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European Companies
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| Thirty-two Rose Etudes for Flute Flute and Piano [Sheet music + CD] Carl Fischer
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fantasiestücke Flute and Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114418850 Op. 78. Composed by R...(+)
Chamber Music flute, piano SKU: PR.114418850 Op. 78. Composed by Robert Schumann. Arranged by Mark Sparks. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 11 minutes. Theodore Presser Company #114-41885. Published by Theodore Presser Company (PR.114418850). ISBN 9781491113981. UPC: 680160667895. Originally for Clarinet and Piano, Robert Schumann’s deep yet delightful set of three FANTASIESTÜCKE, Op. 73 has long been a staple of the repertoire, with transcriptions occasionally seeping into other instruments’ libraries as well. The work has been elegantly adapted (into a new key) for Flute and Piano by Mark Sparks, principal flutist of the Saint Louis Symphony. Notes on the Edition, by Mark SparksThe remarkable and imaginative Fantasiestücke, Op. 73, were originally composed for clarinet and piano during 2 days in February 1849. Schumann indicated that the pieces could also be played on cello or viola. This arrangement for flute and piano has been transposed from the original key of A major to C major in order to limit octave transfer and facilitate performance, while still preserving the original, rather darker-hued timbral character of the work.Flutists will delight in the extremely lyrical and evocative nature of the writing, especially the capricious middle section of the second piece, “Lebhaft, leicht (Lively, light),†and the brilliant, effusive third piece, “Rasch und mit Feuer†(Quick and with fire). The virtuosic practice of repeating the eighth-note in the opening melody of the final piece, adopted from editions for cello, is also well-suited to the flute.Phrases of appropriate length, relatively few potential balance problems, and the accessibility of the pieces for all levels of performers and audiences make the Fantasiestücke a natural, pleasant, and versatile addition to the flutist’s recital repertoire. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Siciliano (Reimagined) Flute and Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.144407310 Composed by Johann Sebastian...(+)
Chamber Music flute, piano SKU: PR.144407310 Composed by Johann Sebastian Bach. Arranged by Ali Ryerson. Sws. Set of Score and Parts. 4+2 pages. Duration 1:30. Theodore Presser Company #144-40731. Published by Theodore Presser Company (PR.144407310). ISBN 9781491132319. UPC: 680160681662. 9 x 12 inches. Inspired by one of the flute repertoire’s loveliest melodies, SICILIANO (REIMAGINED) is a gently adapted “jazz-flavored†setting of the slow movement from Bach’s Sonata in Eb Major. Solo parts are provided both for C Flute and for Alto Flute. With a fairly close rendering of the authentic flute line and more contemporary chords in the piano part, SICILIANO (REIMAGINED) is an inviting way to play music with a modernized jazz sound, while reading traditional classical notation. Inspired by one of the flute repertoire’s loveliest melodies, Siciliano (Reimagined) never strays far from the source, except for its reharmonization. Occasional jazz-infused touches give the melody a fresh perspective, without diluting its purity. I am always moved by how beautifully the music of the 18th century and contemporary music coexist.Performers may play this arrangement in the Baroque style. $9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Romances Flute and Piano Notevole Music Publishing
Flute & Piano SKU: SU.97023310 For Flute & Piano. Composed by Will...(+)
Flute & Piano SKU: SU.97023310 For Flute & Piano. Composed by William Thomas McKinley. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Notevole Music Publishing #97023310. Published by Notevole Music Publishing (SU.97023310). Inspired by the French Romantic and Impressionist traditions, my romances for fute and piano, composed during late July and early August 1984, was carefully conceived for the marvelous lyrical and technical gifts of Robert Stallman and Richard Goode, to whom the work is warmly dedicated. All three Romances, although brief in duration, unfold with a sense of large gesture and design. The first Romance is in 3/4 time and flows generally in the manner of a lyrical waltz with occasional turbulent interruptions. The second Romance is in 4/4 time, unfolding in a stately Baroque-like manner, and the third Romance is in 2/4 time, melodically expansive and often tempestuous. All three Romances strive to honor the goals of traditional performance practice while, at the same time, they create an energy and drama of modernity and contemporary richness. And for these goals I am indebted to so many of the most outstanding performers and conductors of our time with whom I have worked and from whom I have learned much– those who have demonstrated the importance of preserving in addition to further developing those significant natural attributes of musical expression and traditional performance practice which are so often ignored in contemporary compositional values. — William Thomas McKinleyFlute & Piano Duration: 14' Composed: 1984 Published by: Notevole Music Publishing. $41.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classical Repertoire for Flute Volume One Flute and Piano [Sheet music] Mel Bay
by Costel Puscoiu. For flute. solos. Classic. Level: Beginning-Intermediate. Boo...(+)
by Costel Puscoiu. For flute. solos. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 120 pages. Published by Mel Bay Publications, Inc.
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Wilhelm Popp: Sonatine
Op. 388 Nr. 3: Flute:
Instrumental Work Flute and Piano [Sheet music] Spartan Press
For Flute and Piano-Wilhelm Popp studied with the great Louis Drouet in the 1850...(+)
For Flute and Piano-Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are aperfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
6.50 GBP - Sold by Musicroom UK | |
| Wilhelm Popp: Wilhelm
Popp Sonatine Op. 388 No
2: Flute: Score Flute and Piano [Sheet music] Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...(+)
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
7.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wilhelm Popp: Sonatine
Op. 388 No. 5: Flute:
Score Flute and Piano [Sheet music] Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...(+)
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850's and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
5.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wilhelm Popp: Sonatine
op. 388 No. 4: Flute:
Score Flute and Piano [Sheet music] Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...(+)
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
7.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Six Sonatas For Flute And
Keyboard Book One: Flute: Flute and Piano [Sheet music] - Intermediate/advanced Chester
Nos. 1-3-The six Flute Sonatas of J.S. Bach fall into two groups of three. In No...(+)
Nos. 1-3-The six Flute Sonatas of J.S. Bach fall into two groups of three. In Nos. 1-3 the composer provided a concertante keyboard part where the right hand is as musically important as the flute and bass lines apart from theoccasional passage when he reverts to a figured bass. This edition is has been edited and realised by William Bennett.The solo flute part is also included on a separate insert.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Johann Sebastian Bach:
Six Sonatas For Flute And
Keyboard Book Two: Flute: Flute and Piano [Sheet music] - Intermediate/advanced Chester
Nos. 4-6-The six Flute Sonatas of J.S. Bach fall into two groups of three. In No...(+)
Nos. 4-6-The six Flute Sonatas of J.S. Bach fall into two groups of three. In Nos. 1-3 the composer provided a concertante keyboard part where the right hand is as musically important as the flute and bass lines apart from theoccasional passage when he reverts to a figured bass. Nos. 4-6 however adopt the four-movement pattern favoured for instance by Telemann. This edition is has been edited and realised by William Bennett.The solo flutepart is also included on a separate insert.
10.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Widger: Flute Session:
Flute: Instrumental Album Flute and Piano Spartan Press
Six Jazz pieces for flute and piano: The Flautists' Night Out A Breath of Fres...(+)
Six Jazz pieces for flute and piano: The Flautists' Night Out A Breath of Fresh Air and more. For pupils who fancy a night out occasionally!Grade: 3 onwards.
7.95 GBP - Sold by Musicroom UK | |
| Gabriel Grovlez:
Sérénade: Flute:
Instrumental Album Flute and Piano [Sheet music] - Intermediate/advanced Spartan Press
From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively ...(+)
From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important
4.95 GBP - Sold by Musicroom UK | |
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