SKU: HL.48188865

UPC: 888680789961. 9.0x12.0x0.061 inches.

“Three songs by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece, Complainte de la Seine (Complains of the Seine), is three page long and its lyrics are about what lies at the bottom of the river. The second song, Je ne t?aime pas (I don?t love you), is a man telling someone that he doesn?t love her, that everything is fine and that he is fine if she is happy. The third piece, Youkali is a highly rhythmic tango-habanera in four pages, which depicts the island of Youkali. Kurt Weill (1900-1950) is a German composer who developed operas and some works for the concert hall.”.

SKU: HL.49045673

ISBN 9783795711917. UPC: 841886031548. 9.0x12.0x0.555 inches. German.

Volume 6 of the most beloved lieder and chansons by the exceptional artist from Austria.

SKU: BR.DLV-5633

ISBN 9790004802151. 9 x 12 inches. Swedish / German.

Six single editions:
DLV 5631 - 1. Der Norden
DLV 5632 - 2. Hennes Budskap - Ihre Botschaft
DLV 5632 - 3. Morgonen - Der Morgen
DLV 5634 - 4. Fagelfangaren - Der Vogelsteller
DLV 5635 - 5. Sommernatten - Die Sommernacht
DLV 5636 - 6. Vem Styrde hit din vag - Wer hat dich hergefuhrt Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. Manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.

SKU: HL.49046002

9.0x12.0x0.266 inches.

Singer Serenad Bagcan and Fazil Say recorded ten songs on texts by the most famous Turkish poests for the CD album Ilk Sarkilar (First Songs) in 2013. In these early compositions, Say lays the foundation for many melodic elements of later large-scale works such as the Nazim Oratorio and the etin Altiok Requiem. The style of these songs resembles French chansons and evokes a feel of world music. The cycle also makes for a rewarding collection of piano pieces when played without a singer. Songs are in Turkish. Introductions are in Turkish, German, English, and French.