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FOR VIOLA
Here On Earth VIOLA
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Bach: Bist du bei mir BWV 508 for Viola & Piano
Bach: Bist du bei mir BWV 508 for Viola & Piano
$32.95
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Viola, Piano
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Johann Sebastian Bach
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James M
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jmsgu3
For the Beauty of the Earth--viola/harp duet
For the Beauty of the Earth--viola/harp duet
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Viola and Harp
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Conrad Kocher
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Beka Wilson
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Beka Wilson
For the Beauty of the Earth--viola solo
For the Beauty of the Earth--viola solo
$6.99
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Conrad Kocher
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Beka Wilson
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Beka Wilson
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Rise Again Songbook
Lyrics and Chords
Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...
(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
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Rise Again Songbook
Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...
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(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
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Rise Up Singing
Lyrics and Chords
[Sheet music]
Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...
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The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
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Rise Up Singing
Lyrics and Chords
[Sheet music]
Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...
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Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
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The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book
[Fake Book]
Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...
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(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
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The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments
[Fake Book]
Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...
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Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
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The Best Fake Book Ever - Bb 2nd Edition
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[Fake Book]
Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 p...
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Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.
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The Real Little Best Fake Book Ever - 3rd Edition
Fake Book
[Fake Book]
Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pag...
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C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pages. Published by Hal Leonard.
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C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...
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C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard
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Buskers Fake Book All Time Hit
Piano solo
Music Sales
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The Ultimate Country Fake Book - 4th Edition
Fake Book
[Fake Book]
Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...
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Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.
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The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords
[Fake Book]
-
Easy
Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...
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For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)
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The Ultimate Jazz Fake Book - C edition
C Instruments
[Fake Book]
Hal Leonard
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...
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For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.
(7)
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The Ultimate Jazz Fake Book - Eb Edition
Eb Instruments
[Fake Book]
Hal Leonard
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...
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Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet notation. Series: Hal Leonard Fake Books. 448 pages. Published by Hal Leonard.
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The Movie Fake Book - 3rd Edition
Fake book
[Fake Book]
-
Intermediate
Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pa...
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C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.
(1)
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The Ultimate Pop/Rock Fake Book - In C
C Instruments
[Fake Book]
Hal Leonard
(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, ...
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(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.
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The Real Little New Broadway Fake Book
C Instruments
[Fake Book]
Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....
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645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover. 696 pages. Published by Hal Leonard
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The New Broadway Fake Book
C Instruments
Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...
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645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. Softcover. 696 pages. Published by Hal Leonard
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Classical Fake Book - 2nd Edition
Fake Book
[Fake Book]
-
Easy
Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...
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(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)
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Wedding and Love Fake Book - 6th Edition
C Instruments
Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...
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Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. Softcover. 456 pages. Published by Hal Leonard
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Wedding and Love Fake Book - 4th Edition
Fake Book
[Fake Book]
-
Intermediate
Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Book only. Size 9x12 inc...
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C Edition. Fake Book (Includes melody line and chords). Book only. Size 9x12 inches. 352 pages. Published by Hal Leonard.
(5)
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The Ultimate Rock Pop Fake Book
C Instruments
[Fake Book]
Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...
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By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal Leonard
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The Hal Leonard Real Jazz Fake Book - C Edition
Fake book
[Fake Book]
-
Intermediate
Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 384 pages. Publis...
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Fake Book (Includes melody line and chords). Size 9x12 inches. 384 pages. Published by Hal Leonard.
(2)
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The Phillips Collection of Traditional American Fiddle Tunes Vol 1
Violin
[Sheet music]
Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....
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by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)
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Bach: Major Choral Works Vocal Scores (Version 2.0)
Choral
[CD Sheet Music]
Subito Music
By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2....
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By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.
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The Real Little Classical Fake Book - 2nd Edition
Piano solo
-
Intermediate
Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...
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Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
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Chamber Music (PEPIN CAMILLE)
Sextuor
[Sheet music]
Jobert
Par PEPIN CAMILLE. Lorsque l'on m'a proposé de mettre en musique ce recueil de ...
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Par PEPIN CAMILLE. Lorsque l'on m'a proposé de mettre en musique ce recueil de poèmes de James Joyce (1882-1941), j'ai été immédiatement séduite par l'idée. Il s'agissait de mettre en musique ces poèmes en respectant l'ordre original selon lequel ils ont été conçus par James Joyce lui-même lors de la première édition de 1905 [1]. Avec la précieuse aide de Philippe Blanchon [2], j'ai choisi de mettre en musique dix-huit poèmes, conservant ainsi les épisodes incontournables, la trame dramaturgique et l'essence de l'univers Joycien. Ce qui m'a attirée d'emblée, c'est qu'il s'agit d'une véritable histoire : de la naissance de l'amour à la passion déclinante, menant à une éventuelle et tendre amitié entre les deux amants. J'ai donc conçu Chamber Music d'un seul tenant. Au-delà des nombreuses références à la musique et aux sons de la nature - déjà 'musique' en eux-mêmes - l'oeuvre littéraire appelle à la mise en musique par sa forme. En effet, elle est déjà musicale dans sa construction. Les trois premiers poèmes constituent le prélude exprimant la solitude du poète. Nous assistons dans la première partie - crescendo - à la naissance de l'amour entre les deux amants, menant au poème central et point culminant de l'oeuvre : 'My Dove, my beautiful one'. La seconde partie - diminuendo - raconte la passion déclinante des amants qui nous conduit au finale, écho du premier poème et à la solitude du poète. Le prélude musical illustre le paysage - tant visuel que sonore - décrit par James Joyce : 'Strings in the earth and air make music sweet', 'There's music along the river', 'The sighs of harps', 'Soft sweet music in the air'. Inspirées de sonorités traditionnelles irlandaises, les mélodies de la première partie présentent un aspect populaire issu du folklore, comme une ode au monde de la danse - prégnant en Irlande. Ces mélodies modales et mélismatiques semblent improvisées, à la manière du chant gaélique irlandais. Elles se transforment au fur et à mesure en une véritable épopée romantique, expression de la relation passionnelle et charnelle des deux amants : 'Hurry over the dark lands and run upon the sea for seas and land shall not divide us my love and me', 'The odorous winds are weaving a music of sighs'. Ces mélodies extatiques, à la fois tendres et fragiles, tentent d'exprimer cette ivresse, cet état extatique - véritable état de 'transe' qui nous submerge lorsque l'amour envahit notre âme sans que l'on s'en aperçoive. La deuxième partie reprend ces divers éléments musicaux dans leur cheminement inverse. Passés par le filtre de la mélancolie de l'amour déclinant au fil du temps, ils témoignent de la perte de repères après la séparation avec l'être aimé : 'Lay aside sadness and sing how love that passes is enough', 'Love came to us in time gone by'. Enfin, le finale exprime le retour à la solitude du poète, comme une résonance du début de l'oeuvre : 'The voice of the winter is heard at the door', 'My kiss will give peace now and quiet to your heart'. Sans cesse en écho les unes des autres, les mélodies s'entremêlent dans un contrepoint lyrique et sensuel. En effet, le titre même du recueil m'a inspiré une oeuvre où chaque instrument serait d'égale importance. Le lyrisme de l'un ne peut exister sans l'autre. Ainsi, le rôle du quintette n'est pas seulement un accompagnement de la voix soliste. Leurs lignes d'amour se mêlent avec volupté les unes aux autres. Plonger dans l'univers Joycien a impliqué mon immersion totale dans l'oeuvre. Lire ses mots, penser ses images, imaginer ses sonorités, a été un travail passionnant et c'est avec nostalgie que je referme ce recueil aujourd'hui. J'espère cependant avoir su retranscrire son univers poétique au plus proche. Je profite de cette note pour remercier Philippe Blanchon pour son aide précieuse et Claire Bodin [3] pour sa confiance. C'est à la fois un grand honneur et un plaisir immense de rendre hommage à si grand artiste et de voir ce chef d'oeuvre littéraire naître une seconde fois en musique. / Contemporain / Répertoire / Sextuor
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Franz Joseph Haydn: Die Sieben Letze Worte Unseres Erlösers Am Kreuze: String
String Quartet: 2 violins, viola, cello
[Set of Parts]
Peters
Joseph Haydn's Die Sieben Letze Worte Unseres Erlösers Am Kreuze. The Seven Las...
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Joseph Haydn's Die Sieben Letze Worte Unseres Erlösers Am Kreuze. The Seven Last Words of Our Savior on the Cross' Op.51 In 1785 or '86 Haydn received a commission from the Canon of Cadiz for what would serve essentially as 'incidental' music for a Good Friday service (akin to the one centering upon The Stations of the Cross although there are twelve of those) in which the celebrant recites in turn each of Christ's utterances on the way to Calvary then gives a 'reflection' thereupon followed by music to accompany a brief interval of silent congregational prayer. To this Haydn added an introductory movement and a conclusiondepicting the earthquake that followed the passing of Jesus. The structure of the work then is: Introduction -- 'Father forgive them for they know not what they do.' -- Sonata 1 -- 'Verily I say unto thee today shalt thou be with me in Paradise.' -- Sonata 2 -- 'Woman behold thy son.' -- Sonata 3 -- 'My God my God why hast thou forsaken me?' -- Sonata 4 -- 'I thirst.' -- Sonata 5 -- 'It is finished.' -- Sonata 6 -- 'Father into thy hands I commend my spirit.' -- Sonata 7 -- Conclusion (Earthquake)
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Michael Nyman: String Quartet No.3: String Orchestra: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Chester
The composer made this arrangement of the Third String Quartet for string orches...
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The composer made this arrangement of the Third String Quartet for string orchestra in March 2003. The first performance was given by the Eos Orchestra New York conducted by Ken Selden in the Concert Hall Ethical CulturalSociety New York City on 24 April 2003.Quoting composer: In the summer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responsesof some of the inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of KhorenMeykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no lessprofound experience of witnessing the images of the Romanian revolution on television during the latter part of December 1989.Just as the structure of my Third String Quartet (1990) may connect it with the First so they alsoshare a debt to Thurston Dart (my professor at King’s College London between 1961 and 1965). It was Dart who had the inspiration to send me to Romania in 1965 ostensibly to study folk music. The volumes of transcriptions that Ibrought back with me had remained unopened until with this proposed ‘celebratory’ string quartet (though at the time it was difficult to know quite what to celebrate in postrevolutionary Romania) an occasion arose where I coulduse this material in what seemed to me was a non-exploitative manner. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would besuperimposed quite often stretched into new intervallic shapes through the demands of the completely pre-formed harmonic structure.
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Hans Abrahamsen: String Quartet No.4: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
String Quartet No.4 was composed by Hans Abrahamsen in 2012. Commissioned by Wes...
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String Quartet No.4 was composed by Hans Abrahamsen in 2012. Commissioned by Westdeutscher Rundfunk and Wigmore Hall For the Arditti Quartet. Programme note: The basic idea for my Fourth String Quartet was very clear to me: It should be quiet and soft music or to put it in a german term: 'hoch im Himmel gesungen ...' (”High singing in heaven…”). Each of the four movements has a different scordatura/pitch. The first movement begins – like my work ”Schnee” – sky-high with an airy and soft melody by the first violin. The second movement is fast and ”movement andjoy”-like. It consists of two duets and a reverse style counterpoint. While the sections were progressively longer in the first movement they are getting shorter and shorter in the second. ”Dark heavy and earthy” is the third movement and its pizzicato recalls big black raindrops falling to the ground. It is the dark and grainy counterpart to the first movement whereas the fourth movement corresponds to the second. The fourth movement was planned as a dark and heavy counterpart but it turned out to be like ”babbling” music of a child. My Fourth String Quartet has become in its way a serene and cool piece. So the Quartet has been finished luckyly after twenty years – it was already in 1990 that I was commissioned by Wittener Tage für Neue Musik to write the piece for Arditti Quartet. Hans Abrahamsen
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Juliana Hodkinson: Is There Something You Can Tell Us: String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Juliana Hodkinson's Is There Something You Can Tell Us for String Quartet.This t...
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Juliana Hodkinson's Is There Something You Can Tell Us for String Quartet.This ten minute piece was written for the Anima Quartet and was comissioned by SWR (South-West German Radio) for first performance at Theaterhaus Stuttgart on 7th June 2014 during the festival 'Lost & Found - Stimme. Text. Szene.'.The quartet's title and the titles of the individual movements are taken from Cynthia Troup's libretto 'Turbulence'.I Degrees of freedomII Hidden by an almost perfect balanceIII We are taught that it is out of reachIV For the real earth we do not know yet
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Michael Nyman: String Quartet No. 3 Score: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
String Quartet No.3 was written for and first performed by the Balanescu Quarte...
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String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. Instrumental parts are available on sale.Quoting composer: In thesummer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake whichdevastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruinsinto a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanianrevolution on television during the later part of December 1989.The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure.
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Michael Nyman: String Quartet No. 3 Parts: String Quartet: Instrumental Work
String Quartet: 2 violins, viola, cello
[Part]
Chester
String Quartet No.3 was written for and first performed by the Balanescu Quarte...
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String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. A score is available on sale..Quoting composer: In the summer of 1989 Icomposed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake which devastated Armenia theprevious December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanian revolution on television duringthe later part of December 1989.The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into newintervallic shapes though the demands of the completely performed harmonic structure.
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John Tavener: The Myrrh-Bearer (Viola Part): Viola: Part
Viola
[Sheet music]
-
Intermediate
Chester
This work for viola chorus and percussion was commissioned by the London Sympho...
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This work for viola chorus and percussion was commissioned by the London Symphony Chorus and was first performed in October 1994 at the Barbican Hall London by Yuri Bashmet and the London Symphony Chorus conducted by StephenWestrop.The remarkable text of the Troparion written by the great Byzantine poetess-nun Cassiana was the inspiration of The Myrrh-Bearer. The text informed the architecture of the music. The viola solo represents MaryMagdalen as the cello solo represented the Mother of God on The Protecting Veil. This is where the resemblance between the two pieces ends.In The Myrrh-Bearer the Chorus symbolises ‘us’ the ‘sins of the world’ from‘stylized dictatorships’ to ‘the frivolous inane escapist vanities of the world ’ the to cries of ‘help’ after the cosmic catastrophe and finally reaching an apocalyptic climax in the words ‘We have no king by Caesar;’ adownright condemnation of God in the Earthly power.In a surreal way the Magdalen’s ‘sin’ shines through in the viola music because she recognises the Godhead and the endless ‘Kyrie eleison’ chanted by the semi-chorusrepresents her repentance and whatever is left of a ‘repentant’ world.The Myrrh-Bearer explores the whole range of the viola climbing from the depths up to the highest notes and then falling again at the end after theMagdalen’s recognition of the Risen Christ ‘Rabboni.’The last stroke of the gong in the viola’s final bottom C gives a deliberately ominous end to the piece.This is a special item which is made to order. Please e-mail ourMail Order Department for further information.
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