SKU: CA.4060409
ISBN 9790007219383. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400.
SKU: CA.4060400
ISBN 9790007091385. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app.
SKU: JK.01979
UPC: 093285019799.
An Invitation to Worship by Tabernacle Organist Clay Christiansen is a book of organ preludes intended to help prepare the hearts of listeners to receive the peace of the gospel. These renditions are a refreshing new take on familiar hymn favorites. The majority of arrangements in this book are intermediate in difficulty, leaving just a couple of pieces at a more advanced level. Use these beautiful renditions for prelude, postlude, and solo performance. Click here to view all Jackman Music titles including the great work of Clay Christiansen.Pieces included in this volume:Come, Listen to a Prophet's VoiceHigh on the Mountain TopI Feel My Savior's LoveI Know That My Redeemer LivesJesus, Once of Humble BirthOn This Day of Joy and GladnessSweet Is the WorkWe Thank Thee, O God, for a ProphetWe'll Sing All Hail to Jesus' NameComposers: VariousArranger: Clay ChristiansenDifficulty: Intermediate to Advanced.
SKU: HL.49044327
ISBN 9790001176330. UPC: 841886016620. German.
SKU: CA.5034749
ISBN 9790007081461. Key: B flat major. Language: Latin/German.
Includes a Latin text for Passiontide and a German text for Advent. Score and part available separately - see item CA.5034700.
SKU: BR.EB-8839
Text underlay in Czech and German
ISBN 9790004184189. 9 x 12 inches. German / Czech.
Grief, Solace, and Trust The 10-lieder cycle, Biblical Songs op. 99, was composed in the spring of 1894 in New York City, where Antonin Dvorak lived for nearly two years. Homesickness and sad news of the death of composer friends, together with his own father's poor state of health, may have prompted Dvorak to choose the intimate form and religious subject. All of the cycle's texts derive from the Book of Psalms in the Old Testament. Klaus Uwe Ludwig's moving organ arrangement, close to the original, is based on the Dvorak Complete Edition. In translating the text from Czech to German, Ludwig respected to the utmost the content and speech rhythms paramount in the original.
SKU: CA.338810
ISBN 9790007303662. German.
Composed around 1845 for the service on December 28 (the Day of the Innocent Children), this edition of the song is not only available in its original version for voice and organ, but also in an arrangement for four-part choir.
SKU: CA.2060412
ISBN 9790007197292. Key: D minor. Language: German/English.
Free adaptation of Schutz's motet O susser Jesu Christ SWV 427, as a concerto for solo voice by Christoph Kittel (editor of Zwolf geistlichen Gesange op. 13). Score and part available separately - see item CA.2060400.
SKU: CA.2060409
ISBN 9790007037154. Key: D minor. Language: German/English.
Free adaptation of Schutz's motet O susser Jesu Christ SWV 427, as a concerto for solo voice by Christoph Kittel (editor of Zwolf geistlichen Gesange op. 13). Score and parts available separately - see item CA.2060400.
SKU: CA.2060411
ISBN 9790007197285. Key: D minor. Language: German/English.
SKU: CA.2060413
ISBN 9790007197308. Key: D minor. Language: German/English.
SKU: CA.4075931
ISBN 9790007077068. Key: C major. Language: Latin.
Choral mass for a low solo voice, that was composed in Windhaag during 1842. Score and part available separately - see item CA.4075900.
SKU: CA.2060400
ISBN 9790007037147. Key: D minor. Language: German/English.
Free adaptation of Schutz's motet O susser Jesu Christ SWV 427, as a concerto for solo voice by Christoph Kittel (editor of Zwolf geistlichen Gesange op. 13).
SKU: CA.4075932
ISBN 9790007077075. Key: C major. Language: Latin.
SKU: CA.4075905
ISBN 9790007077051. Key: C major. Language: Latin.
SKU: OU.9780193707948
ISBN 9780193707948. 12 x 8 inches.
This ground-breaking collection revives the music sung by girls and boys in the chapels of the Charity Institutions of Georgian London. It contains ten mostly short anthems for varied liturgical use by men and women composers, scored for one or two upper voices featuring solo, duet, semi-chorus and tutti combinations, with organ accompaniment.
SKU: AP.1-ADV7064
UPC: 805095070644. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Swing Low, Sweet Chariot, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: CA.2719050
ISBN 9790007171766. Text language: Latin.
Carus published the original version of Bruckner's Te Deum for soloists, choir and large orchestra (Carus 27.190) in the fall of 2015. In order to make this work available for performance by smaller-sized ensembles [und einem weiteren Benutzerkreis zuganglich zu machen] Carus now presents it in an arrangement for brass quintet and organ. The brass parts are orientated essentially towards those in Bruckner's orchestral version, while the organ part follows the original string parts. [Damit kann nun auch unter eingeschrankten Bedingungen dieses grossartige Werk in einer adaquaten, stimmigen Form zur Auffuhrung gebracht werden.] As the voice parts (soloists and choir) in this reduced version are identical with those of the original the vocal score and choral score of the latter version can be used. This work is available (in the original version) in carus music, the choir app! Score available separately - see item CA.2719000.
SKU: AP.1-ADV7061
UPC: 805095070613. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Lord I Want to Be a Christian, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
