SKU: UT.MAG-231
ISBN 9790215318571. 9 x 12 inches.
SKU: SU.50032750
Copyright 1973. Published by: Seesaw Music.
SKU: VD.ED99648
ISBN 9790202006481. 11.69 x 8.26 inches.
SKU: VD.ED99688
ISBN 9790202006887. 11.69 x 8.26 inches.
SKU: VD.ED99647
ISBN 9790202006474. 11.69 x 8.26 inches.
SKU: VD.ED99687
ISBN 9790202006870. 11.69 x 8.26 inches.
SKU: HL.14002486
UPC: 884088805098. 8.5x11.0x0.058 inches.
The edition is part of the Trinity syllabus 2007 (grades 5 & 8)
SKU: BA.BA09031-40
ISBN 9790006568529. 24 x 17 cm inches. Key: C-sharp minor.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
SKU: SU.80101381
An expressive piece for cello and organ. The composer writes: Sharp Stones is based on two musical palindromes: one melodic in the cello part, the other harmonic in the organ accompaniment. The palindromes are of unequal lengths, so with each repetition they interact differently. Moreover, each part mutates as it repeats, thus producing a continuously changing soundscape. Instrumentation: Cello & Organ Composed: 2015 Published by: Zimbel Press.
SKU: HL.49019413
ISBN 9790001176477. UPC: 841886016729.
The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models - here Baroque movements like gavotte, saraband, gigue - with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire.
