SKU: HL.49006699
ISBN 9790001072441. 9.0x12.0x0.068 inches.
Den wachsenden Trend zur Kammermusik vor allem junger Spieler kommt diese Sammlung einzelner leichter Quartettsatze aus Vorklassik, Klassik, Romantik und neuerer Musik entgegen. Partitur und Stimmen enthalten Spielhilfen. Eine nutzliche Ausgabe fur den Kammermusikunterricht.
SKU: HL.49006697
ISBN 9790001072427. 9.0x12.0x0.289 inches.
SKU: HL.49006700
ISBN 9790001072458. 9.0x12.0x0.063 inches.
SKU: HL.49006698
ISBN 9790001072434. 9.0x12.0x0.068 inches.
SKU: CF.BF141
ISBN 9781491159989. UPC: 680160918584.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayerâ€, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.†This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer†and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication†(the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Songâ€, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
SKU: JK.09193
Isaiah 9:6, Luke 2:7-19, Matthew 2:1-2.
Delightful Christmas instrumental arrangement for cello solo with piano accompaniment.Composer: German Folk Tune Arranger: Richard W. Smith Difficulty: Medium-easy / medium acc.Reference: Isaiah 9:6, Luke 2:7-19, Matthew 2:1-2.
SKU: FL.FX074415
Instruments:Cello Quartet: 4 Cellos; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical; Category: Arrangement; Composer: Niels W. GADE; Arranger: Eric VIRETON.
SKU: HL.133417
UPC: 884088982515.
SKU: HL.132847
UPC: 884088976811.
SKU: FL.FX074419
Instruments:Cello Quartet: 4 Cellos; Difficuly Level: Grade 3; Duration: 1 mn 05 s; Musical Style: Classical; Category: Arrangement; Composer: Niels W. GADE; Arranger: Eric VIRETON.
SKU: FH.VC1
ISBN 978-1-55440-537-4.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Menuet and Trio, W.O 10, no. 3 - Beethoven, Ludwig van arr. Watson ForbesRondeau (from The Fairy Queen) - Purcell, Henry arr. Watson ForbesSarabande - Handel, George Frideric arr. Jason NobleAndante grazioso - Mozart, Wolfgang Amadeus arr. Jason GrayHornpipe a l'Inglese - Galliard, John Ernest arr. Christine DonkinVittoria, mio core! - Carissimi, Giacomo arr. Christine DonkinTraditional and Romantic Repertoire:Tambourin - Rameau, Jean-Philippe arr. Christine DonkinAll the Pretty Little Horses - American lullaby arr. Jason GrayBarbara Allen - British folk song arr. Forrest KinneySimple Gifts - Brackett, Joseph Jr. arr. Forrest KinneyMarch (from The Nutcracker) - Tchaikovsky, Pyotr Il'yich arr. Jason NobleLondonderry Air - Irish folk song arr. Forrest KinneyRepertoire Composed After ca 1930:A Little Child's Dance - Konicek, Zdenek...I Say Ca-rib-'be-an - Birston, HaroldSonata da camera - Matz, Rudolf- First Movement: Adagio- Fourth Movement: Allegro vivaceGrab the Slippery Toad! - Lumsden, Caroline and Ben AttwoodHungarian Stomp - Wedgwood, PamBudapesto - Cheney, CareyWild West - Blackwell, David and Kathy BlackwellLivi's Blues - Cheney, Elliott W.
SKU: FL.FX074423
Instruments:Cello Quartet: 4 Cellos; Difficuly Level: Grade 2; Duration: 1 mn 55 s; Musical Style: Classical; Category: Arrangement; Composer: Niels W. GADE; Arranger: Eric VIRETON.
SKU: BT.SCHBB6501196
String Quartet (Study Score). Thaerichen, W.
SKU: M7.JO-45-01
ISBN 9790001216678. UPC: 842819117810.
In diesem als Alterswerk geschriebenen Cellokonzert greift der Komponist auf ein Hautthema zurück, das er während seines Studiums geschrieben, aber nie veröffentlicht hatte. Er selbst nannte es einen Gruß an die eigene Jugend.
SKU: VD.ED22915
ISBN 9790202009154. 12 x 9 inches.
SKU: HL.14019486
SKU: HL.50512308
SKU: HL.50490147
12.0x8.25x0.046 inches.
Spiral bound, landscape-printed.
SKU: HL.48018259
UPC: 073999806915.
Cello Solo.
SKU: M7.BP-2758
ISBN 9790015275807.
Die von Amadeus als ERSTDRUCK publizierte Sonate für Violoncello und Clavier von Carl Heinrich Graun ist 1775 entstanden, also während der spätbarocken Übergangszeit, als das Fortepiano das Cembalo langsam zu verdrängen begann. Die dreisätzige Sonate (Largo, Poco Allegro und Allegretto) ist eine willkommene Ergänzung zur Literatur dieser Zeit. Sie ist einfallsreich, aber nicht schwer zu spielen.