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| Summer Rain (Suvine Vihm) Theatre Of Voices Edition
By Toivo Tulev. Edited by Paul Hiller. For 8 Voices a cappella. Modern. Sheet Mu...(+)
By Toivo Tulev. Edited by Paul Hiller. For 8 Voices a cappella. Modern. Sheet Music. Duration 7 minutes. Published by Theatre Of Voices Edition
$10.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Short Summer Dance Piano solo University Of York Music Press
Piano SKU: BT.MUSM570204342 Composed by Jo Kondo. Classical. Book Only. 6...(+)
Piano SKU: BT.MUSM570204342 Composed by Jo Kondo. Classical. Book Only. 6 pages. University of York Music Press #MUSM570204342. Published by University of York Music Press (BT.MUSM570204342). English. Published 1998. Commissioned by Satoko Inoue. First performance: Tokyo, 1999, Satoko Inoue. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Everglades (River of Grass) Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500101F Mvt. 1 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00101F. Published by Theodore Presser Company (PR.16500101F). ISBN 9781491131725. UPC: 680160680252. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 6 Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Summer of '69 - Three Days That Rocked the World Choral SATB SATB [Singles] Hal Leonard
((Songs of Woodstock Medley)). Arranged by Roger Emerson. SATB. Pop Choral Serie...(+)
((Songs of Woodstock Medley)). Arranged by Roger Emerson. SATB. Pop Choral Series. 64 pages
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Summer of 1969 Piano, Vocal and Guitar [Sheet music] Hal Leonard
(40 Songs of Peace & Love That Were Played at Woodstock). Piano/Vocal/Guitar Son...(+)
(40 Songs of Peace & Love That Were Played at Woodstock). Piano/Vocal/Guitar Songbook. Softcover. 208 pages. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Summer of '69 - Three Days That Rocked the World Choral 3-part SAB [Singles] Hal Leonard
((Songs of Woodstock Medley)). Arranged by Roger Emerson. SAB. Pop Choral Series...(+)
((Songs of Woodstock Medley)). Arranged by Roger Emerson. SAB. Pop Choral Series. 64 pages
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Summer of '69 - Three Days That Rocked the World Choral 2-part 2-part [Singles] Hal Leonard
((Songs of Woodstock Medley)). Arranged by Roger Emerson. 2-Part. Pop Choral Ser...(+)
((Songs of Woodstock Medley)). Arranged by Roger Emerson. 2-Part. Pop Choral Series. 64 pages
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Summer of '69 - Three Days That Rocked the World Choral CD [Accompaniment CD] Hal Leonard
((Songs of Woodstock Medley)). Arranged by Roger Emerson. ShowTrax CD. Pop Chora...(+)
((Songs of Woodstock Medley)). Arranged by Roger Emerson. ShowTrax CD. Pop Choral Series. CD only
$64.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 5 Danses Profanes Et Sacrees (quintet-wind) Leduc, Alphonse
SKU: HL.48182235 Composed by Henri Tomasi. Leduc. Classical. Alphonse Led...(+)
SKU: HL.48182235 Composed by Henri Tomasi. Leduc. Classical. Alphonse Leduc #AL23291. Published by Alphonse Leduc (HL.48182235). UPC: 888680908676. 0.211 inches. French composer and conductor, Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions, Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance, 2) Secular Dance, 3) Sacred Dances, 4) Bridal Dance, and 5) Warrior Dances, Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet, providing an exciting alternative addition to the ensemble repertoire.. $71.10 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Still Life with Melon & Sand (from Summer Suite) String Orchestra [Score and Parts] - Intermediate Imagine Music
Composed by Greg Bartholomew. For "trumpet, timpani & string orches...(+)
Composed by Greg Bartholomew.
For "trumpet, timpani & string
orchestra". Pathways Series.
Level 4. Score and set of
parts. Duration "3 minutes, 40
seconds". Published by Imagine
Music
$40.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Popsicle Rocket Sunrise (from Summer Suite) String Orchestra [Score and Parts] - Intermediate Imagine Music
Composed by Greg Bartholomew. For "trumpet, percussion & string orc...(+)
Composed by Greg Bartholomew.
For "trumpet, percussion &
string orchestra". Pathways
Series. Level 4. Score and set
of parts. Duration "3 minutes,
40 seconds". Published by
Imagine Music
$40.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Red Cherry Lark (from Summer Suite) String Orchestra [Score and Parts] - Intermediate Imagine Music
Composed by Greg Bartholomew. For "trumpet, marimba & string orches...(+)
Composed by Greg Bartholomew.
For "trumpet, marimba & string
orchestra". Pathways Series.
Level 4. Score and set of
parts. Published by Imagine
Music
$40.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Traditional Songs of Denmark - Easy Wilhelm Hansen
Guitar; Piano Accompaniment; Voice - Grade 2 SKU: HL.14033985 Composed by...(+)
Guitar; Piano Accompaniment; Voice - Grade 2 SKU: HL.14033985 Composed by Various. Music Sales America. Danish. Book and CD. 48 pages. Edition Wilhelm Hansen #WH30653. Published by Edition Wilhelm Hansen (HL.14033985). ISBN 9788759812044. International (more than one language). Here are sixteen all-time favourite Danish songs, including several written by the great Hans Christian Anderson himself. With lyrics in Danish and English, as well as musical arrangements of for Voice and Guitar/Piano, this is a unique celebration of Denmark's musical traditions and love of communal singing. Each song is beautifully performed on the accompanying CD and this bi-centennial edition of this fabulous volume has been illustrated by British artist Paul Cox. From lyrical songs and anthems to folk themes and the popular I'm Hans Christian Anderson, this is a unique portrait of a nation with a time honoured love of singing. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Coffeehouse Songs – Strum Together Ukulele Hal Leonard
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.356773 By Vari...(+)
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.356773 By Various. Arranged by Mark Phillips. Strum Together. Folk, Folk/Rock, Pop. Softcover. 144 pages. Published by Hal Leonard (HL.356773). ISBN 9781705113066. UPC: 840126941944. 9.0x12.0x0.345 inches. The Strum Together series enables players of five different instruments – or any combination of them – to “strum together†on 70 great songs. This easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. A great resource for beginning stringed instrument players who are ready to experience the fun of making music together! This collection includes 70 tunes perfect for your next coffeehouse gig: Across the Universe • Alison • Big Yellow Taxi • The Boys of Summer • Budapest • Constant Craving • Diamonds on the Inside • Dust in the Wind • Free Fallin' • Give a Little Bit • Good Riddance (Time of Your Life) • Hallelujah • I Melt with You • Iris • Leaving on a Jet Plane • Norwegian Wood (This Bird Has Flown) • The Scientist • You're So Vain • and more. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sing-Along Songs – Strum Together Ukulele Hal Leonard
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For...(+)
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For Ukulele, Baritone Ukulele, Guitar, Banjo & Mandolin. Composed by Various. Arranged by Mark Phillips. Strum Together. Classic Rock, Folk, Pop. Softcover. 144 pages. Published by Hal Leonard (HL.1091718). ISBN 9781705176030. UPC: 196288099345. 9.0x12.0x0.361 inches. Learning to play a musical instrument is one of the most satisfying experiences a person can have. Being able to play along with other musicians makes that even more rewarding! The Strum Together series enables players of five different instruments – or any combination of them – to “strum together†on 70 fabulous songs. The music for each song displays the chord diagrams for five instruments: ukulele, baritone ukulele, guitar, mandolin and banjo. The chord diagrams indicate basic, commonly used finger positions. More advanced players can substitute alternate chord formations. This new collection includes 70 sing-along classics: ABC • All of Me • Bad Moon Rising • Bennie and the Jets • Cat's in the Cradle • Cecilia • Dancing Queen • Don't Stop • Don't Stop Believin' • From Me to You • Hey, Soul Sister • Hooked on a Feeling • I Will Wait • Iko Iko • Learning to Fly • Listen to the Music • Lollipop • Me and Bobby McGee • One Love • Shake It Off • Stayin' Alive • Sugar, Sugar • Summer of '69 • Teenage Dream • Thank God I'm a Country Boy • Waiting on the World to Change • Yellow Submarine • and more. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Song of the Earth Orchestra Breitkopf & Härtel
Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn)...(+)
Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.OB-5641-60 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1116 pages. Duration 65'. Breitkopf and Haertel #OB 5641-60. Published by Breitkopf and Haertel (BR.OB-5641-60). ISBN 9790004348833. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $2387.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Song of the Earth Breitkopf & Härtel
Violoncello (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bs...(+)
Violoncello (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.OB-5641-23 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 65'. Breitkopf and Haertel #OB 5641-23. Published by Breitkopf and Haertel (BR.OB-5641-23). ISBN 9790004348819. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Song of the Earth Breitkopf & Härtel
Voice(s) and orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar)...(+)
Voice(s) and orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.PB-5671 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; Linen. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 196 pages. Duration 65'. Breitkopf and Haertel #PB 5671. Published by Breitkopf and Haertel (BR.PB-5671). ISBN 9790004216088. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $341.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Song of the Earth Breitkopf & Härtel
Violin 2 (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) ...(+)
Violin 2 (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.OB-5641-16 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 65'. Breitkopf and Haertel #OB 5641-16. Published by Breitkopf and Haertel (BR.OB-5641-16). ISBN 9790004348796. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Song of the Earth Breitkopf & Härtel
(solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.3.1...(+)
(solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.PB-5641 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Symphony. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. 196 pages. Duration 65'. Breitkopf and Haertel #PB 5641. Published by Breitkopf and Haertel (BR.PB-5641). ISBN 9790004215388. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $197.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Song of the Earth Breitkopf & Härtel
Double bass (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bs...(+)
Double bass (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.OB-5641-27 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 12 pages. Duration 65'. Breitkopf and Haertel #OB 5641-27. Published by Breitkopf and Haertel (BR.OB-5641-27). ISBN 9790004348826. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Song of the Earth Breitkopf & Härtel
Violin 1 (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) ...(+)
Violin 1 (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.OB-5641-15 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 65'. Breitkopf and Haertel #OB 5641-15. Published by Breitkopf and Haertel (BR.OB-5641-15). ISBN 9790004348789. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Song of the Earth Breitkopf & Härtel
Voices and piano (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (db...(+)
Voices and piano (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.EB-9364 Composed by Gustav Mahler. Voice; Softbound. Edition Breitkopf. Symphony; Late-romantic. Piano vocal score. 88 pages. Duration 65'. Breitkopf and Haertel #EB 9364. Published by Breitkopf and Haertel (BR.EB-9364). ISBN 9790004188347. 9 x 12 inches. German. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $101.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Song of the Earth Breitkopf & Härtel
Viola part (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn...(+)
Viola part (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str) SKU: BR.OB-5641-19 Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 65'. Breitkopf and Haertel #OB 5641-19. Published by Breitkopf and Haertel (BR.OB-5641-19). ISBN 9790004348802. 10.5 x 14 inches. The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Summer Never Ends Jazz Ensemble [Score and Parts] - Intermediate Kendor Music Inc.
By Bill Liston. For jazz ensemble (featuring: trombone). Jazz Journey Series. Fu...(+)
By Bill Liston. For jazz ensemble (featuring: trombone). Jazz Journey Series. Funk Ballad. Medium. Score and Set of Parts. Duration 4:00
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Dvd 10-Minute Teacher
Adams Bryan Summer Of
'69 Guitar notes and tablatures [DVD] Omnibus Media
Apprenez à jouer The Summer Of '69 de Bryan Adams en 10 minutes !Cette vidéo v...(+)
Apprenez à jouer The Summer Of '69 de Bryan Adams en 10 minutes !Cette vidéo vous montre en l'espace de 10 minutes toutes les accords de la chanson avec un zoom sur les doigts du guitariste et un diagramme à l'écran.
La chanson est jouée de manière professionnelle pour vous permettre de mieux l'appréhender.
Vous trouverez également un livret qui comporte les partitions en notation standard, tablature et boites d'accords de la chanson.
La vidéo est en anglais mais le prof montre parfaitement la réalisation des accords et des enchainements à l'écran.
Vous la regardez, Vous l'apprenez et vous la jouez ! / Guitare / niveau : Débutant / Dvd
5.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Iles: Jazz On A Summer's
Day: Piano: Instrumental
Album Piano solo Oxford University Press
Jazz on a Summer's Day is a unique collection of stylish jazz arrangements and o...(+)
Jazz on a Summer's Day is a unique collection of stylish jazz arrangements and original compositions for solo piano. It conveys the many sides of summer through swing blues samba calypso and folk and draws inspiration from jazz artists including Oscar Peterson Bill Evans Grover Washington Jr and Sonny Rollins. The author's credentials as a celebrated jazz pianist and composer guarantee a perfect introduction to jazz and to sounding like the best.Nine arrangements and original pieces at intermediate level (Grades 5-8)Notated jazz solos accessible yet idiomaticWide range of styles from swing standards tocontemporaryIncludes a piano duet-a sizzling jazz-sambaCD of full performances to help with interpretation and backing tracks for the duetA companion volume to Jazz on a Winter's Night (9780193365902)
15.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| The Novello Book Of
British Folksongs Choral SATB SATB, Piano Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...(+)
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
29.39 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Best Of Me Guitar notes and tablatures [Sheet music] - Intermediate Amsco Wise Publications
The Best Of Me features 15 of the very best songs from the illustrious career of...(+)
The Best Of Me features 15 of the very best songs from the illustrious career of Bryan Adams. All the hits from 1984 to 1999 can be found in this exquisite volume. Guitar tablature arrangements of every song from the album, complete with melody line, lyrics and chord symbols. / Guitare Tablatures
37.51 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 150 Gems Of Irish Music
(LARSEN GREY) Pennywhistle [Sheet music + CD] - Intermediate/advanced Mel Bay
Par LARSEN GREY. Gris Larsen, dans les 150 Gems Of Irish Music For collection Ti...(+)
Par LARSEN GREY. Gris Larsen, dans les 150 Gems Of Irish Music For collection Tin Whistle, nous a donné un plus bienvenu suivi de son ouvrage encyclopédique, Le guide essentiel pour flûte irlandaise et Tin Whistle et The Tin Whistle boîte à outils indispensable.
Les gemmes disposent non seulement des airs méticuleusement sélectionnés, mais représentent les premières offres de mjor qui utilisent le système d'innovation de Larsen de la notation ornementation irlandaise. Ce livre et CD aideront les joueurs à acquérir une compréhension plus profonde de la tradition musicale irlandaise ainsi que de fournir du nouveau matériel pour améliorer l'expérience du joueur en solo et participant à la session irlandaise ressemblent. / Niveau : Intermédiaire à Avancé / Recueil / Tin Whistle
34.29 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| H. Elliot Button: Airs Of
Summer Softly Blow: SATB:
Vocal Score Choral SATB SATB, Piano [Vocal Score] Novello & Co Ltd.
Airs Of Summer Softly Blow
2.25 GBP - Sold by Musicroom UK | |
| Piers Hellawell: Hall Of
Mirrors: Piano: Score and
Parts Piano Quartet: piano, violin, viola,
cello [Sheet music] Cadenza Music
Piers Hellawell's Hall Of Mirrors for Piano Quartet.Hall Of Mirrors was my first...(+)
Piers Hellawell's Hall Of Mirrors for Piano Quartet.Hall Of Mirrors was my first contribution to the Schubert Ensemble's unique initiative to bring practicable chamber music to young string players and pianists. It was written in summer of 1998 in the wake of my 'full-scale' piano quartet The Building Of Curves itself a commission from the Schubert Ensemble and was first performed at the Dartington Summer School. Hall Of Mirrors is also scored for piano quartet although the viola part is playable by a second violin and is thus scored in the treble clef.At the suggestion of the Ensemble I sought to provide an analogue of the larger work ascaled-down expression that used materials clearly related to its parent. I believe that the success of this project relies in large part on its new pieces being genuinely representative of their composers rather than mere exercises that provide a product. Hall Of Mirrors therefore tries to establish a similarly unsettled atmosphere to that of the second movement of The Building of Curves and it uses the same open-string C/D ostinato for cello and nightmarish free glissandi for violin - both materials that can be impressively brought off by a player of limited virtuosity! Hall Of Mirrors was generously commissioned by Jane Ferguson. Its title indicates a reshaping of some features of the larger edifice The Building of Curves. - Piers Hellawell
9.99 GBP - Sold by Musicroom UK | |
| 1001 All-Time Hit Songs Melody line, (Lyrics) and Chords [Sheet music] Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
54.81 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| There Is No Rose Of Such
Virtue Choral SATB Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...(+)
There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
4.52 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 100 Of The Best Movie
Songs Ever ! Piano, Vocal and Guitar [Sheet music] - Intermediate Amsco Wise Publications
A great selection of 100 of the best film songs ever, arranged for piano, voice ...(+)
A great selection of 100 of the best film songs ever, arranged for piano, voice and guitar. Features fabulous songs from all your favourite movies including: Casablanca, Cabaret, Mary Poppins, Forest Gump, Midnight Cowboy, Footloose, Jaws, Star Trek, Ghost, Titanic, Schindler's List, Saturday Night Fever, Stand By Me, Love Story, Breakfast At Tiffany's... and many, many more!
35.50 EUR - Sold by Note4Piano Pre-shipment lead time: 24 hours - In Stock Only 1 left in stock, order soon ! | |
| Robert Lopez Kristen
Anderson-Lopez: Disney's
Frozen - The Broadway
Musical: Easy Piano - Easy Hal Leonard
Easy Piano Selections-16 songs from the Tony« Award-nominated Broadway producti...(+)
Easy Piano Selections-16 songs from the Tony« Award-nominated Broadway production adapted from the hit Disney animated movie Frozen. Includes: Colder by the Minute - Do You Want to Build a Snowman? (Broadway Version) - For the First Time in Forever (Broadway Version) - Hygge - In Summer - Kristoff Lullaby - Let It Go - True Love - Vuelie/Let the Sun Shine On - and more. Includes color photos from the Broadway production!
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Disney's Frozen -
The Broadway Musical (La
reine des neiges) Piano, Vocal and Guitar [Sheet music] Hal Leonard
Piano/Vocal Selections. Par LOPEZ ROBERT / ANDERSON-LOPEZ KRISTEN. 16 songs from...(+)
Piano/Vocal Selections. Par LOPEZ ROBERT / ANDERSON-LOPEZ KRISTEN. 16 songs from the Tony Award-nominated Broadway production adapted from the hit Disney animated movie, Frozen. Includes: Colder by the Minute - Do You Want to Build a Snowman? (Broadway Version) - For the First Time in Forever (Broadway Version) - Hygge - In Summer - Kristoff Lullaby - Let It Go - True Love - Vuelie/Let the Sun Shine On - and more. Includes color photos from the Broadway production!/ Recueil / Piano, Chant et Guitare
26.61 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| The Most Requested Songs
of the '70s: Piano Vocal
and Guitar: Mixed
Songbook Piano, Vocal and Guitar Cherry Lane
58 songs from the swingin' seventies including: Ain't No Sunshine ? American Pi...(+)
58 songs from the swingin' seventies including: Ain't No Sunshine ? American Pie ? Baba O'Riley ? Bohemian Rhapsody ? Bridge over Troubled Water ? Dancing Queen ? Desperado ? Easy ? Hello It's Me ? I Can See Clearly Now ? I Will Survive ? Imagine ? Just the Way You Are ? Lean on Me ? Let It Be ? Midnight Train to Georgia ? Moondance ? Night Moves ? Nights in WhiteSatin ? Pretender ? Rhinestone Cowboy ? Rocky Mountain High ? Summer Breeze ? Tangled up in Blue ? Time in a Bottle ? Without You ? You're So Vain ? Your Song ? and many more.
27.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| The Michel Legrand
Songbook - Pvg Piano, Vocal and Guitar [Sheet music] Alfred Publishing
TITLE COMPOSER - A Friend Has Gone Away Michel Legrand (contributor); Sheldon ...(+)
TITLE COMPOSER - A Friend Has Gone Away Michel Legrand (contributor); Sheldon Harnick (contributor) - A Piece of the Sky Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - After the Rain Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor) - Between Yesterday and Tomorrow Alan Bergman (contributor); Marilyn Bergman (contributor) - Can You Tell the Moment? Alan Bergman (contributor); Marilyn Bergman (contributor) - Faded Roses (from The Other Side of Midnight) Michel Legrand (contributor); Carol Connors (contributor) - Happy Michel Legrand (contributor); William Smokey Brown (contributor) - His Eyes, Her Eyes Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - How Do You Keep the Music Playing? (from Best Friends) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - I Was Born in Love with You Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor) - I Will Say Goodbye Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - I Will Wait for You Michel Legrand (contributor); Norman Gimbel (contributor) - If There Were No Dreams Michel Legrand (contributor); Neil Diamond (contributor) - Love Makes the Changes Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) Magic Alan Bergman (contributor); Marilyn Bergman (contributor) Martina contributor: Legrand, Michel (C); Shaper, Hal (A) Maybe Someone Dreamed Us Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Nobody Knows Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - On My Way to You Michel Legrand (composer); Alan Bergman (composer); Marilyn Bergman (composer) - No Matter What Happens - Once Upon a Summertime contributor: E Marnay; J Mercer; M Legrand; E Barclay - Once You've Been in Love Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - One at a Time Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Papa Can You Hear Me (from Yentl) Michel Legrand (composer); Alan Bergman (composer); Marilyn Bergman (composer) Pieces of Dreams (Little Boy Lost) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - Secret Places Alan Jay Lerner (contributor); Michel Legrand (contributor) - Something New in My Life Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) Such Sweet Sorrow Michel Legrand (contributor); Marshall Barer (contributor) - Summer Me, Winter Me Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Tell a Lie Michel Legrand (contributor); Marshall Barer (contributor) - That's Show Biz Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Easy Way Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Hands of Time Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Moon and I Alan Bergman (contributor); Marilyn Bergman (contributor) - The Summer Knows (Theme from The Summer of '42) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Way He Makes Me Feel (from Yentl) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Windmills of Your Mind (from The Thomas Crown Affair) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Years of My Youth Hal Shaper (contributor); Michel Legrand (contributor) - This Quiet Room Alan Bergman (contributor); Marilyn Bergman (contributor) - Watch What Happens Michel Legrand (contributor) - What Are You Doing the Rest of Your Life? Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - Where Is It Written? Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Will Someone Ever Look at Me That Way (from Yentl) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - You Must Believe in Spring Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor)
38.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Classic Rock Set Guitar Tab, Voice, Bass, Drum Hal Leonard
La série Gig Guide est conçu pour offrir aux musiciens un projet pour la const...(+)
La série Gig Guide est conçu pour offrir aux musiciens un projet pour la construction des bandes. Nous sélectionnons les chansons, mettre 'em dans l'ordre, et vous montrer comment jouer' em. Le format est simple: il n'ya pas de scores lourde note pour note à sightread ou théorie compliquée à comprendre. Juste ici la feuille de plomb, voici les pièces dont vous avez vraiment besoin de savoir, et vous partez! Ces packs livre / CD sont le kit ultime do-it-yourself pour donner des concerts des musiciens et des artistes interprètes ou exécutants va-et-vient comme. Peut être utilisé par un orchestre complet ou des joueurs individuels. Blues Set comporte 12 chansons: Boom Boom - Born Under a Bad Sign - - Caldonia Crosscut Saw - Darlin ', You Know I Love You - I'm Tore Down - Killing Floor - Rock Me Baby - The Thrill Is Gone - et plus encore. Le CD contient des démos de bande complète de chaque chanson que vous puissiez entendre ce que vous devriez ressembler. / Guitare, Basse, Percussions Et Chant / 112 pages / Partition + CD
20.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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