Replaces H 1128-Piano Trio B-Flat Major Op.21Score & PartsDvorák?s ?Trio In B-Flat Major? op. 21 the first of his four works for Violin Violoncello and Piano was composed in 1875 and premiered two years later.This edition presents the musical text from Volume IV/9 of the ?Complete Edition of the Works of Anton n Dvorák?. The Violoncello part has been newly engraved and the sections which were written in treble clef have been transferred to tenor clef.In his Foreword Dvorák authority David R. Beveridge vividly describes the work?s genesis and reception on the basis of the latest researchfindings.Standard work from the chamber music repertoireNewly engraved Violoncello partNew Foreword by David R. Beveridge (Eng/Cz/Ger)

Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt

(Op. 44 37 38 39 48)-À l?époque classique et pendant une grande partie du 19e siècle les trios avec piano constituaient en quelque sorte des articles de mode. Il n?est donc pas surprenant qu?après Haydn et Mozart Beethoven se soit lui aussi essayé à ce genre et ait laissé en tout 13 trios avec piano. Les ?uvres contenues dans ce volume III présentent presque toutes de petites particularités: l?op. 44 n?est pas un trio à part entière mais se compose d?un unique mouvement de variations le WoO 37 fut écrit alors que Beethoven se trouvait encore à Bonn et se distingue par son instrumentation (piano flûte et basson) le WoO 39 fut écrit pour la petite Maximiliane fille de la famille Brentano «pourl?encourager à jouer du piano» l?op. 38 est une adaptation pour piano clarinette et violoncelle du septuor op. 20 et le dernier morceau n?est parvenu à la postérité que sous la forme figurant dans le cahier d?esquisses utilisé par Beethoven lorsqu?il était à Bonn. Aucune de ces ?uvres n?a l?envergure de ses grands trios avec piano mais elles restent néanmoins des témoins de son grand art.