Georg Philipp Telemann's Concerto No.1 In C arranged for 4 Violas by Alan Arnold. Score and parts.

16 Famous Concert Pieces for Viola and Piano. Par . La collection 'Best of Viola Classics - 16 Famous Concert Pieces' pour alto et piano présentée par Schott contient une sélection d'œuvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts. / Niveau : Moyen / Date parution : 2023-09-13/ Recueil / Alto et Piano

Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Even novices will sound great with Viola Easy Instrumental Play-Along: Classical Themes featuring 10 pieces which have been carefully selected and arranged for first-year instrumentalists. Audio demonstration tracks featuring real instruments are available for download to help you hear how the song should sound.Once you've mastered the notes download the backing tracks to play along with the band.Titles include Can Can Largo from Symphony No. 9 (???New World???) Musette in D Major Spring Trumpet Voluntary and more.

for two Violins and Viola-Dvo ák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons he wrote these four little movements for two violins with violaaccompaniment in the space of just a few days. This Terzetto is thus not technically difficult to play though with its flowing melodies and spirited rhythms it still offers the best of Dvo ák. It is not surprising that hispublisher Fritz Simrock immediately snatched them up when Dvo ák told him in 1887 that he was working on ?little bagatelles?. The autograph of the score that contained many corrections nevertheless makes evident just how much hardwork went into these ?little bagatelles?. It also served as the engraver?s copy for the first edition. Both these sources were consulted for this Urtext edition that offers today?s players an authentic text of this musical jewel.

This is the piano accompaniment for Suzuki Viola School Volume 6 (Revised). Titles: Tonalization and Intonation Exercises (S. Suzuki) * Exercises in Octaves and Fifths (D. Preucil) * La Folia (M. Marais/arr. D. Preucil) * Allegro (G.H. Fiocco) * Suite in G Major from Suite in G Major for Violoncello BWV 1007 (Allemande Minuet I Minuet II) (J.S. Bach) * Arioso Sinfonia for Oboe Violin Viola Basso Continuo Ich Steh mit einen Fuss im Grabe BWV 156 (J.S. Bach) * Chromatic Scale Exercises (D. Preucil) * Three-Octave Scales and Arpeggios in D Major and D Minor (D. Preucil) * Adagio and Rondo in D (Adagio Rondo) (W.A. Mozart) * Hungarian Dance No. 5 (J. Brahms) *Position Etudes (S. Suzuki) * Country Dances (L. van Beethoven) * Concerto for Two Violins Violin II arranged for Viola BWV 1043 (1st Movement: Vivace) (J.S. Bach) * Concerto in C Minor (I. Allegro molto ma maestoso II. Adagio molto espressivo) (J.C. Bach/arr. Casadesus). 

Viola Time Joggers boasts no less than 47 simple yet delightful melodies that will encourage and inspire the Viola beginner. The pieces have been written and selected to offer opportunities to develop all the skills the early Viola player needs and to develop your confidence with the instrument. The book includes: Open-string pieces and tunes for finger pattern 0-1-23-4 All manner of styles from Rock to Calypso C-String Specials to give you plenty of practice on the C stringEasy duets to play with friends ofyour teacher Simple slurs and dynamics giving you your fist taste in expressive and legato playing A Music Fact-Finder page to help with awkward words and signs A CD is included that features full performances that you can play along to with Drums and Bass added to the Jazz and Rock numbers. Many of the tunes are also compatible with the Fiddle Time Joggers collection for Violin (catalogue no.322089X)A set of straight-forward Piano accompaniments are also available (catalogue no.3221195)

Sonata in c minor for Viola and Piano-Mendelssohn Felix Sonata In C Minor (Herttrich) Pf/Vla Urtext Pb Bk

The Bohemian composer Jan K titel Va hal/Johann Baptist Vanhal (1739 1813) settled in Vienna around 1763. There he wrote several concertos for various instruments of which two for Viola have survived. Both are evidently not original compositions but arrangements by Va hal of some of his own works a common practice of that time. The Viola Concerto In C Major is based on Va hal's Cello concerto in the same key.Barenreiter's new revised edition makes this Concerto available once again. The solo part contains cadenzas for each movement.Performance material is available for hire.

This work for viola chorus and percussion was commissioned by the London Symphony Chorus and was first performed in October 1994 at the Barbican Hall London by Yuri Bashmet and the London Symphony Chorus conducted by StephenWestrop.The remarkable text of the Troparion written by the great Byzantine poetess-nun Cassiana was the inspiration of The Myrrh-Bearer. The text informed the architecture of the music. The viola solo represents MaryMagdalen as the cello solo represented the Mother of God on The Protecting Veil. This is where the resemblance between the two pieces ends.In The Myrrh-Bearer the Chorus symbolises ‘us’ the ‘sins of the world’ from‘stylized dictatorships’ to ‘the frivolous inane escapist vanities of the world ’ the to cries of ‘help’ after the cosmic catastrophe and finally reaching an apocalyptic climax in the words ‘We have no king by Caesar;’ adownright condemnation of God in the Earthly power.In a surreal way the Magdalen’s ‘sin’ shines through in the viola music because she recognises the Godhead and the endless ‘Kyrie eleison’ chanted by the semi-chorusrepresents her repentance and whatever is left of a ‘repentant’ world.The Myrrh-Bearer explores the whole range of the viola climbing from the depths up to the highest notes and then falling again at the end after theMagdalen’s recognition of the Risen Christ ‘Rabboni.’The last stroke of the gong in the viola’s final bottom C gives a deliberately ominous end to the piece.This is a special item which is made to order. Please e-mail ourMail Order Department for further information.

Johann Christian Bach's Concerto in C minor for Viola and Orchestra.Edition for Viola (or Violin/Cello) and Piano reduction.

Dip into this stockingful of easy Christmas music for viola! Unwrap a traditional carol dance to the 'Skaters' Waltz' and a 'Christmas Calypso' and pull a cracker full of solos and duets. With words to sing along chords for guitar or keyboard and a fantastic play-along CD Viola Time Christmas is the perfect gift for any young viola player.The viola books are compatible with their violin counterparts but also include extra material to provide plenty of practice on the C string.