SKU: CA.4018714

ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

SKU: CA.4018712

ISBN 9790007064488. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

SKU: BT.AMP-279-140

9x12 inches. English-German-French-Dutch.

Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music. The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in. The second theme reappears which leads back to the ‘blues’ melody, which leads back to the opening fanfare. Palindromic!

Exultation (Jubel) ist ein kurzes, rhythmisch und stilistisch abwechslungsreiches Eröffnungsstück, das in seiner Form einem Palindrom ähnelt: Nach einer Fanfare in einem fast lateinamerikanischen Stil erscheint ein bluesiges“ Hauptthema, das nach einer kurzen Ãœberleitung zu einem zweiten Staccato-Thema führt. Es folgt ein lyrisches Thema, sodann geht es rückwärts wieder zum Stacccato-Thema und dann über die Bluesmelodie“ zurück zur Eröffnungsfanfare und damit zum Anfang und Ende zugleich!

Exultation est une oeuvre courte, rythmée et stylistiquement variée. Sa structure est b tie comme un palindrome, autrement dit, comme une forme particulière d’inversion. L’oeuvre débute avec une fanfare aux accents latino-américains laquelle succèdent un thème « bluesy », une courte transition, un second thème staccato et une mélodie lyrique. Puis le fil s’enroule pour revenir au début. Musique ou symétrie ? Telle est la question.

Exultation è un breve brano di apertura che offre diversit ritmiche e stilistiche e che nella sua forma ricorda un palindromo. Dopo una fanfara in stile latino-americano, appare il tema principale eseguito dagli eufoni, dai corni e dai sax, caratterizzato da accenti di blues che accompagna ad un seconda tema in staccato. Segue un tema lirico, prima di tornare nuovamente al tema in staccato e, attraverso una “melodia blues”, nuovamente alla fanfara di apertura e alla fine del brano.

SKU: CA.4010113

ISBN 9790007061791. Language: German/English.

Score available separately - see item CA.4010100.

SKU: CA.4010119

ISBN 9790007137762. Language: German/English.

Score and parts available separately - see item CA.4010100.

SKU: CA.3105221

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

SKU: MN.56-0120

UPC: 688670221484. English.

The first movement in the larger work Unconditional Love. This piece compares the journey of the pilgrims to a new land to where we are today.

SKU: BT.EMBZ14660

Hungarian-English-German-French.

This volume contains mainly transcriptions, the majority of them from four-part choral works, these transcriptions have been prepared by the highly experienced teacher of brass instruments, Péter Perényi. In compiling the collection he was helped by his own music school pupils, who played through a large mass of material and selected the pieces they liked best. The pieces can be played on two trumpets and two trombones (or two tenor horns), the trombone parts avoid the seventh position throughout.

Der Stoff dieses Bandes besteht größtenteils aus Transkriptionen von vierstimmigen Chorwerken, die der erfahrene Blasinstrumentenlehrer, Péter Perényi selber anfertigte. Bei der Zusammenstellung der Sammlung waren ihm seine Schüler behilflich, die einen umfangreicheren Stoff durchspielten und dann aus diesem Stücke auswählten, die ihnen am besten gefielen. Die Stücke werden auf zwei Trompeten und zwei Posaunen (oder zwei Tenorhörnern) gespielt. Die Posaunenstimmen vermeiden immer die siebte Lage.