Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Sonate en sol mineur, Me et basse de Auteurs Divers. Idéale pour les musiciens pratiquant Mandoline et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence ANON03302. / Mandoline Et Mandole / niveau : Cycle 2 / Partition

Alle, die mit uns auf Kaperfahrt fahrenAlle meine RockerAmsterdamAramsamsam (Kanon)Auf und abBass, Bass, Bass, BassCay HavasiCowboy Bill und WinnetouDer Mond ist aufgegangenDer Sechsachtelnoten-ZugDer Sechzehntelnoten-ZugDer Siebenachtelnoten-ZugDer UhrenkanonDicke, fete RegentropfenDie Tiroler sind lustigDrei Chinesen mit dem KontrabassDunkle Wolken zieh'n heranEin nierländisch TänzleinFahrrad fahrenFroschkanonGrün sind alle meine KleiderHänsel und GretelHart und sanftHejo, spann den Wagen an (Kanon)Heut kommt der Hans zu mir (Kanon)Hier ist Fantasie gefragtIch bin schon daIndianerKol DodiKomm zu mir, tanzen wirKönigin SimoneLeiterliedMama c' und Bay C''Mama e' und Baby e''Mama f' und Baby f''Mama h' und Papa hMein Bonnie fährt über die MeereMeine Kuh hat buntes FellOma und OpaOnkel Fritz hat ZahwehPapa a und Mama a'Papa g und Mama g'RegentropfenRock and Roll im OrientSascha liebt' nicht große WorteSchlangeSonne und StrandSpiel mir mal ein LiedStändchenStern in der NachtStille ist's im dunklen WaldSur le pont d'AvignonTausend FüßeThe Banks of SacramentoTöne klettern in C DurTöne klettern in F DurTöne klettern in G DurToreroWas müssen das für Bäume seinWechselschlag und SpeisequarkWeit ist das MeerWellenreiterWidele WedeleWolken, Wellen, Wind und MeetGrifftabelleEnsemble Kunterbunt: Spiel den BluesUhuliedGespensterschuleMarko SkaceKleine IndianerKol DodiSascha liebt_ nicht große WorteTsché Tsché KuléDer FrühlingRockstinatoDrei Chinesen mit dem KontrabassUngarescaMorgen kommt der WeihnachtsmannOde an die FreudeDer Tag fängt auf unser'm KahnAlmanya (Wirbelwind und Wolkenbrüche) / Mandoline / 84 pages / Partition

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and

French Baroque Mandolin Suite. Marin Marais (1656-1728) was a 17th-18th century French composer and viol player for the court of Louis XIV. He is primarily known for his five books for one, two and three bass viols and continuo. The Suite in D minor comes from his first book Premier livre de pièces une et deux violes (1689). The 27 solos contained in this collection are arranged for mandolin solo and are presented in notation and tablature.

Par NORRIS TOMMY. This book contains 30 traditional to modern Celtic tunes arranged in either simple melodic lines with suggested accompaniment chords, or stand-alone melody/chord solos. From rollicking reels and jigs to tender ballads, these Celtic Gems will appeal to the intermediate to advanced mandolinist and their audiences. With a little imagination, the up-tempo melodic tunes could be effectively rendered with drums and electric bass a la Pentangle or Fairport Convention; conversely, three or four of the solo arrangements would provide a tasteful set within a mandolin recital. Take your pick! Presented in standard notation and tablature in mandolin and guitar-friendly keys, these settings provide a masterclass in 4-course instrumental arranging. The author?s online recording of each piece is included with this stellar collection. Includes access to online audio. / Date parution : 2021-12-09/ Tablatures / Mandoline

Par BANCALARI ROBERT. The German Baroque period featured three virtuosi—Biber, Westhoff and Johann Jakob Walther. Walther (1650-1717) performed as a violinist in the orchestra of Cosimo III from 1670 to 1674 (Medici dynasty) and served as concertmaster at the court in Dresden. Walther's compositions are contained in two books: Scherzi da Violino solo con il basso continuo (1676) and Hortulus Chelicus (1688). This book presents six sonatas for violin from Hortulus Chelicus transcribed for the mandolin. The collection is a wonderful addition to the classical mandolin repertoire. All the sonatas are written in standard notation and tablature./ Recueil / Mandoline