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| Trinity Fugues Organ CanticaNOVA Publications
Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb...(+)
Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Orgelsinfonie No. 16 'Martin Luther' Organ - Advanced Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437). ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'. $28.99 - See more - Buy online | | |
| Jumbo Songbook Organ Hal Leonard
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bock's Greatest Hits - Organ Organ Fred Bock Music Company
Organ. By Fred Bock. Fred Bock Music Company. Size 9.3x12 inches. Published by F...(+)
Organ. By Fred Bock. Fred Bock Music Company. Size 9.3x12 inches. Published by Fred Bock Music Company. tophit
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Organ Adventure #18 - 105 Favorite Hymns Organ [Sheet music] Hal Leonard
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.
(2)$10.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beginnings for Keyboards – Updated Edition Organ [Sheet music + Audio access] Hal Leonard
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 E-Z Play Today Book A. E-Z Play Today. Instruction, Method. Softcover Audio Online. 48 pages. Published by Hal Leonard (HL.302741). ISBN 9781540065261. UPC: 888680967468. 9.0x12.0x0.182 inches. Introducing the E-Z way to reading music notes, chords, and learning musical terms! Keyboards are among the most versatile of all musical instruments, and many electronic keyboards today have special automatic features and automatic rhythms. These features make making music even more fun and versatile! If you've always wanted to learn how to play the keyboard, this book is your first step to success! Beginnings Book A provides easy-to-understand instructions with popular songs and favorite tunes so you can start playing music you know and love while learning to play! In practically no time, you'll be performing some of your favorite standards, including: Aura Lee • Danny Boy • He's Got the Whole World in His Hands • Kumbaya • Lullaby (Cradle Song) • On Top of Old Smoky • Simple Gifts • When the Saints Go Marching In • Yankee Doodle • and more. This book also includes access to online recordings of demonstration and backing tracks, so you can listen to the demos to hear how the piece should sound, then play along with the backing tracks to sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. About Hal Leonard E-Z Play Today For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christmas Chains for Organ Organ [Sheet music] - Intermediate Jackman Music Corporation
Composed by Various. Arranged by Brent Jorgensen. Difficulty Medium, Organ Chain...(+)
Composed by Various. Arranged by Brent Jorgensen. Difficulty Medium, Organ Chains, Organ Postludes, Organ Preludes, Organ Solos, Seasonal Music Christmas, Christmas. Christmas. Jackman Music Corporation #01176. Published by Jackman Music Corporation
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731149 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Organ. Composed 1901. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.311/49. Published by Carus Verlag (CA.2731149). ISBN 9790007201593. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| New Edition of the Complete Works, vol. 4.1 Organ [Score] Barenreiter
Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Par...(+)
Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Part 2. By Froberger, Johann Jacob. Edited by Rampe, Siegbert. For Organ, Piano, Harpsichord. Johann Jacob Froberger: Neue Ausgabe samtlicher Werke,Bd.4.1. Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). ISBN M006488360.
$90.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festive Organ Chorales - Faith in God, the Cross and Consolation Organ Carus Verlag
Organ solo SKU: CA.1804300 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo SKU: CA.1804300 Composed by Friedrich Reimerdes. This edition: Paperbound. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Festliche Orgelchorale 7. Organ music based on hymns, Easter and Eastertide. Collection. Composed 1960. 56 pages. Carus Verlag #CV 18.043/00. Published by Carus Verlag (CA.1804300). ISBN 9790007032005. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731114 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Cello 1. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/14. Published by Carus Verlag (CA.2731114). ISBN 9790007201562. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731112 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Viola 1. Composed 1901. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.311/12. Published by Carus Verlag (CA.2731112). ISBN 9790007201548. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731115 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Cello 2. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/15. Published by Carus Verlag (CA.2731115). ISBN 9790007201579. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731116 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Double Bass. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/16. Published by Carus Verlag (CA.2731116). ISBN 9790007201586. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731105 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Choral Score. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/05. Published by Carus Verlag (CA.2731105). ISBN 9790007132255. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score available separately - see item CA.2731100. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Organ Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ SKU: CA.2731113 Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Viola 2. Composed 1901. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.311/13. Published by Carus Verlag (CA.2731113). ISBN 9790007201555. Language: Latin. The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suite Organ - Intermediate MorningStar Music Publishers
Composed by Clay Christiansen. Non Hymn- Based, Recital Music, Suite. 21st Cen...(+)
Composed by Clay
Christiansen. Non Hymn-
Based, Recital Music, Suite.
21st Century. MorningStar
Music Publishers #10-498.
Published by MorningStar
Music Publishers
$18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Musica Dominicalis (Sunday Music) Organ Praha
By Petr Eben. Czech title: Musica Dominicalis (Ned lni hudba). Published by Prah...(+)
By Petr Eben. Czech title: Musica Dominicalis (Ned lni hudba). Published by Praha (Czech import).
(2)$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Faber Early Organ, Volume 16 Organ Faber Music Limited
(Italy 1517-1599). Edited by James Dalton. For Organ. Book; Masterworks; Organ -...(+)
(Italy 1517-1599). Edited by James Dalton. For Organ. Book; Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork. Published by Faber Music
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Faber Early Organ, Volume 17 Organ Faber Music Limited
(Italy 1600-1635). Edited by James Dalton. For Organ. Book; Masterworks; Organ -...(+)
(Italy 1600-1635). Edited by James Dalton. For Organ. Book; Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork. Published by Faber Music
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Faber Early Organ, Volume 6 Organ Faber Music Limited
(Spain 1650-1710). Edited by James Dalton. For Organ. Book; Masterworks; Organ -...(+)
(Spain 1650-1710). Edited by James Dalton. For Organ. Book; Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork. Published by Faber Music
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Faber Early Organ Organ Faber Music Limited
Organ SKU: AP.12-0571507719 Volume 1. England 1510-1590. Ed...(+)
Organ SKU: AP.12-0571507719 Volume 1. England 1510-1590. Edited by James Dalton. Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork. Book. Faber Music #12-0571507719. Published by Faber Music (AP.12-0571507719). ISBN 9780571507719. English. The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions, presenting a broad and balanced view of the main forms, styles and composers. Within each geographical region the pieces, most of which are for manuals only, are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In every volume, an informative Introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration, and a Critical Commentary giving detailed information on the sources. $20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tablature for organs, spinets and manicordions on the plain chant of Cunctipotens and Kyrie fons Organ Anne Fuzeau Productions
Organ solo SKU: FZ.5690 Paris, 1531. Composed by Pierre Attaingnan...(+)
Organ solo SKU: FZ.5690 Paris, 1531. Composed by Pierre Attaingnant. Edited by Marcel Degrutere. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.5690). ISBN 9790230656900. 12.50 x 17.50 cm inches. This Pierre Attaignant's original publication is in facsimile on Dominantes collection. Tablature pour le jeu dorgues spinet and manicordion sur le plain-chant de Cunctipotens et Kyrie fonsEdition : Paris, 1531. Presentation of Marcel Degrutere : Principles of notation remarks on the notation summary utilisation documents annexed: plain chant. The earliest surviving organ mass with plain chant alternation published in France. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Bayerische Staatsbibliothek of Munich (Germany). $32.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Organ Works, Volume 4 Organ - Intermediate Barenreiter
(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750)....(+)
(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750). Edited by Manfred Tessmer / Christoph Wolff. For organ solo. This edition: urtext edition. Paperback. Johann Sebastian Bach. Orgelwerke 4. Level 4. Performance score(s), anthology. Published by Baerenreiter Verlag
$34.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Green Album. Hits for Organ II Organ - Intermediate Carus Verlag
Composed by Various. Edited by Helmut Volkl. Free organ music. Collection. Car...(+)
Composed by Various. Edited
by Helmut Volkl. Free organ
music. Collection. Carus
Verlag #CV 18.089/00.
Published by Carus Verlag
$44.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Caritas Pater est Organ Edition HH
Organ solo SKU: HH.HH304-SOL Composed by Timothy Raymond. Organ Solo. Pla...(+)
Organ solo SKU: HH.HH304-SOL Composed by Timothy Raymond. Organ Solo. Playing score. Duration 14 minutes. Edition HH Music Publishers #HH304-SOL. Published by Edition HH Music Publishers (HH.HH304-SOL). ISBN 9790708092537. Tim Raymond's dramatic and inventive organ piece was composed for the instrument in St Bavo's Cathedral in Ghent, Belgium, and was inspired by a plainchant melody found in a manuscript compiled there in 1481. Atmospheric, mysterious and fluid textures alternate with energetic, toccata like passages, reflecting and transforming the pitch structures and temporal proportions of the chant a meditation on the Trinity. A further dimension connects and resonates with the colourful pantheism and cosmic symbolism of the Van Eyck brothers' famous fifteenth century altarpiece, The Adoration of the Sacred Lamb, created for, and housed in, St Bavo's. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Faber Early Organ, Volume 13 Organ Faber Music Limited
Faber Early Organ, Volume 13 (Germany 1512-1577). Edited by James Dalton. For Or...(+)
Faber Early Organ, Volume 13 (Germany 1512-1577). Edited by James Dalton. For Organ. Book; Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork. Published by Faber Music
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Gliozzi M./ Simon D. -
L'orgue Aux Milles
Saveurs Vol.3
Français Organ Editions Buissonnieres
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou ...(+)
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou clavier) Comprenant une partie méthode pour pédalier, une partie pédagogique sur l'harmonie au clavier, et quelques pièces d'orgue à 4 mains et de musique d'ensemble. Recueil de 360 pages en 2 volumes Format 22,5 x 32 cm, couverture pelliculée Complément : livret relié de parties séparées pour la partie Musiques d'ensemble Ecrit par Marta Gliozzi et Damien Simon, professeurs d'orgue en conservatoire. Notre apprenti-cuisinier-organiste continue à explorer des matériaux musicaux dans divers styles, découvrant les différentes saveurs esthétiques des pays européens : dans ce deuxième volume, les auteurs poursuivent leur démarche pédagogique, en renouvelant l?approche de la formation de l?organiste. Élèves avec professeur, professeurs avec élèves, élèves avec amis, les pièces de musique d?ensemble et les pièces à 4 mains sont pensées pour vous ! Alors, bonne cuisine à tous, avec patience, écoute attentive de soi et de l?autre, rigueur et surtout amour de tout ce que vous faites ! Bonne dégustation ! Dans ce recueil : ? Chansons populaires, Noëls, Chorals. ? Chants grégoriens, mélodies populaires
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| L'Orgue Aux Mille
Saveurs Vol.1
Français Organ Editions Buissonnieres
Né d'une passion commune pour la pédagogie et du constat que nos élèves sont...(+)
Né d'une passion commune pour la pédagogie et du constat que nos élèves sont de plus en plus jeunes, ce recueil écrit par Marta Gliozzi et damien Simon propose une découverte de l'orgue renouvelée. Différentes sections ont été conçues pour que chacun puisse aborder la musique et l'orgue sous divers angles, sans ordre de priorité : écriture classique, musique graphique, improvisation, jeux rythmiques et aussi quelques amusements et éléments historiques.Marta Gliozzi et Damien Simon ont composé cette méthode basée sur leur expérience de professeur de conservatoire, proposant ainsi aux débutants un apprentissage progessif, varié et ludique basé sur une grande variété de partitions simples ou adaptées aux débutants. / Orgue
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| Miscellanées,
volume 1 : transcriptions
et compositions
contemporaines dans le
style ancien Organ [Sheet music] Orgues Nouvelles
Orgues Nouvelles est une revue qui, pour chacune de ses parutions, contient un c...(+)
Orgues Nouvelles est une revue qui, pour chacune de ses parutions, contient un cahier de partitions. ?Ce mariage entre article de fond et pratique de la musique ayant récemment fêté ses noces d’or (n° 50), il nous a paru important de rassembler dans une collection distincte quelques-unes des partitions éditées durant ces 50 premiers numéros. Ce faisant, nous avons souhaité, d’une part, compléter certaines partitions qui n’étaient initialement parues que sous forme d’extraits, d’autre part, enrichir l’ensemble de plusieurs pièces inédites, retenues en fonction du thème choisi pour chacun des recueils.
Miscellanæ : un titre étrange pour initier cette nouvelle proposition de notre revue, mais sa définition en relate parfaitement son esprit : « genre littéraire composé de textes mélangés, sorte de mosaïque littéraire ». Pour le premier volume de cette nouvelle collection, nous vous proposons un ensemble de transcriptions et de compositions contemporaines « dans le style ancien » qui, nous l’espérons, raviront vos méninges, vos doigts et vos oreilles. / Recueil / Orgue
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| Orgelsinfonie No. 16
(SCHNEIDER ENJOTT) Organ Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.
The composer describes the five movements of the symphony as follows:
'1st movement:
Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.
2nd movement:
In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.
3rd movement:
The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air.
4th movement:
The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air.
5th movement:
The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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| 2. Livre D'Orgue
Contenant La Messe Et Les
Hymnes De L'Eglise Organ [Score and Parts] Martin, Robert
Edition : Paris, l'Auteur, R. Ballard, 1667Présentation de : Philippe Lescat : ...(+)
Edition : Paris, l'Auteur, R. Ballard, 1667Présentation de : Philippe Lescat : Catalogue de l'oeuvre de Guillaume-Gabriel NiversJean Saint-Arroman : L'utilisation du plain-chant / Orgue / 168 pages / niveau : 1 / Fac-Similés - Format: 22.5 X 31
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| Little Organ Book Bwv
599-644 Organ [Sheet music] Wiener Urtext
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des p...(+)
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des préludes chorals, doit son titre à l'application de J.S. Bach pour le poste de Cantor à l'église Saint-Thomas de Leipzig. N'ayant pas un diplôme universitaire, Bach voulait démontrer ses qualités comme enseignant à travers ses compositions - y compris ses Inventions, Sinfonias et le ' bien tempérée Klavier '. Cela aussi amené à ajouter un titre trompeur au projet plus ambitieux de son temps à Weimar : il a appelé de cette collection de pièces de chorale preludes - initialement destinés à numéro 164 pièces - pour un ' organiste aspirant '. En fait les 44 terminé les compositions de la ' petit livre d'orgue 'exigent des chefs-d'oeuvre qui donnent un impressionnant étalage de la gamme complète de la soi-disant court chorale prelude. Cette nouvelle édition critique renvoie au format des principales sources datant de l'époque de Bach, pour la première fois que la plupart des pièces est reproduite sur les deux systèmes, plutôt que de trois. / Orgue / Partition
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| Ogden: Scherzo For The
White Rabbit: Organ:
Instrumental Work Organ Stainer and Bell
Lewis Carroll from 'Alice in Wonderland' and inspiration for this lively and fun...(+)
Lewis Carroll from 'Alice in Wonderland' and inspiration for this lively and fun piece of light organ music. ' . . . suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself 'Oh dear! Oh dear! I shall be too late!' (when she thought it over afterwards it occurred to her that she ought to have wondered at this but at the time it seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat pocket and looked at it and then hurried on Alice started to her feet for it flashed across her mind that she had never beforeseen a rabbit with either a waistcoat pocket or a watch to take out of it and burning with curiosity she ran across the field after it and was just in time to see it pop down a large rabbit-hole under the hedge.'
4.50 GBP - Sold by Musicroom UK | |
| Iain Farrington:
Bluesday: Organ:
Instrumental Work Organ Novello & Co Ltd.
Iain Farrington's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert...(+)
Iain Farrington's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert Houssart. 'Judging by this bunch of new publications the year 2010 was a busy one for British composers of organ music though quite why it has taken six or seven years for almost all of this music to appear remains unexplained. And if one were asked to guess the most recent work in terms of 'modem language' it would be this study from Iain Farrington. Dedicated to Robert Houssart this short piece combines - as one might infer from the title - certain phraseology from musical worlds not often encountered on a concert organ whether in a church or civicbuilding but it is not merely the thematic line (such as it is) that snakes in an uncertain manner but also the impacted sense of occasional harmony that speaks in a more modem musical language. None the less this intriguing composition would work best on a small instrument and is a fascinating piece to study at home.' - James Palmer
8.99 GBP - Sold by Musicroom UK | |
| Noëls, O Filii (P.
Dandrieu - J.F. Dandrieu) Organ Anne Fuzeau Productions
Editions : P. Dandrieu - Paris 1729J.F. Dandrieu - Paris 1759Cette partition est...(+)
Editions : P. Dandrieu - Paris 1729J.F. Dandrieu - Paris 1759Cette partition est couplée avec les Noëls de Pierre Dandrieu. Les Noëls de Pierre et de son neveu Jean-François sont fort différents. La publication jointe des deux oeuvres est donc parfaitement justifiée.Présentation de :Philippe Lescat : Biographie de Pierre Dandrieu - Les éditions du livre de Noëls de Pierre DandrieuJean Saint-Arroman : Comparaison des livres de Pierre et de Jean-François Dandrieu / Orgue / 228 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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| Thomas Hewitt Jones:
Carnival: Organ:
Instrumental Album Organ [Sheet music] Novello & Co Ltd.
Thomas Hewitt Jones' Carnival. Composed 2010. Written for Martin Neary Presiden...(+)
Thomas Hewitt Jones' Carnival. Composed 2010. Written for Martin Neary President of the Organists Charitable Trust. These five short works are all extracted from the excellent Little Organ Book from the Organists Charitable Trust edited by Martin Neary and first published by Novello in 2010. This is a wonderful resource of 11 mainly new works by British composers all of moderate difficulty and well-defined character. Iain Farrington’s Bluesday is full of delicious harmonies with a bold climax framed by a gentle beginning and ending. David Bednall’s Fanfare is a joyful work that would bea good recital opener or festival voluntary with a chance to unleash the big reeds. The simplicity of the title of Howells’s Cradle Song belies a richness and warmth that make this a moving miniature. John Rutter’s evening prelude from 1979 on the plainsong hymn Te lucis ante terminum is tender and clear with some surprisingly plangent harmonies. Thomas Hewitt Jones’s Carnival is an outburst of festivity and bravura. All these pieces are very much worth playing though organists interested in more than two of them would be better served purchasing a copy of the original anthology which is still very well priced (Little Organ Book Novello 9781849386814 £9.95). - Sunday by Sunday
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| Ma Première
Année D'Orgue
Au Clavier (DESHAYS
PIERRE-RICHARD)
Français Organ Lemoine, Henry
Par DESHAYS PIERRE-RICHARD. Voici une méthode destinée à toutes celles et ceu...(+)
Par DESHAYS PIERRE-RICHARD. Voici une méthode destinée à toutes celles et ceux qui souhaitent découvrir ce merveilleux instrument : l'orgue.
Vous apprendrez petit à petit à piloter ce vaisseau, à explorer ses possibilités et à jouer avec les multiples sonorités qu'il offre.
'L'orgue est le roi des instruments' disait Mozart, qui avait bien compris la dimension infinie de ses ressources.
Vous voyagerez d'une atmosphère à une autre au fil du temps. Des petits exercices vous familiariseront avec ses spécificités.
Même si l'orgue est un instrument comme les autres, il a une place bien à part.
Souvent perché sous les voûtes des édifices religieux, il recèle de multiples secrets et d'histoires passionnantes.
Egalement présent dans de nombreuses salles de concert, il dialogue aussi avec le monde d'aujourd'hui.
Vous appréhenderez la distorsion spectrale, la réverbération - les 'notes-hérisson' ou les 'tenues' vous aideront à y parvenir.
Vous apprendrez également à faire dialoguer les différentes sonorités de l'orgue. Les pièces 'décollages' ont été écrites pour vous 'propulser' sur les différents claviers de ce 'monstre'.
Prendre plaisir à jouer une courte pièce et à la faire écouter à d'autres est aussi le but de cette méthode.
La musique est faite pour être partagée et l'orgue, même s'il semble un peu solitaire et lointain parfois, permet des échanges inimaginables entre musiciens.
A vous de les découvrir...
L'enseignant veillera à ce que l'élève étudie simultanément les exercices et une petite pièce récréative, et ce afin de rendre plus agréable l'apprentissage.
Je suis bien conscient que la majorité des élèves ne pourront s'exercer sur un instrument à plusieurs claviers. Aussi pour les pièces 'décollages', l'élève devant son instrument personnel, soulèvera les mains et simulera le mouvement afin de créer un automatisme et ainsi pouvoir le reproduire sur l'orgue.
Des petites annotations ponctueront votre parcours dans la méthode et vous guideront, mais ne remplaceront jamais les conseils avisés d'un professeur.
A partir d'un certain niveau, ce dernier pourra 'piocher' une pièce dans l'anthologie, située à la fin du recueil, afin d'agrémenter la progression de son élève.
Pierre-Richard Deshays/ Méthode / Orgue
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| Organists' Charitable
Trust - Little Organ
Book: Organ: Instrumental
Album Organ [Sheet music] - Intermediate/advanced Novello & Co Ltd.
Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edi...(+)
Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edited by Martin Neary. 'An imaginative kaleidoscope of attractive pieces. There is much to enjoy in this wide-ranging collection.' - John Scott LVO Organist and Director of Music Saint Thomas Church Fifth Avenue New York 'A valuable collection for organists. The fact that it is published in aid of such an important cause makes it all the more appealing.' - James O'Donnell Organist & Master of the Choristers Westminster Abbey Visiting Professor of Organ Royal Academy of Music 'Containing stimulating music for professional and amateur alike thisbeautifully produced volume is one of the highest quality and useful Organ albums to have been released in years. You should buy a copy - you won't regret it.' - Jonathan Vaughn (Choir & Organ - March/April 2011) Produced in association with the Organists Charitable Trust with the support of the Ralph Vaughan Williams Trust this is a collection of 11 pieces for solo organ (ABRSM Grade 6-7). Featuring previously-unpublished works by Howells and Rutter and new works by Philip Moore and three 'rising stars' David Bednall Iain Farrington and Thomas Hewitt Jones. Selected and edited by Martin Neary.
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| Alain: 3 Pieces: Organ:
Instrumental Album
Français Organ [Sheet music] Leduc, Alphonse
Composed by Jehan Alain Trois Pièces is a set of upper intermediate / advanc...(+)
Composed by Jehan Alain Trois Pièces is a set of upper intermediate / advanced works for Organ with pedal-use. The first piece “Variations sur un thème de Clément Jannequin” (Variations on a Clément Jannequin’s tune“ should be played “in the same way as Couperin’s Préludes: freshly and softly”. It contains four distinctive parts: Affetuoso Maggiore Fuggato and Grave. The second piece is called “Le jardin suspendu” (The hanging garden) and features three different parts that can’t be played separately. Thelast piece “Litanies” is quite religious and consists of the repetition of lamentations. Its introduction in Vivo is played only by the right hand then followed by a “Lirico ma sempre vivo” part. These are followed by switches between the main tempo and some Vivacissimo parts sounding declamatory. This third piece ends really harmoniously. Jehan Alain is a French organist who became famous with his Suite for Organ. Student of Marcel Dupré and Roger Ducasse among others he kept composing all his life. One of his most famous international pieces is 'Litanies'.
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| Ma mère l?Oye (RAVEL
MAURICE) Organ [Sheet music] Billaudot
Par RAVEL MAURICE. Thomas Ospital
Pourquoi Ravel n'a t'il rien composé pour l'...(+)
Par RAVEL MAURICE. Thomas Ospital
Pourquoi Ravel n'a t'il rien composé pour l'orgue ?
C'est l'éternelle question que se posent les organistes ...
Seulement, aimait-il cet instrument? Sa musique, si gracieuse et infiniment mouvante pouvait-elle épouser l'apparente rigidité de l'orgue ?
D'autre part, on peut se demander quel aurait été son attrait pour cet instrument si la musique d'orgue de son temps eut été plus connectée à la vie musicale du début du xx:e siècle. Et que dire s'il avait connu nos instruments modernes ...
Et nous pourrions ainsi continuer à spéculer et nous livrer à des débats sans lendemain.
Bien sûr la transcription permet de combler une partie de ce manque. Mais finalement, avons-nous le droit de détourner une ?uvre imaginée et rêvée dans une finalité sonore simplement pour assouvir notre frustration ?
J'ai pour ma part beaucoup hésité à me lancer dans cette aventure. Mais en y travaillant, je me suis rendu compte que cela ouvrait de nouvelles pistes dans l'écriture pour orgue afin de transcrire non pas le texte musical mais cette flexibilité du son si présente dans l' ?uvre de Ravel.
Je me suis appuyé pour cela sur les deux versions de Ma Mère l'Oye; celle pour piano à 4 mains composée en 1910 et l'orchestration datant de 1911. Le piano, dont l'épanouissement sonore est si particulier et insaisissable, reste un instrument toujours difficile à transcrire. Aussi, l'orchestration de cette ?uvre par l'auteur donnait de nombreuses réponses quant à la manière de traiter les questions de résonances ou de masses sonores.
Lorgue de Saint-Eustache fut également un véritable complice dans cette réalisation; une sorte de laboratoire pour chercher à transposer les effets sonores générés par l'orchestration. Les registrations ont été inspirées par les couleurs de cet orgue bien que rationalisées pour un orgue à trois claviers. Aussi, il est important de ne pas être trop scrupuleux dans l'application de ces indications. De façon générale, il faut veiller à ce que chaque plan sonore reste équilibré et clair. Ne pas hésiter à enlever certains jeux de fonds pour favoriser la lisibilité du discours. Enfin, colorer les jeux solistes par l'adjonction mesurée d'harmoniques.
Thomas Ospital / Date parution : 2022-11-29/ Répertoire / Orgue
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| Rued Langgaard: Collected
Preludes And Minor
Pieces: Organ:
Instrumental Work Organ [Sheet music] Rued Langgaard Edition
Vol. 1-3-Collected preludes and minor pieces for organ volume 1-3. Edited by Bi...(+)
Vol. 1-3-Collected preludes and minor pieces for organ volume 1-3. Edited by Birgitte Ebert and Bendt Viinholt Nielsen. The Rued Langgaard Edition Edition Wilhelm Hansen Copenhagen 2017. With the publication of Rued Langgaard’s preludes and minor pieces for organ in three volumes the contribution made by the composer to this repertoire is being presented in its entirety and all its diversity. The publishers have decided to include as many ofLanggaard’s small pieces for organ as it has been possible to present in an authentic form rather than to carry out a selection based on aesthetic or formalcriteria. The 112 compositions are presented in chronological order in accordance with Bendt ViinholtNielsen’s catalogue of works Rued Langgaard’s Compositions (1991). The intention to include as far as possible all the completed compositions in the edition has resulted inconsiderable editorial challenges. In certain cases Langgaard’s own handwritten manuscripts are so unclear or incomplete that the editors have had to abandon the possibility of arriving at a form of publication that lives up to the strict requirements made by the Rued Langgaard Edition regarding authenticity and a critical approach to the source material. Therefore the editors have made no attempt to include a number of mainly untitled and undated preludes which Langgaard left behind in so loose a notation that publication in anything approaching authentic form is not possible (these pieces are registered in the catalogue of works in the appendix of omitted works as U10-U20). CONTENTS Volume 1 PRELUDES AND MINOR PIECES FOR ORGAN 1912-1939 [1] Jeg vil din Pris udsjunge (Præludium) / I Will Sing Thy Praise (Prelude) BVN 52:1
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| Pièces
D'Orgue Manuscrites
Deutsch Organ Noetzel
Edition : Manuscrits de VersaillesIl s'agit des manuscrits autographes de Louis ...(+)
Edition : Manuscrits de VersaillesIl s'agit des manuscrits autographes de Louis Marchand, et d'une copie du 'Grand Dialogue' corrigée par le compositeur. - Présentation de :Philippe Lescat : Biographie de Louis MarchandJean Saint-Arroman : L'écriture des manuscrits / Orgue / 112 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
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| Órgano Hispano: Organ:
Instrumental Work Organ Schott
10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ lit...(+)
10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles which adds new sounds to the purely Baroque repertoire.With works by José Blasco de Nebra Francisco Correa de Arauxo Antonio de Cabezón Pedro de Araujo and new compositions by Guy Bovet Michael Kapsner Pavel Klimashevsky Zsigmond Szathmáry and Alfred Müller-Kranich.The new Spanish organ of the Hochschule für Musik Mainz as an authentically rebuilt historical instrumentfrom the workshop of the organ builder Joaquín Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason the Hochschule für Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'.Certain specifications had to be taken into account: e. g. a limited pitch range half stops for treble and bass registers the short octave as well as a mean-tone temperament. In addition each composition is based on a work of the Iberian organ literature; sometimes the work found its way into the new composition sometimes it only served as an inspiration.The pieces can also be played on a modern organ although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles the resulting collection adds new sounds to the purely Baroque repertoire.
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| Praxipode - Ensemble De
Trois Suites Pour Le
Travail Du
Pédalier
Français Organ Delatour France
Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt p...(+)
Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt pièces regroupées en trois suites distinctes, Elles ont été écrites dans le but d'aider les organistes à user du pédalier de manière progressive, Le recueil fait suite à Dactylopraxie, destiné au manuel seul, et en adopte exactement la même structure, Si les différentes pièces qui composent chaque suite peuvent être isolées ou regroupées selon les envies des interprètes, elles sont néanmoins reliées entre elles par un propos identique qui en assure la cohérence et apparente les trois ensembles au genre des Partitas, This collection of concise works by Christophe Marchand is an excellent introduction for beginning organ students to develop a good, solid pedal technique and independence for the performance of 21st century music, I highly recommend this superb collection without any reservations,James David Christie Ce nouveau recueil de Christophe Marchand est une musique charmante et inspirante qui prépare à l'écoute de la musique d'aujourd'hui,Bernhard Haas Praxipode est à la fois original, bien construit, et surtout très adapté à l'évolution des jeunes organistes grâce à l'acquisition de réflexes bien ciblés, le tout sous un aspect ludique qui, j'imagine, doit facilement séduire les plus jeunes, Bref, une réussite !Olivier Latry Christophe Marchand réconcilie travail et jeu, ce qui n'est pas un mince défi ! Une oeuvre à mettre entre toutes les mains, et tous les pieds oserait-on dire,Aude Heurtematte et Christophe Mantoux / Orgue
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| Journal D'Orgue #6 -
Jounal D'Orgue #9 Organ [Score] Noetzel
Edition : Paris, Le Duc, Chevardièse, 1784/1785Présentation de : Philippe Lesc...(+)
Edition : Paris, Le Duc, Chevardièse, 1784/1785Présentation de : Philippe Lescat : Biographie de Beauvarlet-Charpentier - catalogue de son oeuvreJean Saint-Arroman : Alternance entre les pièces d'orgue et le plain-chantJournal d'orgue no6 : 'Messe royale de Dumont' Journal d'orgue no9 : 'Deux Magnificat'La préface comprend le catalogue de l'oeuvre du compositeur, l'alternance complète entre l'orgue et le plain-chant pour la messe, et les faux-bourdons pour le Magnificat.La présente édition a été conçue pour servir de base à la reconstitution d'un office français de la fin du XVIIIe siècle (Messe de Beauvarlet-Charpentier, plain chant de Dumont, motet de Glück). L'inauguration des orgues historiques de Semur-en-Auxois, instrument dont la facture convient parfaitement aux oeuvres exécutées, a été choisie pour exécuter cette reconstitution. / Orgue / 80 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
45.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| 3. Livre D'Orgue Des
Huit Tons De
L'Eglise
Français Organ Martin, Robert
Editeur : Paris, l'Auteur, R. Ballard, 1675Les préfaces à ces trois livres d'o...(+)
Editeur : Paris, l'Auteur, R. Ballard, 1675Les préfaces à ces trois livres d'orgue apportent une documentation très complète sur l'oeuvre du compositeur : biographie - catalogue des oeuvres - registrations - rôle du plain-chant - orgues jouées par le compositeur.Présentation de : Jean Saint-Arroman : Les registrations de NiversPhilippe Lescat : Les orgues jouées par Nivers - - . / Orgue / 165 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
68.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Nigel Ogden: An Art-Deco
Three Piece Suite: Organ:
Instrumental Work Organ Stainer and Bell
Reflecting his admiration for the age of flying boats and Bakelite radios the '...(+)
Reflecting his admiration for the age of flying boats and Bakelite radios the 'Art-Deco Suite' is an affectionate study in nostalgia - a trio of images from the 1920s and 30s set in music of timeless elegance.The first piece 'Ritzy' speaks for itself: classy carefree and full of elite syncopations. 'Acacia Avenue' in contrast is a miniature tone poem its languidly flowing melody conjuring up visions of neat suburban 'semis' and impeccably tended gardens. The unstoppable finale 'To Clarice' pays homage to the popular Clarice Cliff ceramics of the period superbly decorated in black orange and lime and now as much a collector's item as this composition has provedto be amongst lovers of stylish organ music.
6.50 GBP - Sold by Musicroom UK | |
| Bach J.s. - Complete
Organ Works Vol.7 -
Orgelbuchlein + Cd-rom Organ [Sheet music + CD-ROM] Breitkopf & Härtel
Bach: Complete Organ Works Vol. 7
Orgelbüchlein - with CD-ROM - ed. by Sven Hi...(+)
Bach: Complete Organ Works Vol. 7
Orgelbüchlein - with CD-ROM - ed. by Sven Hiemke
Of great practical value
?This edition has everything it takes to replace the Griepenkerl edition for practical music-making,? opined Rainer Goede (in ?kirchmusik.de?) immediately after the release of Volumes 5 and 6. If such a high degree of practical value is attested to these two volumes, then Volume 7 can proudly claim to have the highest practical value of all, since it has the greatest scope of all the volumes. After all, no organist can do without the basic repertoire of the 45 chorale preludes. Edited by Sven Hiemke, the book offers the best possible prerequisites for everyday use. The musical text is as faithful to the sources as possible, and it preserves Bach?s graphic idiosyncrasies in the beaming of eighth notes and sixteenth notes. Furthermore, the chorales are reproduced on three staves, which is fully in keeping with the practice of the Bach era ? but not with the source, however, since the composer himself notated the pieces of the ?Orgelbüchlein? on two staves, either for reasons of economy or for lack of space. The enclosed CD-ROM contains early versions and anonymous arrangements which should encourage organists to explore this repertoire in greater depth.
26.30 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Suite Pour Orgue
Français Organ Delatour France
Durant sa brève carrière d'organiste, Beethoven, comme Mozart avant lui, n'a r...(+)
Durant sa brève carrière d'organiste, Beethoven, comme Mozart avant lui, n'a rien laissé pour l'orgue si l'on excepte une Fuguette sans grand intérêt ainsi que deux Préludes dits 'circulaires' qui ne sont pas sans rappeler le 'Prélude pour sonder si l'accord est bon partout' de Jean Denis (1650). C'est donc tout à fait accidentellement que les trois pièces présentées ici virent le jour en 1799 à destination du petit orgue à cylindre installé dans le cabinet d'automates du comte Joseph Deym-Müller, et pour lequel Mozart avait travaillé huit années auparavant. Ecrite sur quatre portées, l'oeuvre vaut d'être réduite et, parfois, légèrement modifiée pour en faciliter l'exécution sur un orgue d'importance moyenne. / Orgue
16.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| La Registration De
L'Orgue (CAROL
HENRI)
Français Organ [Sheet music] Delrieu
Par CAROL HENRI. La registration à l'orgue est une science et un art.
Notre sou...(+)
Par CAROL HENRI. La registration à l'orgue est une science et un art.
Notre souhait serait d'éclairer et guider en premier lieu l'élève d'orgue : mais aussi celui qui aime cet instrument, soit au disque, soit au concert, soit - bien entendu - à l'église ou au temple, car c'est là, en fait, sa place privilégiée.
Nous avons dit 'guider'. Devant une oeuvre d'art (dans un musée, par exemple), le guide suscite l'admiration pour telle oeuvre, tel détail - mais même (et surtout) s'il s'adresse à des connaisseurs, il s'en tiendra là et laissera à chacun le soin de partager (ou non) cette admiration.
Le goût - qui suppose un choix - ne s'impose pas. Il se forme !
Que de fois avons-nous entendu dire à propos des jeux de mixtures : 'Qu'allez-vous faire de tous ces 'sifflets' (sic) ?', ou bien, à propos d'un orgue néo-baroque : 'La perfection d'harmonie de cet instrument permet de jouer Franck, Vierne et Messiaen !' Voire...
C'est dire combien la registration à l'orgue est un sujet dans lequel il convient d'entrer... sur la pointe des pieds ! Sujet délicat entre tous.
Noélie Pierront nous dit (dans L'Orgue, #100, p. 132) : 'Il me semble impossible d'aimer l'orgue sans essayer de rassembler une bibliothèque consacrée à notre instrument. De Dom Bedos aux jeunes contemporains, en passant par A. Pirro, F. Raugel, A. Cellier et leurs émules, que d'ouvrages passionnants, parfois rarissimes !'
Depuis longtemps, en effet, les théoriciens se sont penchés sur le problème de la registration - qu'il nous suffise de citer :
1608 : Arte organica, Integnati
1613 : Melopeo, Cerone
1619 : Organographia, Praetorius
1636 : Harmonie universelle, Mersenne
1768 : Musica mechanica, Adlung
1766/1770 : L'art du facteur d'orgue, Dom Bedos, né à Caux-en-Biterrois.
D'autres encore, dont les noms figurent dans la bibliographie, continuent aujourd'hui recherches ou synthèses en parlant de ces ouvrages de base.
Des revues comme L'Orgue ou La Tribune de l'orgue - entre autres apportent régulièrement en leurs articles des éclairages nouveaux ou instructifs.
Le côté 'facture' n'étant pas notre propos, nous nous sommes bornés à étudier l'essentiel du matériel sonore et des moyens mis à la disposition de l'organiste pour en tirer le meilleur parti.
Maître des possibilités que lui offre la console et - bien entendu - maître de la technique et des styles d'interprétation indispensables à telle ou telle page (faire 'des pieds et des mains' ne suffit plus, il faut aujourd'hui 'jouer des coudes'), il peut ainsi redonner une 'vie sonore' aux notes de la partition. Sa science de la registration devient alors un art !
Pensé et écrit pour mes élèves, je dédie ce petit travail à M. Fernand Bertrand, directeur de l'académie Rainier III de Monaco, qui m'a confié sa classe d'orgue. / classique / Répertoire / Orgue
39.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| 5 Pièces
Inédites Pour
Orgue
Français Organ Delatour France
?Ouvrage publie? sous la direction artistique et scientifique de Yannick MerlinE...(+)
?Ouvrage publie? sous la direction artistique et scientifique de Yannick MerlinEn 1988, Jean-Franc?ois Tapray apparai?t furtivement dans Jean Saint-Arroman en qualite? de compositeur de VI Concerti per cembalo o per l'organo con tre violini ed un violoncello obligati, Il apparai?t tout aussi furtivement dans Philippe Lescat2 pour son oeuvre pe?dagogique visant les progre?s techniques au clavier, En 1992, Catherine Gas-Ghidina entreprend une recherche encyclope?dique sur l'influence de Tapray et son ro?le dans l'e?volution musicale, Enfin, en 2001, Michel Chapuis enregistre deux de ces noe?ls : Une Vierge Pucelle et L'Ange du Ciel, Et il se?lectionne Une Vierge Pucelle pour faire valoir son originalite? de composition : l'oeuvre est construite autour d'un tapage, ce vacarme soudain et furtif qui contraste avec la douceur de la me?lodie du noe?l, Chapuis suppose que cette forme musicale traduit l'opposition entre l'acclamation de la foule et son recueillement pour accueillir la naissance du Sauveur, Ce genre de clameur subite dans l'e?criture d'une oeuvre d'orgue demeure, a? ce jour, rare et peu documente?, / Orgue
14.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Judith Weir: The Tree Of
Peace: Organ:
Instrumental Work Organ Chester
Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in ...(+)
Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in loving memory of Richard Axtell (1952-2015) talented and much-loved organist at the Parish of St. Andrew West Tarring. 'It'senormously inspiring to see the Master of the Queen's Music turning her attention to the organ once again. Judith Weir's The Tree Of Peace is a short piece commissioned in memory of the organist Richard Axtell... Despite thesimplicity of the music it carries all the hallmarks of Weir's unmistakeably refined idiom.' - Stephen Farr Choir and Organ Jan 2018 From the Master of the Queen's Music Judith Weir comes The Tree ofPeace which was commissioned in memory of Richard Axtell organist of the parish church in West Tarring West Sussex. It was given its first performance there by Charles Harrison on the 17 June 2017. It lasts some 4 minutes andproves to be a thoroughly engaging piece in her customary refined idiom. It is in three main sections with a graded increase of tempo throughout. Thematic material is presented at the start cantabile. The central sectionprovides an energetic development marked animato leading to the conclusion molto mosso which gives the theme as in the opening but in augmentation. Throughout I feel an orchestral sense of colour and interrelationships inthe music - and have found it delightful to play. A modest two manual and pedal instrument with some contrasted quiet colours available will suffice and the technical demands are by no means severe. A delightful addition to therepertoire of short self-contained delightful pieces. - Organists' Review Duration: Approx 4 minutes.
8.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Chants D'Un
Compagnon Errant Pour
Orgue
Français Organ - Intermediate/advanced Delatour France
Cette transcription des Chants d'un compagnon errant (Lieder eines fahrenden Ges...(+)
Cette transcription des Chants d'un compagnon errant (Lieder eines fahrenden Gesellen ) a e?te? pense?e pour un instrument symphonique de 3 claviers,Les registrations indique?es au cours de la partition sugge?rent une atmosphe?re ge?ne?rale, sans reve?tir force?ment un caracte?re obligatoire, L'organiste pourra, selon les possibilite?s sonores de l'instrument pratique?, son esthe?tique, et e?galement selon sa propre sensibilite?, ajuster ses propres timbres, en respectant toutefois le caracte?re demande?,Chaque Lied a e?te? pense? a? la manie?re d'un ve?ritable pre?lude de choral pour orgue, chacun prenant une forme diffe?rente : choral orne?, choral en trio, toccata, choral a? 4 voix, L'organiste interpre?te se gardera donc de faire l'erreur de ' faire ressembler ' la transcription a? l'oeuvre originale et notamment en y ajoutant des e?le?ments autres que ceux de?ja? e?crits, En effet, essayer avec un orgue de se rapprocher de l'orchestre ou de la voix humaine serait d'une lourdeur inutile, Les choix qui ont e?te? faits permettent de jouer une pie?ce pour orgue, e?crite pour l'organiste, On e?vitera donc, notamment par le choix de la registration, les phrase?s, de se rapprocher a? tout prix de la version originale, mais pluto?t de rester dans le caracte?re propre a? la litte?rature d'orgue, 1- Wenn mein Schatz Hochzeit macht, (4'15?)2- Ging heut' Morgen übers Feld (4'30?)3- Ich hab' ein glühend Messer (3'30?)4- Die zwei blauen Augen (5'45?) / Orgue
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| Early Organ Series 8.
France 1650-1690 (DALTON
JAMES) Organ [Sheet music] Faber Music Limited
Par DALTON JAMES. The Faber Early Organ Series is among the most comprehensive a...(+)
Par DALTON JAMES. The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions, presenting a broad and balanced view of the main forms, styles and composers. Within each geographical region the pieces, most of which are for manuals only, are arranged by date of composition or publication.
The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In every volume, an informative Introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration, and a Critical Commentary giving detailed information on the sources.
/ Instrumental Music / Recueil / Orgue
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| Zsigmond Szathmáry: Mors
et Vita For Great Organ:
Organ: Instrumental Work Organ - Advanced Barenreiter
?Mors et vita? death and life. This antithesis opens a stanza of the ancient 1...(+)
?Mors et vita? death and life. This antithesis opens a stanza of the ancient 11th-century Easter sequence Victimae paschali laudes where life and death are locked in mutual struggle. Zsigmond Szathmáry?s 12-minute composition of 2015 commissioned for the Freiburg Minster interprets this primal human experience with mighty explosions of sound. Here the organ can show what it?s capable of: its grandeur and strength are fully exploited but not at the expense of soft and gentle contrasts. Typical of Szathmáry?s compositional style is the alternation of seemingly improvised recitative-like writing and passages in strict rhythm. Time and again the composer takes upelements from the church hymn Christ ist erstanden von der Marter alle (Christ the Lord is risen again).
21.50 GBP - Sold by Musicroom UK | |
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