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| I got Rhythm Piano and Orchestra [Score and Parts] - Intermediate/advanced Baton Music
(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged b...(+)
(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged by Douglas McLain. For Piano and Concert Band. Grade 4. Full score and set of parts. Duration 08:30
$189.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| I got Rhythm Piano and Orchestra [Score] - Intermediate/advanced Baton Music
(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged b...(+)
(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged by Douglas McLain. For Piano and Concert Band. Grade 4. Score. Duration 08:30
$34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Peanuts Gallery Piano and Orchestra [Reduction] Theodore Presser Co.
For Piano and Orchestra (Solo Piano and Piano Reduction). By Ellen Taaffe Zwilic...(+)
For Piano and Orchestra (Solo Piano and Piano Reduction). By Ellen Taaffe Zwilich. For Piano Solo, Piano Reduction. Junior Class I-B piece for the One Hand Piano Music for the Concerto Event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Solo part with piano reduction. Composed 1996. 31 pages. Duration 13:00. Published by Theodore Presser Company
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| Kammermusikschule für Streicher I Leichte Trios a Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Jahrhunderten. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1993. 248 pages. Editio Musica Budapest #EMBZ13548. Published by Editio Musica Budapest (BT.EMBZ13548). At first sight, this publication appears to merely be a collection of pieces due to the lack of drier technical studies that are characteristic of tutors. Yet the selection of the works, their order according to the development of ensemble playing, and the advice towards technical realization included after the foreword - these all make this publication a tutor. The works form a cross-section of a longer period of the history of chamber music and offer an insight into the different methods of composition.Volume I contains easy chamber music from the Renaissance to Viennese Classicism for two violins and cello, in the first position. (In some works the 2nd violin part or others thecello part, respectively, can also be played on the viola.) The easier pieces can be played after two years of active instrumental study. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Kaintuck' Piano and Orchestra [Score] Carl Fischer
(Poem for Piano and Orchestra - Full Score). By William Grant Still (1895-1978)....(+)
(Poem for Piano and Orchestra - Full Score). By William Grant Still (1895-1978). Orchestra. For Flute I, Flute II, Flute III, Piccolo, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, . Full score (large). Standard notation. 48 pages. Published by Carl Fischer
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| Paganini Variations - Piano Concerto No.3 Piano and Orchestra Wilhelm Hansen
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).
$60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nameless Seas (Piano Concerto) Piano and Orchestra Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5). ISBN 9790550113725. Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work. $49.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Piano Concerto No. 1 Piano and Orchestra [Study Score / Miniature] Theodore Presser Co.
(For Piano and Orchestra - Study Score). By Iain Hamilton. Orchestra. For Flute ...(+)
(For Piano and Orchestra - Study Score). By Iain Hamilton. Orchestra. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor I, Tenor II, Bass Tromb full score (study)
$18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bent Sorensen: 'La Notte' Piano Concerto (Score) Piano and Orchestra Wilhelm Hansen
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sales America. Classical. Score. 96 pages. Edition Wilhelm Hansen #KP00980. Published by Edition Wilhelm Hansen (HL.14030961). ISBN 9788759857458. English. Score of the Danish Composer's Concerto for Piano and Orchestra written in 1996. Bent Sorensen writes: 'The title of this piano concerto came, as usual, very early to me, when my thoughts about the work had started to circulate, but before 'real' music was written down. I held on to the Italian title, even though its association with Vivaldi had no influence on my music, and even when German, French, English, and Danish titles covering almost the same content -'Nachtmusik', 'Nocturne', 'By Night', 'Om Natten', were just about to get the upper hand. The piano concerto has, then, in my opinion, something to do with night, but to describe this further is at least as difficult to me as it is to defend the final Italian title against those which were rejected. The Piano Concerto is in two movements. The first, swarming, is perhaps the mystery of the night, and the second perhaps the dreams of the night; with this, however, I have already given the concerto a more programmatic content than I can defend. Each movement ends with a cadenza and perhaps the last of those - the ending of the work that is - is inspired by a sequence from Bruce Chatwin's wonderful book 'The Viceroy of Ouidah': Or the Amazons howling. 'No, No, No. It was not the leopard that killed him. Not the buffalo that killed him. It was night. Night that killed him!'. $109.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Concerto, Op.33 / B.63 Piano and Orchestra Petrucci Library Press
Piano, orchestra SKU: SA.41762 Composed by Antonin Dvorak. Edited by Berk...(+)
Piano, orchestra SKU: SA.41762 Composed by Antonin Dvorak. Edited by Berkovec. Arranged by Vilem Kurz. Original Works, Concerto, Instrumental Solo. Reprint Source: Prague: SNKLHU, 1956. Plate H 1790. Romantic, Czech. Study score. Composed 1876. 260 pages. Duration 38-40 minutes. Petrucci Library Press #41762. Published by Petrucci Library Press (SA.41762). ISBN 9781608741762. 9.5 x 12.5 inches. Composed in the late summer of 1876, Dvorak's first effort at a full-blown concerto shows signs of an unusual amount of revision in the composer's hand - especially for the solo piano part. This might explain the delay in the concerto's premiere, which was given at the Provisional Theatre in Prague on March 24, 1878 with Karel Slavkovsky as soloist accompanied by the Provisional Theatre Orchestra under the baton of Adolf Cech. The composer himself wrote: I see I am unable to write a Concerto for a virtuoso; I must think of other things. The ungainly solo part no doubt also played a role in the work's dely in publication, which didn't take place until 1883. Even after this, and despite much beauty in the music itself, performances were scarce due to the difficulty and charchter of the solo part. The solo part was revised heavily by the Czech pianist Vilem Kurz (1872-1945), whose version was premired by his daughter Ilona KurzovA! and the Czech Philharmonic on December 9, 1919 and is the one most often performed today. This new study score is a digitally enhanced reissue of the full score first published in 1956 by the Czech State Publishers as part of the Dvorak collected works, edited by Jiri Berkovec and Karel Solc, which includes both the composer's original solo part and the re-arranged one made by Kurz. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Beatles Best - 2nd Edition Piano and Orchestra - Easy Hal Leonard
For Easy Piano. By The Beatles. Easy Piano Personality. Softcover. 384 pages....(+)
For Easy Piano. By The
Beatles. Easy Piano
Personality. Softcover. 384
pages. Published by Hal
Leonard
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Opera Arias for Piano and Orchestra: Jim Odrich arrangements Piano and Orchestra [Sheet music + CD] - Intermediate Music Minus One
For Piano. Includes a complete printed music score on high-quality ivory paper; ...(+)
For Piano. Includes a complete printed music score on high-quality ivory paper; and a compact disc containing the complete version of each piece with soloist and accompaniment; then a second performance with accompaniments minus you, the soloist. Published by Music Minus One.
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rapsodie sur un theme de Paganini op. 43 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4)...(+)
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4) - hp - str) SKU: BR.PB-15160 Urtext. Composed by Sergej Rachmaninow. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Variations; Solo concerto; Late-romantic; Early modern. Sheet Music. Duration 22'. Breitkopf and Haertel #PB 15160. Published by Breitkopf and Haertel (BR.PB-15160). ISBN 9790004215654. 10 x 12.5 inches. Paganini's Capricci served as inspiration for many composers. In addition to Brahms, Schumann and Liszt, Rachmaninoff was also inspired by the idea. His Rhapsody on a Theme by Paganini has since become one of his best known and most popular works and was an immediate success. In 1934, between two intense concert seasons, Rachmaninoff took advantage of the peace and quiet at his villa on Lake Lucerne to compose the Variations. Paganini's virtuosity and joy of playing are juxtaposed with the Gregorian sequence Dies irae. A symbol of the evil spirit to which Paganini sold his soul? At least that is how Rachmaninoff wrote it in a letter to the choreographer Fokine. For the demanding piano part, the composer and celebrated pianist himself had to start practicing very early: The composition is very difficult, and I should really start practicing now, but I get lazier with my finger exercises year after year.The editor, Norbert Gertsch, presents with this edition for the first time an Urtext edition of the work that Joachim Kaiser described as Rachmaninoff's most spiritual, witty, elegant work for piano.. $160.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lamentate Piano and Orchestra [Study Score / Miniature] Universal Edition
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE0326...(+)
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE032667. Published by Universal Edition
$77.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto in F Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - tim...(+)
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - timp.perc - str) SKU: BR.EB-10859 Urtext. Composed by George Gershwin. Orchestra; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 88 pages. Duration 36'. Breitkopf and Haertel #EB 10859. Published by Breitkopf and Haertel (BR.EB-10859). ISBN 9790201808598. 9.5 x 12 inches. After achieving sensational success with the musical Lady, be good! , with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue , Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction). $37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in F Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - tim...(+)
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - timp.perc - str) SKU: BR.PB-15140 Urtext. Composed by George Gershwin. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Early modern; Music post-1945. Full score. 136 pages. Duration 36'. Breitkopf and Haertel #PB 15140. Published by Breitkopf and Haertel (BR.PB-15140). ISBN 9790004214763. 10 x 12.5 inches. After achieving sensational success with the musical Lady, be good!, with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue, Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction). $130.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Noches en los jardines de Espana Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - ...(+)
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str) SKU: BR.EB-11450 Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Edition Breitkopf. In Cooperation with G. Henle Verlag Solo concerto; Symphonic poem; Late-romantic; Early modern. Piano reduction. 68 pages. Duration 23'. Breitkopf and Haertel #EB 11450. Published by Breitkopf and Haertel (BR.EB-11450). ISBN 9790201814506. 9.5 x 12 inches. Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation. $35.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Noches en los jardines de Espana Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - ...(+)
Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str) SKU: BR.PB-15153 Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Symphonic poem; Late-romantic; Early modern. Full score. 92 pages. Duration 23'. Breitkopf and Haertel #PB 15153. Published by Breitkopf and Haertel (BR.PB-15153). ISBN 9790004215586. 10 x 12.5 inches. Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation. $78.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Immobilité
Sérieuse I Pour
Piano Et Orchestre A
Cordes (Conducteur)
Français Piano and Orchestra Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...(+)
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
14.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Immobilité
Sérieuse I Pour
Piano Et Orchestre A
Cordes (Materiel)
Français Piano and Orchestra Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...(+)
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
30.24 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Hans Abrahamsen: Left
Alone: Piano: Score Piano and Orchestra [Sheet music] - Intermediate/advanced Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...(+)
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
64.99 GBP - Sold by Musicroom UK | |
| Poul Ruders: Piano
Concerto No.2: Piano:
Score Piano and Orchestra [Score] Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...(+)
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
114.99 GBP - Sold by Musicroom UK | |
| Hans Abrahamsen: Concerto
For Piano And Orchestra:
Piano: Score Piano and Orchestra Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...(+)
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
60.99 GBP - Sold by Musicroom UK | |
| Lamentate (PART ARVO) Piano and Orchestra [Study Score / Miniature] Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...(+)
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
70.48 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Sergei Prokofiev: Piano
Concerto No.2 In G Minor
Op.16: Piano: Study Score Piano and Orchestra Boosey and Hawkes
Interestingly there are two different versions of Prokofiev’s second pian...(+)
Interestingly there are two different versions of Prokofiev’s second piano concerto the first written between 1912 and 1913 the second written in 1923. However during the Russian Civil War the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory effectively composing the second edition of the work which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime).At the time of composition the concerto's wild temperamentleft some exalted whereas others were horrified by the jarring and at the time futuristic sound. Today however it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire.Available here is the Hawkes Pocket Score edition (No.877) of Prokoviev’s virtuosic Piano Concerto No.2 in G minor Op.16 and is ideal for study and perusal usage.
42.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Maurice Ravel: Piano
Concerto G major: Piano:
Miniature Score Piano and Orchestra [Study Score / Miniature] - Intermediate/advanced Eulenburg
The very lively three-movement Piano Concerto in G major is characterised with ...(+)
The very lively three-movement Piano Concerto in G major is characterised with regard to style by jazz influences especially in the first and third movements but by late Romantic and impressionist influences in the middle movement.Ravel himself called it 'a concerto in the truest sense of this generic term: With that I want to say that it has been written in the spirit of the concertos by Mozart and Saint-Saëns.'
14.99 GBP - Sold by Musicroom UK | |
| Igor Markevitch: Partita:
Piano Piano and Orchestra Boosey and Hawkes
Hawkes Pocket Scores HPS 966-Study Score - Hawkes Pocket Score 966. Markevitch ...(+)
Hawkes Pocket Scores HPS 966-Study Score - Hawkes Pocket Score 966. Markevitch I
23.50 GBP - Sold by Musicroom UK | |
| Igor Stravinsky:
Capriccio: Piano Piano and Orchestra Boosey and Hawkes
Hawkes Pocket Scores HPS 610-Study Score - Hawkes Pocket Score 610. Strawinsky ...(+)
Hawkes Pocket Scores HPS 610-Study Score - Hawkes Pocket Score 610. Strawinsky I
28.99 GBP - Sold by Musicroom UK | |
| Igor Stravinsky:
Movements: Piano: Study
Score Piano and Orchestra Boosey and Hawkes
Hawkes Pocket Scores HPS 718-Study Score - Hawkes Pocket Score 718. Strawinsky ...(+)
Hawkes Pocket Scores HPS 718-Study Score - Hawkes Pocket Score 718. Strawinsky I
14.99 GBP - Sold by Musicroom UK | |
| Concerto A Minor Op. 54
(SCHUMANN ROBERT) Piano and Orchestra [Part] Schott
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band ...(+)
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band I/2, 1/ Répertoire / Piano et Orchestre
13.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Concerto A Minor Op. 54
(SCHUMANN ROBERT) Piano and Orchestra Schott
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band ...(+)
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band I/2, 1/ Répertoire / Piano et Orchestre
64.38 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Klavierkonzert 1 E-Moll
Op. 11 (CHOPIN FREDERIC) Piano and Orchestra [Sheet music] Breitkopf & Härtel
Par CHOPIN FREDERIC. Editeur(s) d'origine: Friedman, I. /Reinecke, C./ Répertoi...(+)
Par CHOPIN FREDERIC. Editeur(s) d'origine: Friedman, I. /Reinecke, C./ Répertoire / Piano et Orchestre
25.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Prokofiev, Sergeï :
Pierre et le Loup, Pour
11 Instrumentistes
Français Piano and Orchestra [Score and Parts] Chant du Monde
Pierre et le loup, version pour 11 instrumentistes de Marco Guidarini :
fl...(+)
Pierre et le loup, version pour 11 instrumentistes de Marco Guidarini :
flûte, clarinette en ut, 2 percussionnistes (glockenspiel, xilophone, timbales, cymbales, tambour militaire, grosse caisse), 2 pianos, violon I, violon II, alto, violoncelle et contrebasse
Conducteur parties séparées / Classique / Partiton /
160.00 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Opera Arias For Piano And
Orchestra Piano and Orchestra [Sheet music + CD] Music Minus One 21.78 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Beethoven, Ludwig Van :
Concerto for Pianoforte
und Orchestra no. 1 C
major op. 15 Piano and Orchestra - Advanced Barenreiter
[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partiti...(+)
[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partitions / Agrafé /
57.00 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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