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FOR VIOLONCELLO - CELLO
Rameau Opera
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
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Piano solo
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Jean-Philippe Rameau
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Flavio Regis Cunha
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
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Piano solo
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Jean-Philippe Rameau
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Flavio Regis Cunha
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
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Piano solo
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Jean-Philippe Rameau
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Flavio Regis Cunha
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Platee
Opera
Barenreiter
(Ballet buffon en un prologue et trois actes). Composed by Jean-Philippe Rameau ...
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(Ballet buffon en un prologue et trois actes). Composed by Jean-Philippe Rameau (1683-1764). Edited by M. Elizabeth C. Bartlet. For singing voice/choir/orchestra. This edition: Complete edition, Urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/10. Score. Duration 3 hours. Published by Baerenreiter Verlag
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Hippolyte et Aricie
Opera
[Score]
Barenreiter
(Tragedie en cinq actes). Composed by Jean-Philippe Rameau (1683-1764). Edited b...
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(Tragedie en cinq actes). Composed by Jean-Philippe Rameau (1683-1764). Edited by Sylvie Bouissou. For voice/choir/orchestra. This edition: Complete edition, Urtext edition. Linen. Opera Omnia OOR IV.6. Score. Composed 1757. Duration 3 hours, 15 minutes. Published by Baerenreiter Verlag
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Zais
Opera
[Score]
Barenreiter
Ballet heroique en un prologue et quatre actes
. Composed by Jean-Philippe...
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Ballet heroique en un prologue et quatre actes
. Composed by Jean-Philippe Rameau (1683-1764). Edited by Graham Sadler. This edition: complete edition, urtext edition. Linen. Opera Omnia OOR IV.15. Score. Composed 1748. 397 pages. Duration 2 hours, 30 minutes. Published by Baerenreiter Verlag (BA.BA8856).
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Jean-Philippe Rameau: Les Indes Galantes RCT 44: Opera: Vocal Score
Opera
[Sheet music]
Barenreiter
Ballet Heroïque With A Prologue and Four Acts-The main body of the new edition ...
(+)
Ballet Heroïque With A Prologue and Four Acts-The main body of the new edition of Les Indes galantes published in Opera Omnia Rameau (OOR IV.2 7) restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 appendices.Sylvie Bouissou?s new edition differs markedly from previous modern editions and all existing recordings. With its appendices she does justice to the performer?s need for Rameau?s various revisions while finally making accessible a version actually authorised byRameau. For the first time it is presented in its complete stylistic and dramatic context.Practical vocal score by François Saint-Yves for keyboard accompanimentBased on a reassessment of all sources and versionsDestined to have a clear impact on performances of Rameau?s magnum opusUrtext edition from the Rameau edition 'Opera omnia'.Full score (BA8860) and vocal score (BA8860-90) available for sale.Performance material (BA8860-72) available for hire.
60.00 GBP - Sold by Musicroom UK
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
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Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
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Jean-Philippe Rameau: Daphnis et Églé: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Pastorale Héroïque In One Act-The heroic pastoral Daphnis et Eglé was perform...
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Pastorale Héroïque In One Act-The heroic pastoral Daphnis et Eglé was performed only once on 29 October 1753 for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.This edition is based on Rameau's autograph manuscript a copy of the separate parts and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version?which is actually more complete in its musical form in particular with its overture and two ariettas?but also reconstructs theoriginal state of the final divertissement (presented in the appendix) before it was revised.Urtext edition from the Rameau edition 'Opera omnia'.Full score (BA8862) and vocal score (BA8862-90) available for sale.Performance material (BA8862-72) available for hire.
198.00 GBP - Sold by Musicroom UK
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Jean-Philippe Rameau: Dardanus: Opera: Score
Opera
Barenreiter
Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which...
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Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which was performed at the end of 1739 was composed apparently in only six months and marks a particularly productive phase in Rameau???s career. In a period of only six years five of his major works were performed at the Acad?mie Royale de Musique in Paris.The theme is taken from Greek mythology: the opera describes the war between Teucer (the future founder of Troy) his Phrygian people and the army of Dardanus.A milestone of French Baroque opera in a performance practice orientated vocal scoreWith a brief foreword (Fr/Eng) containing salient information on the genesis of the work the synopsis and the editionFull score (BA8854) and vocal score (BA8854-90) available for salePerformance material (BA8854-72) available for hire
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Jean-Philippe Rameau: La Naissance d'Osiris (La F te Pamilie): SATB: Score
Opera
Novello & Co Ltd.
La Naissance d'Osiris opera-ballet by Rameau to a libretto by Louis de Cahusac ...
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La Naissance d'Osiris opera-ballet by Rameau to a libretto by Louis de Cahusac Fontainebleau 12 October 1754 written to celebrate the birth of the Duc de Berry who became Louis XVI.DRAMATIS PERSONÆPamilie (Soprano)Un Berger (Countertenor Haute-contre)Le Grand Prêtre de Jupiter (Bass-baritone)Jupiter (Bass-baritone)L’AmourLes Gr cesBergers Bergères Prêtres PeuplesORCHESTRAMusettes2 Flutes2 OboesBassoonStringsBasso continuoDuration: circa 52 minutes
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Musique Vocale Profane, Vol.2: Cantates Pour Voix De Basse Et En Duo. Airs (RAMEAU JEAN-PHILIPPE)
Opera
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Par RAMEAU JEAN-PHILIPPE. / Répertoire / Chant
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Rameau J.p. - Anacreon - Choeur
Opera
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ballet héroique en un acte Series : Opera Omnia OOR IV.25 Edition : Piano Redu...
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ballet héroique en un acte Series : Opera Omnia OOR IV.25 Edition : Piano Reduction/Vocal Score Editor : Williams, Jonathan Huw Binding : paperbound Instrumentation : Bass solo, Soprano solo, Alto solo, Alto solo, Mixed Choir, Piano
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Jean-Philippe Rameau: Pigmalion: Opera: Score
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Pigmalion
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Jean-Philippe Rameau: Le Temple de la Gloire: Opera: Vocal Score
Opera
[Vocal Score]
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Le Temple de la Gloire
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Jean-Philippe Rameau: Pigmalion: Opera: Vocal Score
Opera
[Vocal Score]
Barenreiter
Pigmalion
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Jean-Philippe Rameau: Les Indes Galantes RCT 44: Opera: Score
Opera
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Ballet Heroïque With A Prologue and Four Acts
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Musique Vocale Profane, Vol.1: Cantates Pour Voix De Dessus. Canons
Opera
[Score and Parts]
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/ Divers / Partition
72.00 EUR - Sold by LMI-partitions
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Rameau J.ph. - Hippolyte Et Aricie
Opera
[Libretti]
Actes Sud
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Rameau J.ph. - Les Indes Galantes - Livret
Opera
[Libretti]
Actes Sud
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Cantates, Canons, Airs
Opera
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/ Divers / Partition
304.00 EUR - Sold by LMI-partitions
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Rameau J.ph. - Platee
Opera
[Libretti]
Actes Sud
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