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| Beginning to Intermediate Contest Solos Double Bass [Sheet music + Audio access] Music Minus One
Beginning to Intermediate Level Music Minus One Double Bass. By David Walter. By...(+)
Beginning to Intermediate Level Music Minus One Double Bass. By David Walter. By Various. Music Minus One. Classical, Contest. Softcover Audio Online. 16 pages. Music Minus One #MMO4301. Published by Music Minus One
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Romance Et Rondo Double Bass Yorke Edition
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Only. Yorke Edition #YE0030. Published by Yorke Edition (BT.YE0030). An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).
Programme Note:
As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).
In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 30 Etudes for Double Bass Double Bass [Sheet music] Alfred Publishing
By Franz Simandl. For String Bass. String - Bass Studies. Masterwork. 36 pages. ...(+)
By Franz Simandl. For String Bass. String - Bass Studies. Masterwork. 36 pages. Published by Alfred Publishing
$10.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The New Scale Book Double Bass [Sheet music] Theodore Presser Co.
(Foundation Studies in 20th Century Music for Double Bass). By Charles K. Hoag. ...(+)
(Foundation Studies in 20th Century Music for Double Bass). By Charles K. Hoag. For Double Bass. Soft Cover. Standard notation. 34 pages
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Double Bass Breitkopf & Härtel
Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Em...(+)
Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-27. Published by Breitkopf and Haertel (BR.OB-5509-27). ISBN 9790004338506. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Serenade E Major Op. 22 B 52 Double Bass G. Henle
Double Bass SKU: HL.51483307 For String Orchestra Double Bass Part...(+)
Double Bass SKU: HL.51483307 For String Orchestra Double Bass Part. Composed by Antonin Dvorá, Antonin Dvorak, and k. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 12 pages. G. Henle #HN3307. Published by G. Henle (HL.51483307). UPC: 196288206828. 9.25x12.0x0.062 inches. The serenade flourished in Mozart's era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvorák's cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. Heput his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvorák's most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer's copy of the printed score with autograph corrections and additions has been consulted for Henle's Urtext edition. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three 16th Century Madrigals Double Bass Fentone Music
Brass Ensemble. By Bram Wiggins. Fentone Play Along Books. Play Along. Published...(+)
Brass Ensemble. By Bram Wiggins. Fentone Play Along Books. Play Along. Published by Fentone Music.
$20.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Messa da Requiem Double Bass - Intermediate/advanced Barenreiter
Double bass - Level 4 SKU: BA.BA07590-85 Composed by Giuseppe Verdi. Edit...(+)
Double bass - Level 4 SKU: BA.BA07590-85 Composed by Giuseppe Verdi. Edited by Marco Uvietta. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 20 pages. Baerenreiter Verlag #BA07590_85. Published by Baerenreiter Verlag (BA.BA07590-85). ISBN 9790006541652. 32.5 x 25.5 cm inches. Preface: Marco Uvietta. For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.
As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.
This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Double Bass Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 88. 12 pages. Baerenreiter Verlag #BA10418_85. Published by Baerenreiter Verlag (BA.BA10418-85). ISBN 9790006564699. 32.5 x 25.5 cm inches. Key: G major. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Jazz Bass Book Double Bass [Sheet music + CD] Backbeat Books
Book/CD Pack. By John Goldsby. Book (not sheet music). Book and CD package. Size...(+)
Book/CD Pack. By John Goldsby. Book (not sheet music). Book and CD package. Size 8.38x10.88 inches. 228 pages. Published by Backbeat Books.
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| John Cage: Ryoanji - Contrabass Double Bass [Part] Peters
Composed by John Cage (1912-1992). For contra bass. Format: performance part. Wi...(+)
Composed by John Cage (1912-1992). For contra bass. Format: performance part. With standard notation. 20th century. Composed 1983-1985. 9x12 inches. Published by C.F. Peters.
$47.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Derniere Contrebasse A Las Vegas Double Bass [Score] Jobert
By Eugene Kurtz. For doublebass and actress. Classical: 20th Century (Contempora...(+)
By Eugene Kurtz. For doublebass and actress. Classical: 20th Century (Contemporary). Score
$23.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Rebonds Double Bass Jobert
By Thierry Blondeau. For 8 doublebass. Ebene. Classical: 20th Century (Contempor...(+)
By Thierry Blondeau. For 8 doublebass. Ebene. Classical: 20th Century (Contemporary). Score and parts
$37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Droben Schmettert Ein Greller Stein Double Bass [Score] Lemoine, Henry
By Michael Jarrell. For contrabass, ensemble and electronics. Classical: 20th Ce...(+)
By Michael Jarrell. For contrabass, ensemble and electronics. Classical: 20th Century (Contemporary). Score. 40 (A3) pages. Published by Editions Henry Lemoine
$50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Giovannino: Sonata In F
Major: Viola:
Instrumental Album Double Bass [Sheet music] Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...(+)
For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
5.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Rodney Slatford: Time
Pieces for Double Bass
Volume 2: Double Bass: Double Bass ABRSM Publishing
Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements an...(+)
Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements and original compositions presented in chronological order from the sixteenth century right up to the present day.Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3 Volume 2: Grades 4-6) and are an invaluable source of repertoire for study in contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. The arrangements have been designed to cover the note ranges and keys of the early grades.
10.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Antonio Scarlatti: Three
Sonatas: Double Bass:
Instrumental Album Double Bass Hal Leonard
Alessandro Scarlatti (1660 – 1725) was an Italian Baroque composer especi...(+)
Alessandro Scarlatti (1660 – 1725) was an Italian Baroque composer especially famous for his operas and chamber cantatas. He is even considered the founder of the Neapolitan school of opera. Scarlatti's music forms an important link between the early Baroque Italian vocal styles of the 17th century with their centres in Florence Venice and Rome and the Classical school of the 18th century. His legacy was carried further by his two composer sons Domenico Scarlatti and Pietro Filippo Scarlatti. Three Sonatas For Double Bass are slightly simplified in this arrangement to be tackled by intermediate players (Grade 4-6) of the DoubleBass and the Piano. The Baroque tunes and rhythms will help to advance playing abilities in a highly enjoyable way.
10.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Giovanni Bottesini:
Method for Double Bass
Part 1: Double Bass:
Study Double Bass [Score] Yorke Edition
Out of print for most of the 20th century this method comprises some 200 valuab...(+)
Out of print for most of the 20th century this method comprises some 200 valuable progressive studies newly edited for a four stringed instrument with revised fingering and modern notation. ABRSM Double Bass Syllabus.
12.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Emile Ratez:
Characteristic Pieces
Book 1: Double Bass:
Instrumental Album Double Bass [Sheet music] Recital Music
Composed in France over a century ago these three short pieces are ideal for th...(+)
Composed in France over a century ago these three short pieces are ideal for the intermediate bassist. The style is lyrical tonal and approachable offering interesting study or concert repertoire with lively supportive and effective accompaniments. Parade is lively and rhythmic remaining in bass clef throughout; Cantabile is melodic and dramatic offering cantabile and musical challenges in equal measure and Menuet Varie has lyrical and rhythmic contrasts and is the most challenging of the three. Ratez was a fairly prolific composer and these pieces were dedicated to M. Charpentier Professor of Double Bass at the Paris Conservatoire. These piecesare popular with students and teachers alike.
10.50 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Studi (tratti dal \
Metodo per contrabbasso\
) Double Bass [Sheet music] Ricordi
Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821...(+)
Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821-1889) is certainly the most famous of all double bass virtuosi; his compositions are an essential pillar of the literature on this instrument. His Metodo, published in 1870 by Ricordi, is remarkable for the exceptional beauty of its studies which, with effectiveness, good taste and imagination, develop an extraordinarily modern pedagogical vision. For this reason, on the bicentenary of the composer\'s birth, it seems most opportune to re-propose the studies in the method, appropriately fingered according to the current system, which is different from the one used in Italy in the mid-19th century. These short pieces not only help the student to acquire an excellent technique in a short time, but they are also extremely useful to better understand the instrumental language of Bottesini; in particular the second part, constitutes an excellent propaedeutic base for the study of his famous pieces./ Etude / Contrebasse
21.68 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| F. Keyper: Rondo Solo:
Chamber Ensemble:
Instrumental Album Double Bass [Sheet music] Yorke Edition
Double bass and cello. A light-hearted 18th century virtuoso duo. Ideal companio...(+)
Double bass and cello. A light-hearted 18th century virtuoso duo. Ideal companion for Rossini's Duetto. Easy cello part. 'Charming for an advanced player who has command of the upper register' Director and Teacher USA.Grade: 8
7.50 GBP - Sold by Musicroom UK | |
| Carl Ditters von
Dittersdorf: Concertos 1
And 2: Double Bass:
Instrumental Album Double Bass [Sheet music] Yorke Edition
In D major. A reliable edition of two standard classics with original cadenzas. ...(+)
In D major. A reliable edition of two standard classics with original cadenzas. The 18th century manuscripts have been closely researched; cuts and alterations made by previous editors have been fully restored enabling authentic performance on period instruments if desired. Grade: Advanced
19.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Vanhal: Divertimento Sol
Mafeur: Violin:
Instrumental Album Double Bass [Sheet music] Yorke Edition
Violin viola and bass. Anamazing piece of musical research enabled this work to...(+)
Violin viola and bass. Anamazing piece of musical research enabled this work to be assembled from autographs surviving in Prague Bologna Vienna and Paris. Vintage Vanhal published here for the first time; five short movements in best late 18th century style. Score and parts.Grade: Moderate
12.50 GBP - Sold by Musicroom UK | |
| Three Afterimages
(STANCZYK MARCIN)
(STANCZYK MARCIN) Double Bass [Sheet music] PWM (Polskie Wydawnictwo Muzyczne)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted...(+)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted a series of solaristic pictures entitled Powidoki swiatla (?Afterimages of light?), illustrating the optical impressions triggered by gazing at the sun. They can be observed when we look at the sun and then suddenly turn our eyes to a white sheet of paper. We then see a reflection of the light ? a trail in blue, contrasting with the yellow. The reflection of the notes in this work are their harmonics. The three movements are formed from the relationship between the fundamental pitches and their overtones. The first is built on the principle of the mutual contrast between the sounding ?light? and its ?afterimages?. In the second movement, the transitions between the ?lights? and their ?afterimages? are smooth, while in the third, the juxtaposing of fundamentals and overtones is initially smooth, but then alters in the direction of the contrast from the beginning of the work. / Date parution : 2022-12-12/ Répertoire / Contrebasse
15.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| La Contrebasse Dans
L'Orchestre Vol.2
(MASSARD DANIEL) Français Double Bass [Sheet music] Combre
Par MASSARD DANIEL. 33 composers, from Bach to Ravel, are brought together in th...(+)
Par MASSARD DANIEL. 33 composers, from Bach to Ravel, are brought together in this 2nd volume of La Contrebasse dans l'Orchestre. With this selection of composers, Daniel Massard hopes to acquaint students with various styles ranging from the baroque period to the 20th century. Instructive information has been added to the presentation of each piece, as well as the degree of difficulty./ Méthode / Contrebasse
37.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Tzigane (RAVEL MAURICE) Double Bass [Sheet music] Barenreiter
Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuo...(+)
Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane”.
Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane” and both versions remain a 'must” for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career.
This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane” from the estate of Jelly D'Aranyi, which is today part of a private collection.
The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.
- First scholarly-critical Urtext edition of the work
- Presented are both versions: for violin and orchestra and for violin and piano
- Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse
10.15 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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