Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

If you are looking for straightforward and rewarding repertoire for your beginner choir then you need look no further than Choral Basics the perfect series for singers of all ages. The Simple 3-part choral arrangements for soprano alto and a combined part for men's voices make the series perfect for choirs with a dearth of males or whose male singers have unstable or changing voices. The rich array of repertoire is bound to be a hit with younger singers and the technical abilities of choirs at this level have been taken into consideration. Straightforward and idiomatic piano accompaniments have been included and are designed to support thevocal lines without putting pressure on staff with less developed keyboard skills. Dig out your platform shoes dust down your flares and hit the concert platform with this collection of timeless chart-toppers from ABBA. Includes: Thank You for the Music * Fernando * Waterloo.

A superb version of Besig's Choral Benediction in a wonderful arrangement for 2-Part Upper voices and with a keyboard accompaniment.

What a versatile text this is! It can be performed as a trio (or even as a duet with a bit of careful editing); solo with SA TB or SB; or with your children's choir. Perfect for Chanukah or holiday/winter concerts. Part of theRobbie Solomon Choral Series. For 2-Part Keyboard Flute and Clarinet.

A great way to introduce the classical style to smaller ensembles! Hal Hopson has married two wonderful melodies to form an original anthem. Borrowing from the chorus of “The Heavens Are Telling” from Haydn'sCreation and the nineteenth-century hymn tune “Sagina ” Hopson has penned a spirited song of praise for the Creator proclaimed by creation itself. Arranged for two-part mixed voices with an accessible keyboardaccompaniment “The Spacious Firmament on High” can be learned with a minimal amount of rehearsal and is the perfect choice for summer vacation or “emergency” Sundays when the choir loft may not be full. Amust for every choral library for times when an anthem of praise and thanksgiving is needed any time of the year.

This chorus from The Creation is probably Haydn's most famous choral piece. Now it is available in a splendid edition for treble chorus with keyboard accompaniment!

A timely text set to a haunting melody. Ideal for healing services final benedictions or to create pensive moods in concert. Excellent for interfaith services. Based in part on the Priestly Blessing Y'varech'cha. For 2-Part and Keyboard.

Eight bells ranging from D5-G6 accompany the better part of this anthem from the Houston Children's Chorus series. The text centers its theme on the bells ringing out and echoing the happy song. The bells are optional accompaniment to the keyboard part.

This sparkling setting of the traditional French carol has a dance-like quality that infuses the entire work! Whether performed by voices and keyboard or the optional chamber orchestration it will be an accessible addition toChristmas concerts and worship settings. Available separately: SATB SAB 2-Part ChoirTrax CD. Score and parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a Printed Edition and as a digital download.Duration: ca. 1:45.

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices keyboard and optional cello and violin._x000D_Sung in either Latin or to an English adaptation the piece could be performed by youth or adults alike.

A delightful Christmas cantata for children’s voices (and ensemble/electronic backing tracks) with or without narrator: reggae jazz rock ballad and pop numbers to witty text by Richard and Thomas Allain.Caesar has called a census in the Holy Land. So everyone is crowding back into Bethlehem a town where they read Shalom! Magazine where suddenly there are donkey traffic gridlocks and hotels where you can't get a room for love or shekels.Tom works doing odd jobs at the Fun Big Inn which isn't much fun at all. This busy night he decides to leave the landlord in the lurch and head for the bright lights of Jerusalem. But he doesn't get far runningfirst into reggae singing shepherds and then three groovy wise dudes following a star. Tom can hardly ignore the remarkable things they have to tell him. So what does he do next? What would any of us do?Richard and Thomas Allain retell the story of the Nativity in a new and individual way with immediacy and wit in a string of unforgettable tuneful songs and sharply clever words in an idiom accessible to everyone.Manger Tom can be performed with unison voices someone to narrate highly effective with just Piano or Keyboard accompaniment. But there are parts available too for instruments you might want to add. Included with the score of Manger Tom is a CD which comprises of a full performance of the musical numbers by professional singers and players as well as just the accompaniments for everyone to sing along to if they prefer.Additionally lyric sheets and a script are available as free downloads - visit www.hybridpublications.com to access the bonus material. Lyric sheets enable easy rehearsals and the script allows Manger Tom to be performed as a full nativity play.

A Bach piece arranged for two-part choir with keyboard. Good for Advent or any time of preparation and dedication

Keyboard and Opt. Flute-This traditional tune is arranged for a two part vocal harmony with a piano accompaniment.

Natalie Sleeth has always been acknowledged as a composer with a special gift for the simple melody. Here David Giardiniere arranges this tune for two-part treble voices with keyboard and optional handbells. Try it on music ministry Sunday it would also work with combination of adult and children's voices (also available for mixed voices).

An easy two-part piece for children with keyboard accompaniment that is secular but contains a message that makes it appropriate for a church setting. From the Accent On Youth Series