violin Cello and Guitar. Score and parts.
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Frédéric Chopin: Complete Works XVI: Chamber Music: Chamber Ensemble: Score and
Chamber Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for...
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for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
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Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Michael Nyman: Michael Nyman: MGV (Musique A Grande Vitesse): Orchestra: Score
Chamber Orchestra
[Sheet music]
Chester
Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed m...
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Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993. This piece of sheet music runs continuously but was conceived as an abstract imaginary journey; or rather five inter-connected journeys each ending with a slow mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination. Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic melodic harmonic motivic textural -constantly change their identity as they pass through different musical 'environments'. The opening bars establish both a recurrent rhythmic principle - 9 11 or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally MGV begins in C and ends in E). A later scalic syncopated figure (again first heard over C E and A)begins the second section featuring Brass in D flat. The topography of MGV should be experienced without reference to planning description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey while the temptation to treat MGV as a concerto grosso with the Michael Nyman band as the ripeno was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.
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Canons classiques: Vocal Tutor
Chamber Orchestra
EMB (Editio Musica Budapest)
'...The present collection has been conceived right from the outset so as to for...
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'...The present collection has been conceived right from the outset so as to form an organic component of and a supplement to the teaching of solfeggio. The original text and their relevant translations have been omitted with the intention that the pedagogical aim namely that which is achieved through solmization could be proprely emphasized. There is hardly any need to recommend these pieces for cultivation. Luckily enough solfeggio has become so wide-spread and in particular singing canons has gained such popularity that its praise would suggest an irony of the same kind as Erasmus' eulogy of foolishness. Nevertheless it cannot be left unsaid how immensely this domaincontributes to raising the musical standards of the greatest number of people possibile.' (Antal Molnár)
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Tom Coult: Four Perpetual Motions: Wind Ensemble: Instrumental Work
Chamber Orchestra
Faber Music Limited
For 10 players-These mature and well-crafted pieces for an ensemble of ten playe...
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For 10 players-These mature and well-crafted pieces for an ensemble of ten players showcase Coult’s ear for beguiling burnished sonorities and his ability to harness the most complex of technical devices to rich emotional ends. Whilst his musical schemas are often audacious and innovative the security and light touch with which Coult carries them out ensures that his Four Perpetual Motions are always as expressive as they are impressive. Coult was one of the winners of the 2012 Royal Philharmonic Society Composition Prize and was consequently commissioned to write this 13-minute work for the Philharmonia’s Music of Today Series.Scoredfor: fl.ob.cl - tpt - perc(1): vib/mar/glsp/crot/2 bongos - harp - vln.vla.vlc.db
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