Par SYDEMAN WILLIAM. Clarinet (and Bass Clarinet) and Double Bass - / Contemporain / Répertoire / Clarinettes et Autres Instruments

for junior string orchestra or two violins and violoncello or violin, viola and violoncello. Par KOCSAR MIKLOS. Kocsár composed the Chaconne for three-part string ensemble in 1996. Originally a popular Baroque musical form, the chaconne is characterized by a set of ground-bass variations. In Kocsár's piece the 23-bar theme is followed by nine variations of diverse characters. The composition lasts about nine minutes and is rounded off with a recapitulation of the theme and a coda. The Chaconne can be performed by junior string orchestras consisting of either two violins and a cello or a violin, a viola, and a cello (with or without double bass), or by string trios consisting of two violins and violoncello or a violin, a viola and a cello. The edition includes a full score and one part for each instrument. If the work is performed by a string orchestra the parts may be copied as required for the number of musicians./ Répertoire / Orchestre à Cordes

Cello-Bass-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The piecesmaybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is notnecessary. The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment ANDensemble score downloads are available for use with this title.

for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St. Wenceslas hymn. The hymn?s message a plea for the well-being of the Czech people directed at their patron saint was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914 played by the CzechPhilharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for Piano and Organ.This first Urtext edition prepared by the Sukscholar Zdenek Nouza is published in two scorings one for string quartet and another for String Orchestra (BA9584). The orchestral version differs in some details and has an added part for Double Bass.First Urtext editionInformative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorTwo versions published in two separate editions

for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St. Wenceslas hymn. The hymn?s message a plea for the well-being of the Czech people directed at their patron saint was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914 played by the CzechPhilharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for Piano and Organ.This first Urtext edition prepared by the Sukscholar Zdenek Nouza is published in two scorings one for string quartet and another for String Orchestra (BA9584). The orchestral version differs in some details and has an added part for Double Bass.First Urtext editionInformative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorTwo versions published in two separate editions

Flexible arrangements of three irresistible pieces from popular Christmas songs for young string players: perfect for concerts or just for fun!For Violin optional Viola Cello and Double Bass (up to approximately Grade 2 standard) plus additional open-string parts so beginners can be included with Piano accompaniments.Put the CD-Rom in a computer to access PDFs of all ten instrumental parts and print out as many as are needed. Put it in a standard CD player to hear the free audio tracks of the Piano accompaniments - ideal for rehearsals and performances.

Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Book only edition.

Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Includes 2-Octave Scales in the Keys of C Major F Major G Major/Minor and D Major/Minor. This edition includes a CD of digital backing tracks of all the melodies excerpts and pieces for individual and group use.

2 Violons, Alto, Cello and Double Bass. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse

The full score and parts for artist and musician Martin Creed's Variations For String Quartet composed in 2013 for Violin Viola Cello and Double Bass. Martin Creed is perhaps best known for his daring and undoubtedly innovative art pieces the most controversial of which Work No. 227: The lights going on and off won the Turner prize in 2001. Lesser-known but equally as interesting are his musical endeavours playing and composing with his band as well as composing a piece commissioned for the 2012 Olympic Games opening ceremony. This work Variations For String Quartet is an exciting andmulti-layered piece that shows off the best of this artist of many talents.

for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St. Wenceslas hymn. The hymn?s message a plea for the well-being of the Czech people directed at their patron saint was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914 played by the CzechPhilharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for Piano and Organ.This first Urtext edition prepared by the Sukscholar Zdenek Nouza is published in two scorings one for string quartet and another for String Orchestra (BA9584). The orchestral version differs in some details and has an added part for Double Bass.First Urtext editionInformative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorTwo versions published in two separate editions

for String Quartet/Quintet Full Score-Calligraphies may be performed as one composition or as separate works. Calligraphies 2 and 3 are for string quartet while Calligraphy No. 1 is scored for string quartet with double bass. (1999) ca. 12'

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. / Violoncelle Et Piano

2 Violons, Alto, Cello and Double Bass. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse