A collection of early to middle grade student pieces selected from the works of J.S.Bach. Compiled edited and arranged for the viola by Alan Arnold.

Wedding Music for Violin and Viola includes 14 favorites for weddings recitals parties and receptions. New adaptations of these arrangements allow each musician to share melodic harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings fingerings articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola.

Actus tragicus-Gottes Zeit ist die allerbeste Zeit (Mighty God His time is ever best) BWV 106 'Actus tragicus'Cantata for a funeral service.Since there are no original sources or documents concerning the first performance of the funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 it is impossible to establish the year of origin of this work called Actus tragicus by Bach. The striking resemblance to the cantatas BWV 131 Aus der Tiefen rufe ich Herr zu Dir (presumably 1707) and BWV 71 Gott ist mein König (1708) both of which were composed in Mühlhausen suggests that the funeral cantata was also written in Mühlhausen in1707.Urtext of the New Bach EditionPerformance material (BA10106) vocal score (BA10106-90) & study score format 22.5 x 16.5cm (TP1106) available for sale.

Actus tragicus-Gottes Zeit ist die allerbeste Zeit (Mighty God His time is ever best) BWV 106 'Actus tragicus'Cantata for a funeral service.Since there are no original sources or documents concerning the first performance of the funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 it is impossible to establish the year of origin of this work called Actus tragicus by Bach. The striking resemblance to the cantatas BWV 131 Aus der Tiefen rufe ich Herr zu Dir (presumably 1707) and BWV 71 Gott ist mein König (1708) both of which were composed in Mühlhausen suggests that the funeral cantata was also written in Mühlhausen in1707.Urtext of the New Bach EditionPerformance material (BA10106) vocal score (BA10106-90) & study score format 22.5 x 16.5cm (TP1106) available for sale.

Seventeen arrangements and original pieces ideally suited to young viola players. An attractive selection of classical pieces ranging from Handel to Tchaikovsky all expertly arranged by Lionel Salter. The variety of keys rhythms and speeds will provide excellent practice for beginners. For Grades 1 to 3.

/ Soli (AB), Choeur Mixte (SATB), 2 Flûtes Traversières, 2 Violas De Gamba Et Basse Continue

Par DUNCAN CRAIG. Cette collection comprend des exemples de J.S. Bach compositions didactiques ainsi que les arrangements de plusieurs de ses oeuvres les plus populaires. Toutes les pièces sont définies dans les keys faciles avec quelques altérations à être joué en première position. Plupart des pièces piano doubles comme l'alto pour aider à la performance. Une partie d'arrachement commode est fournie pour le soliste. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Alto

The 18 pieces in Volumes 1 and 2 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. Volume 1 can be used as a supplement to the 'Early Start on the Viola method', Volumes 1 and 2 (BA 9686 and BA 9687). Volume 2 (BA 8991) can be used as a supplement to the 'Early Start on the Viola method?, Volume 2 (BA 9687). / Alto Et Piano (Ou 2 Altos)

A collection of pieces geard to the requirements of the beginning player transcribed and arranged in First Position by Paul Doktor for Viola and Piano. Includes two duets for two violas. Music by Tchaikovsky Mozart Gluck Bach Handel and folksongs.

This is the piano accompaniment for Suzuki Viola School Volume 6 (Revised). Titles: Tonalization and Intonation Exercises (S. Suzuki) * Exercises in Octaves and Fifths (D. Preucil) * La Folia (M. Marais/arr. D. Preucil) * Allegro (G.H. Fiocco) * Suite in G Major from Suite in G Major for Violoncello BWV 1007 (Allemande Minuet I Minuet II) (J.S. Bach) * Arioso Sinfonia for Oboe Violin Viola Basso Continuo Ich Steh mit einen Fuss im Grabe BWV 156 (J.S. Bach) * Chromatic Scale Exercises (D. Preucil) * Three-Octave Scales and Arpeggios in D Major and D Minor (D. Preucil) * Adagio and Rondo in D (Adagio Rondo) (W.A. Mozart) * Hungarian Dance No. 5 (J. Brahms) *Position Etudes (S. Suzuki) * Country Dances (L. van Beethoven) * Concerto for Two Violins Violin II arranged for Viola BWV 1043 (1st Movement: Vivace) (J.S. Bach) * Concerto in C Minor (I. Allegro molto ma maestoso II. Adagio molto espressivo) (J.C. Bach/arr. Casadesus). 

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Gavotte no2 (J.S.Bach) de Auteurs Divers. Idéale pour les musiciens pratiquant Alto et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence BACH04422. / Alto / niveau : Cycle 1 / Partition

Edition for Gamba (Viola)-Like his father Carl Philipp Emanuel Bach wrote three sonatas for viola da gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent viola da gamba player in the court orchestra anopportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father???s example as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of theharpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola a practice that has been verified in the sources of the time. This version isavailable in our Urtext edition as an alternative part.