Instrumental Play-Along-Now solo instrumentalists can play along with a dozen favorite songs from Disney blockbusters such as Beauty and the Beast  The Lion King  Monsters Inc.  Toy Story 2 and other beloved movies. These books feature access to online recordings by a full symphony orchestra. There are full demo tracks and backing-tracks only so you can sound like a pro playing with the orchstra! Songs include Beauty and the Beast ? Belle ? Circle of Life ? Cruella De Vil ? Go the Distance ? God Help the Outcasts ? Hakuna Matata ? If I Didn't Have You ? Kiss theGirl ? Prince Ali ? When She Loved Me and A Whole New World.

Description An exciting collection of classical tunes arranged for cellists of Grade 2 to 3 standard to enjoy. There are simple piano accompaniments and the CD contains inspiring demonstration and play-along backing tracks. Songlist 1st Movement - Rondo (Piano Concerto No.4) [Beethoven, Ludwig Van] Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph] Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Finale (Symphony No.1) [Brahms. Johannes] Gymnopedie No.1 [Satie, Erik] Hallelujah Chorus (Messiah) [Handel, George Frideric] Minuet (Anna Magdalena Notebook) [Bach, Johann Sebastian] Minuet (Eine Kleine Nachtmusik) [Mozart, Wolfgang Amadeus] Ode To Joy (Symphony No.9 'Choral') [Beethoven, Ludwig Van] Pieds-en-l'air (Capriol Suite) [Warlock, Peter] To A Wild Rose (Woodland Sketches Op.51) [Macdowell, Edward] Trumpet Tune [Purcell, Henry]

Instrumental Play-Along-A fantastic selection of Disney favourites to play-along with.

Instrumental Play-Along-Ahoy mateys! Join Captain Jack Will Turner and Elizabeth on their adventures in the Caribbean! 16 pieces from this swashbuckling blockbuster are arranged so you can play along with great accompaniment tracks.

Cello Part. Par . This book contains nine pieces from ABRSM's Grade 2 Cello syllabus from 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. / Date parution : 2023-08-12/ Recueil / Violoncelle

Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violoncelle

Well known pieces from the notebooks by Johann Sebastian Bach for Anna Magdalena Bach; and by Leopold Mozart for Wolfgang Amadeus Mozart. Arranged for beginners on the cello in the first position. All of the pieces have been selected and arranged by Alfred H. Bartles. The flexible arrangements allow all of the pieces to be played either as Cello solo Cello duet or Cello with Piano accompaniment.

Score Part and CD. The ABRSM Cello syllabus for 2020-2023 offers teachers and students more choice than ever before, with new features that will appeal to learners at all grades. The repertoire lists have been refreshed and are organised in a revised structure which moves away from lists devised solely by period of composition and instead concentrates more on the style of the music. There is also a focus on cross-string teaching at the lower grades, with some of the same pieces being set for multiple instruments. The Cello Exam Pieces books bring together, for the first time, a selection of nine pieces from the syllabus at Grades 1-5, covering lists A, B and C. Meticulously edited and presented, these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Audio recordings of the nine pieces in each book are available for Grades 1-5 on CD as part of the Score, Part

Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of

Today the cello is usually considered a classical instrument but from the late 17th to early 19th centuries it was used in folk ensembles to provide low driving rhythms for dance tunes and to render haunting Scottish airs.Within the folk music revival of the past forty years there has been a small but dedicated movement to restore the unique richness of the cello to traditional music and Abby Newton has been on the forefront of that movement. Abbyhas been deeply involved with Scottish music ever since traveling to and performing in Scotland many times. The airs planxties and reels in this book come from traditional and contemporary sources including the 18th-centuryfiddler Neil Gow harper Turlough O'Carolan Daithi Sproule David Hornung Alasdair Fraser Ronnie Aimes and others. All 19 of the tunes are written for solo cello with chord symbols included on most tunes for an accompanyinginstrument. The text also includes the author's notes on the origin of each tune.