SKU: WD.080689686238
UPC: 080689686238.
Yes I Will, a song of promise and hope, is a gentle and uplifting reminder that no matter where we are, no matter what is happening in our lives, no matter the trials we may be facing, our God never fails… In our waiting, lowest points, and heavy hearts, we can still sing for joy in the Lord…the One thing we can always count on. Made popular by Vertical Worship and specially arranged and orchestrated by Daniel Semsen, this anthem will meet each person in your congregation where they are and give them hope in the One who will work all things out for our good.
SKU: LP.OR-2348
UPC: 765762127401.
Brings together two gospel songs of testimony about the wonder working power of the blood of Jesus Christ. Yes I Know was at the top of the southern gospel popularity charts for several months. This arrangement is an unusual combination of soulful and joyful feels. Another outstanding Tom Fettke setting for SATB choir.
SKU: AP.48875
UPC: 038081561998. English. Al Dubin.
This swingin' standard made Rolling Stones' 500 Greatest Songs of All Time list and has been recorded by various artists from The Flamingos and Art Garfunkel to Michael Bublé. This big-band style arrangement includes a dash of scat singing toward the end and plenty of jazzy syncopations along the way. Besides the obvious meaning of the title, a current-day twist hints at smizing over a face mask (wink, wink).
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: PR.342402070
ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.
To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.
