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David Musical course - Solfege
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I Need Thee Every Hour for clarinet quartet
I Need Thee Every Hour for clarinet quartet
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Clarinet Quartet: 4 clarinets
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Robert Lowry
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David Warin Solomons
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David Warin Solomons
Fourpence ha'penny or Variations on Frère Jacques for clarinet quartet
Fourpence ha'penny or Variations on Frère Jacques for clarinet quartet
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Have Yourself A Merry Little Christmas
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Classroom Management in the Music Room
Musical course - Solfege
[Book]
Kjos Music Company
( Pin-Drop Quiet Classes and Rehearsals). By David Newell. Textbook. 244 pages....
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( Pin-Drop Quiet Classes and Rehearsals). By David Newell. Textbook. 244 pages. Published by Neil A. Kjos Music Company
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Listening Matters
Musical course - Solfege
Schott
(Practice Tests for the London AS and A2 Music Listening Papers based on The Ess...
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(Practice Tests for the London AS and A2 Music Listening Papers based on The Essential Hyperion 2). Composed by David Bowman and Paul Terry. Schott. 96 pages. Schott Music #ED12730. Published by Schott Music
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The Jazz Musician's Guide to Creative Practicing
Musical course - Solfege
[Listening CD]
Sher Music Company
Written by David Berkman. Instructional book and performance CD for all musicans...
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Written by David Berkman. Instructional book and performance CD for all musicans. 154 pages. Published by Sher Music Company.
(1)
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Techniques of Improvisation - Volume 1 (The Lydian Chromatic Concept)
Musical course - Solfege
[Book]
Alfred Publishing
Techniques of Improvisation - Volume 1 (The Lydian Chromatic Concept) by David N...
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Techniques of Improvisation - Volume 1 (The Lydian Chromatic Concept) by David N. Baker and David Baker. Improvisation; Reference Textbooks; Technique Musicianship; Textbook - Jazz. Jazz. Book. 96 pages. Published by Alfred Music Publishing
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The Jazz Harmony Book
Musical course - Solfege
[Sheet music + CD]
Sher Music Company
Composed by David Berkman. Instructional book & 2 CDs. Published by Sher...
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Composed by David Berkman. Instructional book & 2 CDs. Published by Sher Music Company
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Jazz Improvisation, Revised
Musical course - Solfege
[Textbook]
Alfred Publishing
Jazz Improvisation by David N. Baker and David Baker. This edition: Revised. Imp...
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Jazz Improvisation by David N. Baker and David Baker. This edition: Revised. Improvisation; Reference Textbooks; Textbook - Jazz. Jazz. Book. 132 pages. Published by Alfred Music Publishing
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Techniques of Improvisation - Volume 4, Part 1 (Cycles)
Musical course - Solfege
[Textbook]
Alfred Publishing
Techniques of Improvisation - Volume 4, Part 1 (Cycles) by David N. Baker and Da...
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Techniques of Improvisation - Volume 4, Part 1 (Cycles) by David N. Baker and David Baker. Improvisation; Reference Textbooks; Technique Musicianship; Textbook - Jazz. Jazz. Book. 96 pages. Published by Alfred Music Publishing
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Teaching Rhythm
Musical course - Solfege
Kjos Music Company
New Strategies and Techniques for Success. By David Newell. Instructional. Textb...
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New Strategies and Techniques for Success. By David Newell. Instructional. Textbook. 215 pages. Published by Neil A. Kjos Music Company.
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How to Play Bebop - Volume 2
Musical course - Solfege
[Textbook]
Alfred Publishing
By David Baker. Textbook - Jazz. Jazz. Book. 76 pages. Published by Alfred Publi...
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By David Baker. Textbook - Jazz. Jazz. Book. 76 pages. Published by Alfred Publishing.
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How to Play Bebop - Volume 3
Musical course - Solfege
[Textbook]
Alfred Publishing
By David Baker. Textbook - Jazz. Jazz. Book. 64 pages. Published by Alfred Publi...
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By David Baker. Textbook - Jazz. Jazz. Book. 64 pages. Published by Alfred Publishing.
(1)
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Composing in the Classroom, Op. 2
Musical course - Solfege
[Sheet music]
Boosey and Hawkes
By David Bramhall. Boosey and Hawkes Scores and Books. Softcover. Size 8.25x11.7...
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By David Bramhall. Boosey and Hawkes Scores and Books. Softcover. Size 8.25x11.75 inches. 44 pages. Published by Boosey and Hawkes.
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Composing in the Classroom, Op. 1
Musical course - Solfege
[Sheet music]
Boosey and Hawkes
By David Bramhall. Boosey and Hawkes Scores and Books. Size 8.3x11.8 inches. 40 ...
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By David Bramhall. Boosey and Hawkes Scores and Books. Size 8.3x11.8 inches. 40 pages. Published by Boosey and Hawkes.
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Modern Concepts in Jazz Improvisation
Musical course - Solfege
[Textbook]
Alfred Publishing
By David N. Baker. Textbook - Jazz. Jazz. Book. 144 pages. Published by Alfred P...
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By David N. Baker. Textbook - Jazz. Jazz. Book. 144 pages. Published by Alfred Publishing.
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Measures of Success: Teacher's Manual Book 1
Musical course - Solfege
[Teacher Editions]
FJH
By Deb Sheldon / Brian Balmages / Tim Loest / Bob Sheldon. Edited by David Colli...
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By Deb Sheldon / Brian Balmages / Tim Loest / Bob Sheldon. Edited by David Collier. Measures of Success. Educational materials. Book. Composed 2010. Published by The FJH Music Company Inc
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The Complete Idiot's Guide to the Art of Songwriting
Musical course - Solfege
[Textbook]
Alfred Publishing
(Hone Your Craft and Reach for Your Goals -- Creative, Commercial, or Both). By ...
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(Hone Your Craft and Reach for Your Goals -- Creative, Commercial, or Both). By Casey Kelly and David Hodge. Book; Method/Instruction; Reference Textbooks; Textbook - General. Complete Idiot's Guide. Published by Alfred Music Publishing
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Playing Outside the Chord (KANE DAVID)
Musical course - Solfege
[Sheet music]
Aebersold Jamey
A Manual of Techniques and Possibilities for the Adventurous Improvising Musicia...
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A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument
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David Bowman: Listening Matters: Aural
Musical course - Solfege
Schott
Practice Tests for the London AS and A2 Music Listening Papers based on The Esse...
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Practice Tests for the London AS and A2 Music Listening Papers based on The Essential Hyperion 2-Listening Matters offers more than 70 sets of questions on musical perception. These have been designed by two former chief examiners in music for London Examination to help students prepare for the London Qualifications in AS and A-level music. Based on the 51recordings of the Essential Hyperion 2 (two CDs HYP 20) these questions are prefaced with hints and are graded in difficulty and supplied with model answers. This book can be used for aural practice in the classroom for support work at home or for revision prior to the exam. It has been designed Specifically for the revised London (Edexel) music specification first examined in 2001/02 and reflects the styles andtypes of question that feature in those examinations. Listening Matters builds upon the reputation of the prize-winning Aural Matters and its companion volume Aural Matters in Practice both written by David Bowmann and Paul Terry.
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Musik-Sudoku Band 2 (PUERTAS BERNAT / PUERTAS DAVID)
Musical course - Solfege
Schott
Par PUERTAS BERNAT / PUERTAS DAVID. The Original Sidoku/ Recueil / Divers
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The Jazz Harmony Book (BERKMAN DAVID)
Musical course - Solfege
[Sheet music]
Sher Music Company
Par BERKMAN DAVID. The definitive book on how to create beautiful jazz harmonies...
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Par BERKMAN DAVID. The definitive book on how to create beautiful jazz harmonies for any melody. Starting from the most basic harmonic situations and progressing to contemporary jazz harmony, this book is a serious study of the fundamentals of jazz harmony. It will help you to uncover the best choices for chords to accompany any melody, to better understand and create the \'right\' chord progressions to standard tunes, to re-harmonize songs freely in the manner of great jazz artists like Hank Jones, Thelonious Monk, Art Tatum, Oscar Peterson, Bill Evans, Chick Corea, Brad Mehldau, Herbie Hancock, Duke Ellington, Gil Evans, Thad Jones, Joe Pass, Jim Hall and John Scofield. Topics covered include: basic functional harmony, diatonic substitutes, secondary dominants, passing chords, diminished harmony, tritone substitutes, non-functional approaches to harmonizing melodies including quartal harmony, color chords, harmonizing basslines, pedals, slash chords, unavailable tensions and more. Includes 2 CDs of the author playing many of the written examples in the 206-page book. / Methods
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Liebman D. - A Chromatic Approach To Jazz Harmony And Melody - Nouvelle Edition + Cd
Musical course - Solfege
Advance Music
Revised Edition 2006 This book should be seen as a method to help the artist t...
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Revised Edition 2006 This book should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text, it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition the book contains 100 assorted solo lines and 100 chord voicings.
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Dvd Muzziko 3Eme
Musical course - Solfege
[DVD]
De la complémentarité des outils à la cohérence des apprentissages La riche ...
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De la complémentarité des outils à la cohérence des apprentissages La riche diversité des ressources gravées sur le DVD Muzziko 3e en fait un support idéalement approprié à la préparation du cours d'éducation musicale, à son déroulement et à ses prolongements. - Vidéos inédites, diaporamas, extraits de textes littéraires, claviers animés, musiques originales, donnent vie aux pages du livret en mettant en situation les oeuvres de référence ainsi que les activités qui leur sont associées. Quelle que soit la nature des documents répertoriés, tous répondent à une même exigence: conduire à une exploitation vivante et réaliste des thématiques abordées et de leurs prolongements par l'Histoire des Arts et des Civilisations, conformément aux orientations définies dans les nouveaux programmes. - Des fiches consultables et imprimables (les bonus), sur lesquelles figurent des liens de connexion à l'internet constituent une base documentaire pertinente, exploitable aussi bien par les professeurs que par les élèves. - Des compléments musicaux originaux pour une meilleure appropriation ludique et musicale, collective et individuelle. - Des activités utilisant l'outil informatique, en relation avec les compétences ciblées par le B2i. - Des tutoriels présentant pas à pas les démarches informatiques mobilisées pour les activités de création TICE. - Un support multimédia qui répond autant aux attentes et aux questionnements des élèves qu'à ceux des professeurs, d'utilisation simple (un ordinateur connecté et un clic de souris suffisent ! ) et adapté à la diversité des contextes pédagogiques des collèges. Conçu et réalisé par les auteurs de l'ouvrage 'Muzziko 3e' paru aux Editions Van de Velde : Dominique André, David Kaeser, Yves Audard, Jean-Pierre Blaise. Distribution: Editions Van de Velde. / Collège / niveau : Intermédiaire / Dvd
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Jazz Vocal
Français
Musical course - Solfege
[Book + CD]
Outre Mesure
' Le jazz, ce n'est pas ce que vous faites, mais la manière dont vous le faites...
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' Le jazz, ce n'est pas ce que vous faites, mais la manière dont vous le faites ', selon l'excellent mot de Fats Waller. Jazz vocal vous propose d'appréhender cette ' manière de faire ' sous un double angle.- Sous un angle technique d'une part, avec de nombreux exemples et exercices permettant de développer son sens du rythme, son oreille harmonique, son imagination mélodique, sa liberté d'interprétation, sa technique vocale. Car aussi ' naturelle ' qu'elle soit, la voix ne saurait s'exonérer de l'apprentissage et de la maîtrise de codes, pour mieux libérer l'émotion. Les Parties I - Rythme et II - Harmonie/Mélodie se proposent de développer votre musicalité et votre autonomie, en se rapprochant de ce que réalisent les instrumentistes - La Partie III - Improvisation s'appuie sur le travail des deux premières parties pour expérimenter l'improvisation dans un cadre harmo-rythmique - elle évoque également l'improvisation modale et l'improvisation ' libre ' - La Partie IV - Interprétation aborde l'acquisition d'un répertoire, le lien au texte et ce qui en découle en terme de phrasé - La Partie V - Jazz et Techniques traite de la technique vocale et de la lecture de partitions - La Partie VI - La scène évoque la question du choix des musiciens, l'organisation d'une répétition, l'arrangement des morceaux, la présence scénique, etc. - La Partie VII s'adresse aux enseignants avec des exercices collectifs et des conseils sur la façon de transmettre cette musique. - Sous un angle ' poétique ' d'autre part, au travers de pages de réflexions qui cherchent à exprimer ' l'esprit ' de cette musique. Cet ouvrage s'adresse : - à tous ceux qui veulent chanter du jazz (du débutant au chanteur confirmé), et qui cherchent des outils pour travailler cette musique - - aux enseignants en jazz vocal, qui trouveront de quoi construire leur cours, ainsi qu'une réflexion sur la musique qu'ils enseignent - - aux chanteurs professionnels ou semi-professionnels, qui y puiseront de quoi aller plus loin dans leur maîtrise, ainsi que des conseils sur la scène - - aux musiciens de jazz (instrumentistes) qui se demandent ' comment ça marche un chanteur '... ' Ouvrir la voi(x)e à plus d'une voix ' - comme l'écrit David Linx dans sa préface -, tel est le propos, telle est l'ambition de cet ouvrage qui s'efforce, par son caractère très complet, d'aborder toutes les facettes du jazz vocal soliste. Un CD (play-backs et exemples chantés) accompagne l'ouvrage pour expérimenter les propositions au fil des pages. / Voix / Partition Cd
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Duvivier, Jérôme : Jazz vocal - Techniques, interprétation, improvisation
Français
Musical course - Solfege
[Book]
Outre Mesure
« Le jazz, ce n?est pas ce que vous faites, mais la manière dont vous...
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« Le jazz, ce n?est pas ce que vous faites, mais la manière dont vous le faites », selon l?excellent mot de Fats Waller.
Jazz vocal vous propose d?appréhender cette « manière de faire » sous un double angle.
? Sous un angle technique d?une part, avec de nombreux exemples et exercices permettant de développer son sens du rythme, son oreille harmonique, son imagination mélodique, sa liberté d?interprétation, sa technique vocale. Car aussi « naturelle » qu?elle soit, la voix ne saurait s?exonérer de l?apprentissage et de la maîtrise de codes, pour mieux libérer l?émotion.
Les Parties I - Rythme et II - Harmonie/Mélodie se proposent de développer votre musicalité et votre autonomie, en se rapprochant de ce que réalisent les instrumentistes
? La Partie III - Improvisation s?appuie sur le travail des deux premières parties pour expérimenter l?improvisation dans un cadre harmo-rythmique ; elle évoque également l?improvisation modale et l?improvisation « libre »
? La Partie IV - Interprétation aborde l?acquisition d?un répertoire, le lien au texte et ce qui en découle en terme de phrasé
? La Partie V - Jazz et Techniques traite de la technique vocale et de la lecture de partitions
? La Partie VI - La scène évoque la question du choix des musiciens, l?organisation d?une répétition, l?arrangement des morceaux, la présence scénique, etc.
La Partie VII s?adresse aux enseignants avec des exercices collectifs et des conseils sur la façon de transmettre cette musique.
? Sous un angle « poétique » d?autre part, au travers de pages de réflexions qui cherchent à exprimer « l?esprit » de cette musique.
Cet ouvrage s?adresse :
? à tous ceux qui veulent chanter du jazz (du débutant au chanteur confirmé), et qui cherchent des outils pour travailler cette musique ;
? aux enseignants en jazz vocal, qui trouveront de quoi construire leur cours, ainsi qu?une réflexion sur la musique qu?ils enseignent ;
? aux chanteurs professionnels ou semi-professionnels, qui y puiseront de quoi aller plus loin dans leur maîtrise, ainsi que des conseils sur la scène ;
? aux musiciens de jazz (instrumentistes) qui se demandent « comment ça marche un chanteur »?
« Ouvrir la voi(x)e à plus d?une voix » ? comme l?écrit David Linx dans sa préface ?, tel est le propos, telle est l?ambition de cet ouvrage qui s?efforce, par son caractère très complet, d?aborder toutes les facettes du jazz vocal soliste.
Un CD (play-backs et exemples chantés) accompagne l?ouvrage pour expérimenter les propositions au fil des pages. / Livre / Agrafé /
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Jazz Harmony
Musical course - Solfege
[Sheet music]
Advance Music
' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. ...
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' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. Il est bien écrit et magnifiquement organisée, et les informations qu'il contient soient throgoughly l'objet de recherches et authentiquement presentes. Je le recommande fortement ' David Bake-' si vous êtes un enseignant, un étudiant, un playre ou un auditeur qui veulent savoir ce qu'il faut écouter dans un concert de jazz, Jazz harmonie de Andy Jaffe vous aidera à faire ce que vous faites le mieux. Check it out! ' Billy Taylor. En angalis. / Théorie Solfège / Partition
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The Bucket Book
Musical course - Solfege
Alfred Publishing
The Bucket Book is a groundbreaking new resource for elementary and middle schoo...
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The Bucket Book is a groundbreaking new resource for elementary and middle school general music classes. This inventive program is designed to help teachers and students discover the joy of creating music and the fun of using homemade or found instruments to do so. Fully reproducible, and including a Data CD with 30 MP3s of musical examples and a PDF of the book for projection and enhanced classroom learning, The Bucket Book curriculum teaches rhythm skills and percussion techniques using easy-to-teach lessons that do not require a percussion background. Detailed information, photos, and resources are provided to acquaint educators with percussion vocabulary and techniques. The activities will engage and delight your students as they explore different timbres and search for the next great sound or rhythm they can produce with their instruments. For teachers wishing to provide their students with a creative, high-quality music education, The Bucket Book is an outstanding resource! / Formation Musicale
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David Bramhall: Composing In The Classroom: Reference
Musical course - Solfege
[Textbook]
Boosey and Hawkes
Opus 1-Creatvity participation and enjoyment are the key words of Composing In ...
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Opus 1-Creatvity participation and enjoyment are the key words of Composing In The Classroom. These fanstastic books provide a variety of ways in which your class can approach composition. Clear explanations and inventive suggestions help to invlove everybody in the excitement of musical discovery. Opus 1 is suitable for classes of 9-11 year olds and non-specialist techers will find material easy to follow and fun to explore. Slightly older pupils may be able to approach the projects without teacher supervision.
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David Ventura: WJEC/Eduqas GCSE Music Revision Guide: Reference
Musical course - Solfege
Rhinegold Publishing Ltd.
This revision guide presents the key information you need to know for the writte...
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This revision guide presents the key information you need to know for the written exam (Appraising) part of the WJEC and WJEC/Eduqas GCSE Music syllabuses. It includes: Notes on the prepared extracts for both syllabuses Guidance on all questions in the appraising exam including those on prepared extracts and those on unprepared extracts Practice questions with answers included Notes on the music history you will need to know and the musical forms and devices that you will need to understand An introduction to music theory Tips on how to revise
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David Bramhall: Composing In The Classroom Op.2: Opera: Reference
Musical course - Solfege
[Textbook]
Boosey and Hawkes
Opus 2-Creatvity participation and enjoyment are the key words of Composing In ...
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Opus 2-Creatvity participation and enjoyment are the key words of Composing In The Classroom. These fanstastic books provide a variety of ways in which your class can approach composition. Clear explanations and inventive suggestions help to invlove everybody in the excitement of musical discovery. Opus Two is suitable for 12-13 year olds and will provide a useful background to Music GCSE.
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Musik-Sudoku Band 1
Musical course - Solfege
Schott
La fièvre de Sudoku a finalement atteint le monde de la musique. ' Musik-Sudoku...
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La fièvre de Sudoku a finalement atteint le monde de la musique. ' Musik-Sudoku ' est la première version musicale de puzzle populaire nombre de placement. Au lieu de nombres, les sept syllabes de solfège Do Re Mi Fa Sol La Si doivent être entré dans un certain ordre. Le r. / Divers
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David Epstein: Al Di La' Di Orfeo
Italiano
Musical course - Solfege
Ricordi
Studi Sulla Struttura Musicale
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David Carter: Inside Music 2. Music & Expressive Arts: Classroom Resource
Musical course - Solfege
-
Intermediate
Faber Music Limited
Inside Music presents a practical approach to developing the composing performi...
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Inside Music presents a practical approach to developing the composing performing and listening skills required for the GCSE examination. Clearly laid out and easy to use - each project lists the required resources gives starting points for listening performing and composing activities and follow-up suggestions. A pupil self-assessment chart is included at the end.
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A Practical Approach To Jazz Improvisation - The David Hazeltine Method
Musical course - Solfege
Jamey Aebersold Jazz
Pour tous les instruments. Apprenez à créer vos propres études dans le style ...
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Pour tous les instruments. Apprenez à créer vos propres études dans le style de vos jazzmen favoris. En relevant leurs riffs et leurs tendances stylistiques cela vous permetra de mieux comprendre et donc d'absorber leurs approches et leurs concepts d'improvisation. / Tout Instrument
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David Baker's How To Play Bebop Vol.1
Musical course - Solfege
Alfred Publishing
16.90 EUR - Sold by Woodbrass
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David Carter: Inside Music 1. Structures: Instrumental Reference
Musical course - Solfege
-
Intermediate
Faber Music Limited
Inside music presents a practical approach to developing the composing performi...
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Inside music presents a practical approach to developing the composing performing and listening skills required for the GCSE examination. It is clearly laid out and easy to use. Each project lists the required resources gives starting points for listening performing and composing activities and follow-up suggestions. A pupil self-assessment chart is included at the end.
7.50 GBP - Sold by Musicroom UK
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David Baker: How To Play Bebop 2: Instrumental Reference
Musical course - Solfege
Alfred Publishing
This volume follows on from Volume 1 of How To Play Bebop and covers the bebop l...
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This volume follows on from Volume 1 of How To Play Bebop and covers the bebop language patterns formulas and other linking materials. Ity also introduces chord progrssions and cycles and gives a listing of pieces to memorise for a greater understanding of the bebop feel.
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David Baker's How To Play Bebop Vol.2
Français
Musical course - Solfege
Alfred Publishing
16.90 EUR - Sold by Woodbrass
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