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| Nature's Way Concert band [Score and Parts] American Composers Forum
Commissioned by American Composers Forum. Score and full set of parts. BandQuest...(+)
Commissioned by American Composers Forum. Score and full set of parts. BandQuest. Concert. Published by American Composers Forum
$75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Nation's Prayer (Based on God of Our Fathers and The Battle Hymn of the Republic ) Concert band - Intermediate Alfred Publishing
By George W. Warren and William Steffe. Arranged by James D. Ployhar. By George ...(+)
By George W. Warren and William Steffe. Arranged by James D. Ployhar. By George W. Warren and William Steffe / arr. James D. Ployhar. For Concert Band. Concert Band. Belwin Concert Band. Patriotic. Level: Medium Easy (grade 3). Conductor Score & Parts. Duration 4:09:00. Published by Alfred Publishing.
$67.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fanfare Cincinnatus Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-4861-00 A Flourish For Band. Composed by Shaff...(+)
Grade 2 SKU: CL.011-4861-00 A Flourish For Band. Composed by Shaffer. Young Concert Band. Command Series. Score and set of parts. Composed 2020. Duration 4 minutes, 32 seconds. C.L. Barnhouse #011-4861-00. Published by C.L. Barnhouse (CL.011-4861-00). Composed for the Cincinnati New Horizons Band, Fanfare Cincinnatus (A Flourish for Band) captures the beauty of the spectacular Cincinnati skyline. This work for concert band uses syncopated rhythms, layered percussion and lush harmonies to create an exciting composition for young musicians. An exciting opening and finale is complimented by a beautiful lush middle section ballad. Much attention has been paid to range and scoring creating a work that is attainable by smaller ensembles while retaining a full sound for larger ensembles as well. Outstanding! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $59.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fanfare Cincinnatus Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-4861-01 A Flourish For Band. Composed by Shaff...(+)
Grade 2 SKU: CL.011-4861-01 A Flourish For Band. Composed by Shaffer. Young Concert Band. Extra full score. C.L. Barnhouse #011-4861-01. Published by C.L. Barnhouse (CL.011-4861-01). Composed for the Cincinnati New Horizons Band, Fanfare Cincinnatus (A Flourish for Band) captures the beauty of the spectacular Cincinnati skyline. This work for concert band uses syncopated rhythms, layered percussion and lush harmonies to create an exciting composition for young musicians. An exciting opening and finale is complimented by a beautiful lush middle section ballad. Much attention has been paid to range and scoring creating a work that is attainable by smaller ensembles while retaining a full sound for larger ensembles as well. Outstanding! $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pulcinella Concert band - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-010 For Euphonium and ...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-010 For Euphonium and Concert Band. Composed by Philip Sparke. Anglo Music Midway Series. Solo & Concerto. Set (Score & Parts). Composed 2021. Anglo Music Press #AMP 513-010. Published by Anglo Music Press (BT.AMP-513-010). English-German-French-Dutch. Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke’s series of euphonium solos named after characters of the Italian commedia dell’arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
Pulcinella werd geschreven in opdracht van de Taiwanese eufoniumspeler Tzu-Hsiang Lin. Lin is een gerenommeerd solist en leraar en een Besson Euphonium Artist. Hij geeft eufoniumles aan de Taipei National University of the Arts, de National Taiwan University of Arts, de Shih Chien University en de National Kaohsiung Normal University. In januari 2021 bracht Lin de première van Pulcinella in zowel de versie voor harmonieorkest als die voor brassband. Pulcinella is een vervolg binnen Sparkes serie eufoniumsolo’s waarin personages uit de Italiaanse commedia dell’arte de hoofdrol spelen. Het werk opent met een lange, expressieve mineurmelodie voor de solist, boven een sonore begeleiding. Deze wordt kortstondig door het complete orkest overgenomen en dan na een modulatie door de solist verder uitgewerkt. Een cadens, begeleid door fragmenten van de hoofdmelodie, mondt uit in een totaal andere sfeer, tempo en tonaliteit, met de introductie van een Vivo-gedeelte dat begint met een pittige, gesyncopeerde passage voor de solist. Het orkest gebruikt elementen hieruit om een nieuwe modulatie in te voeren, waarbij de solist een lyrischer tweede thema boven een pulserende begeleiding introduceert. Het orkest neemt dit dan over en verandert van toonsoort om naar de originele Vivo-melodie terug te keren, die naar een korte, acrobatische coda leidt en het werk op spectaculaire wijze afsluit.
Pulcinella wurde von dem taiwanesischen Euphoniumspieler Tzu-Hsiang Lin in Auftrag gegeben, einem bekannten Solisten, Lehrer und Besson Euphonium Artist“. Er unterrichtet Euphonium an der Taipei National University of the Arts, der National Taiwan University of Arts, der Shih Chien University und an der National Kaohsiung Normal University. Tzu-Hsiang Lin spielte im Januar 2021 die Uraufführungen von Pulcinella, sowohl die Version mit Blasorchesterbegleitung als auch die mit Brass-Band-Begleitung. Mit Pulcinella setzt sich Philip Sparkes Serie mit Stücken für Euphonium solo fort, die nach Charakteren der italienischen Commedia dell’Arte benannt sind. Das Werk beginnt mit einer langen und ausdrucksvollen Melodie des Solisten in Moll über einer düsteren Begleitung. Die Melodie wird vom gesamten Blasorchester kurz übernommen und durch den Solisten nach einem Tonartwechsel erweitert. Eine Kadenz, begleitet von Fragmenten der Hauptmelodie, führt zu einer kompletten Veränderung von Stimmung, Tempo und Tonalität und leitet einen Vivo-Abschnitt ein, der mit einer munteren synkopierten Melodie des Solisten beginnt. Das Blasorchester greift Elemente der neuen Melodie auf, um einen Tonartwechsel einzuführen, wobei der Solist ein lyrischeres zweites Thema über einer pulsierenden Begleitung vorstellt. Das Blasorchester greift dieses wiederum auf, wechselt die Tonart und übernimmt erneut die ursprüngliche Vivo-Melodie. Eine kurze und technisch anspruchsvolle Coda leitet in einen fulminanten Schluss über.
Pulcinella est une commande du joueur d’euphonium taiwanais Tzu-Hsiang Lin. Lin est un soliste et professeur renommé ainsi qu’un « Besson Euphonium Artist ». Il enseigne l’Université nationale des arts de Taipei, l’Université nationale des arts de Taiwan, l’Université de Shih Chien et École normale nationale de Kaohsiung. Lin a créé Pulcinella dans ses deux versions pour harmonie et pour brass band en janvier 2021. Avec , Sparke élargit sa série de solos pour euphonium nommés d’après des personnages de la commedia dell’arte italienne. La pièce débute avec une longue mélodie expressive en mineur pour le soliste sur un accompagnement sombre. Cette mélodie est reprise brièvement par l’orchestre entier et prolongée par le soliste après un changement de tonalité. Accompagnée par des fragments de la mélodie principale, une cadence mène un changement total de climat, de tempo et de tonalité, introduisant une section Vivo qui débute avec un air syncopé enjoué pour l’euphonium. L’orchestre emploie alors des éléments de cet nouvelle mélodie pour mener un changement de tonalité où le soliste introduit un second sujet plus lyrique sur un accompagnement entraînant. L’orchestre reprend ce thème et change de tonalité pour réintroduire la mélodie Vivo d’origine, qui mène une courte coda acrobatique avant une conclusion spectaculaire. $186.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pulcinella Concert band - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-140 For Euphonium and ...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-140 For Euphonium and Concert Band. Composed by Philip Sparke. Anglo Music Midway Series. Solo & Concerto. Score Only. Composed 2021. 28 pages. Anglo Music Press #AMP 513-140. Published by Anglo Music Press (BT.AMP-513-140). English-German-French-Dutch. Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke’s series of euphonium solos named after characters of the Italian commedia dell’arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
Pulcinella werd geschreven in opdracht van de Taiwanese eufoniumspeler Tzu-Hsiang Lin. Lin is een gerenommeerd solist en leraar en een Besson Euphonium Artist. Hij geeft eufoniumles aan de Taipei National University of the Arts, de National Taiwan University of Arts, de Shih Chien University en de National Kaohsiung Normal University. In januari 2021 bracht Lin de première van Pulcinella in zowel de versie voor harmonieorkest als die voor brassband. Pulcinella is een vervolg binnen Sparkes serie eufoniumsolo’s waarin personages uit de Italiaanse commedia dell’arte de hoofdrol spelen. Het werk opent met een lange, expressieve mineurmelodie voor de solist, boven een sonore begeleiding. Deze wordt kortstondig door het complete orkest overgenomen en dan na een modulatie door de solist verder uitgewerkt. Een cadens, begeleid door fragmenten van de hoofdmelodie, mondt uit in een totaal andere sfeer, tempo en tonaliteit, met de introductie van een Vivo-gedeelte dat begint met een pittige, gesyncopeerde passage voor de solist. Het orkest gebruikt elementen hieruit om een nieuwe modulatie in te voeren, waarbij de solist een lyrischer tweede thema boven een pulserende begeleiding introduceert. Het orkest neemt dit dan over en verandert van toonsoort om naar de originele Vivo-melodie terug te keren, die naar een korte, acrobatische coda leidt en het werk op spectaculaire wijze afsluit.
Pulcinella wurde von dem taiwanesischen Euphoniumspieler Tzu-Hsiang Lin in Auftrag gegeben, einem bekannten Solisten, Lehrer und Besson Euphonium Artist“. Er unterrichtet Euphonium an der Taipei National University of the Arts, der National Taiwan University of Arts, der Shih Chien University und an der National Kaohsiung Normal University. Tzu-Hsiang Lin spielte im Januar 2021 die Uraufführungen von Pulcinella, sowohl die Version mit Blasorchesterbegleitung als auch die mit Brass-Band-Begleitung. Mit Pulcinella setzt sich Philip Sparkes Serie mit Stücken für Euphonium solo fort, die nach Charakteren der italienischen Commedia dell’Arte benannt sind. Das Werk beginnt mit einer langen und ausdrucksvollen Melodie des Solisten in Moll über einer düsteren Begleitung. Die Melodie wird vom gesamten Blasorchester kurz übernommen und durch den Solisten nach einem Tonartwechsel erweitert. Eine Kadenz, begleitet von Fragmenten der Hauptmelodie, führt zu einer kompletten Veränderung von Stimmung, Tempo und Tonalität und leitet einen Vivo-Abschnitt ein, der mit einer munteren synkopierten Melodie des Solisten beginnt. Das Blasorchester greift Elemente der neuen Melodie auf, um einen Tonartwechsel einzuführen, wobei der Solist ein lyrischeres zweites Thema über einer pulsierenden Begleitung vorstellt. Das Blasorchester greift dieses wiederum auf, wechselt die Tonart und übernimmt erneut die ursprüngliche Vivo-Melodie. Eine kurze und technisch anspruchsvolle Coda leitet in einen fulminanten Schluss über.
Pulcinella est une commande du joueur d’euphonium taiwanais Tzu-Hsiang Lin. Lin est un soliste et professeur renommé ainsi qu’un « Besson Euphonium Artist ». Il enseigne l’Université nationale des arts de Taipei, l’Université nationale des arts de Taiwan, l’Université de Shih Chien et École normale nationale de Kaohsiung. Lin a créé Pulcinella dans ses deux versions pour harmonie et pour brass band en janvier 2021. Avec , Sparke élargit sa série de solos pour euphonium nommés d’après des personnages de la commedia dell’arte italienne. La pièce débute avec une longue mélodie expressive en mineur pour le soliste sur un accompagnement sombre. Cette mélodie est reprise brièvement par l’orchestre entier et prolongée par le soliste après un changement de tonalité. Accompagnée par des fragments de la mélodie principale, une cadence mène un changement total de climat, de tempo et de tonalité, introduisant une section Vivo qui débute avec un air syncopé enjoué pour l’euphonium. L’orchestre emploie alors des éléments de cet nouvelle mélodie pour mener un changement de tonalité où le soliste introduit un second sujet plus lyrique sur un accompagnement entraînant. L’orchestre reprend ce thème et change de tonalité pour réintroduire la mélodie Vivo d’origine, qui mène une courte coda acrobatique avant une conclusion spectaculaire. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nature's Fury Concert band - Beginner C.L. Barnhouse
Concert band - Grade 1 SKU: CL.023-4262-01 Composed by J. McBride. Young ...(+)
Concert band - Grade 1 SKU: CL.023-4262-01 Composed by J. McBride. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 1 minute, 31 seconds. C.L. Barnhouse #023-4262-01. Published by C.L. Barnhouse (CL.023-4262-01). Using only the first 6 notes taught in most band methods, Nature’s Fury is a simple and exciting piece perfect for your beginning band’s first concert. Nature’s Fury first introduces the concepts of theme and harmony in unison for all players, and then presents these themes and harmonies together at the powerful conclusion. Sure to be a favorite with students and audiences, and makes a perfect bridge to part independence. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music from Black Panther Concert band [Score] - Easy Hal Leonard
Concert Band (Score) - Grade 2 SKU: HL.4005550 Composed by Ludwig Goranss...(+)
Concert Band (Score) - Grade 2 SKU: HL.4005550 Composed by Ludwig Goransson. Arranged by Paul Murtha. Discovery Plus Concert Band. Movies. Softcover. Published by Hal Leonard (HL.4005550). UPC: 888680751715. 9.0x12.0x0.077 inches. Here is a concise, yet powerful medley of themes from the blockbuster movie Black Panther suitable for younger players. Includes: Ancestral Plane, Waterfall Fight and United Nations/End Titles. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| March of the Toys Concert band [Score and Parts] - Easy Southern Music Ltd
Dur. 3:00. Composed by Victor Herbert (1859-1924). Arranged by Nathan Jones. ...(+)
Dur. 3:00. Composed by
Victor Herbert (1859-1924).
Arranged by Nathan Jones.
Southern Music. Festival,
Concert. Softcover. Southern
Music Company #S942CB.
Published by Southern Music
Company
$70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Adoration (Movement 1 from Symphony of Prayer) Concert band [Score and Parts] - Intermediate/advanced Alfred Publishing
By J. Eric Schmidt. For Concert Band. Concert Band. Alfred Concert Band. Level: ...(+)
By J. Eric Schmidt. For Concert Band. Concert Band. Alfred Concert Band. Level: 4 (Medium Difficult) (grade 4). Conductor Score and Parts. 188 pages. Published by Alfred Publishing.
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nordanvind Concert band - Intermediate/advanced Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Set of Score and Parts. With Standard notation. 2+16+4+8+8+8+4+4+2+4+4+4+4+6+6+6+4+4+4+4+6+6+6+6+4+8+3+2+12+2+4+28 pages. Duration 6 minutes, 26 seconds. Carl Fischer Music #SPS71. Published by Carl Fischer Music (CF.SPS71). ISBN 9781491143544. UPC: 680160901043. Key: G minor. Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles. Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,†Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind†blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship†or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower†sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska†is a partner dance where the dancers spin each other (släng in Swedish “to sling or tossâ€) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska†dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak . $125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Haydn Trumpet Concerto (2nd Movement) Concert Band [Score and Parts] - Easy Alfred Publishing
Band/Orchestra. Published by Alfred Publishing. Haydn's Trumpet Concerto is prob...(+)
Band/Orchestra. Published by Alfred Publishing. Haydn's Trumpet Concerto is probably the most-performed trumpet concerto ever written. The second movement is known equally for both its beautiful melody and wonderful use of trumpet as a solo instrument. In this adaptation, the key is lowered to avoid the high notes of the original, sixteenth notes are eliminated by using a 3/4 time signature and difficult passages are simplified-making it ideal for younger soloists. Let your star trumpet player shine with this well-crafted adaptation of a repertoire standard.
$48.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Danza Espanola Concert band [Score] - Intermediate Baton Music
Playera - Andaluza. Composed by Enrique Granados (1867-1916). Arranged by...(+)
Playera - Andaluza. Composed by Enrique Granados (1867-1916). Arranged by Douglas McLain. Baton Music Orchestral Series. Score only. Duration 5:00. Published by Baton Music (BF.BM637-SCORE).
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Anatman Concert band Theodore Presser Co.
Band solo cello and concert band SKU: PR.41541144L For Cello and Wind ...(+)
Band solo cello and concert band SKU: PR.41541144L For Cello and Wind Ensemble. Composed by Narong Prangcharoen. Contemporary. Large Score. With Standard Notation. Duration 18 minutes. Theodore Presser Company #415-41144L. Published by Theodore Presser Company (PR.41541144L). UPC: 680160616176. Cello Solo, 3 Flutes (3rd double Piccolo), 2 Oboes, Clarinet in Eb, 3 Clarinets in Bb, Bass Clarinet in Bb, 2 Bassoons, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpets in Bb, 4 Horns in F, Trombone, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion Players, I: Xylophone, Vibraphone, Marimba, Glockenspiel, Crotales, II: Temple Block, Almglocken, Snare Drum, Metal Plate, Large Thai Gong, Triangle, Small Thai Cymbal, 4 Tom-toms, III: Tam-tam, Sus. Cymbal, Floor-Tom, Anvil, Bass Drum, Piano, Double Bass. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Anatman Concert band Theodore Presser Co.
Band solo cello and concert band SKU: PR.415411440 For Cello and Wind ...(+)
Band solo cello and concert band SKU: PR.415411440 For Cello and Wind Ensemble. Composed by Narong Prangcharoen. Contemporary. Study Score. With Standard Notation. 45 pages. Duration 18 minutes. Theodore Presser Company #415-41144. Published by Theodore Presser Company (PR.415411440). UPC: 680160616169. Cello Solo, 3 Flutes (3rd double Piccolo), 2 Oboes, Clarinet in Eb, 3 Clarinets in Bb, Bass Clarinet in Bb, 2 Bassoons, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpets in Bb, 4 Horns in F, Trombone, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion Players, I: Xylophone, Vibraphone, Marimba, Glockenspiel, Crotales, II: Temple Block, Almglocken, Snare Drum, Metal Plate, Large Thai Gong, Triangle, Small Thai Cymbal, 4 Tom-toms, III: Tam-tam, Sus. Cymbal, Floor-Tom, Anvil, Bass Drum, Piano, Double Bass. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Upriver Concert band Theodore Presser Co.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130). ISBN 9781598064070. UPC: 680160600144. 9x12 inches. Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’. In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,†for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,†and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Springâ€) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Canadian Trilogy Concert band [Score and Parts] - Intermediate Alfred Publishing
By Steve Hodges. Music by Steve Hodges. For Concert Band. Concert Band. Growing ...(+)
By Steve Hodges. Music by Steve Hodges. For Concert Band. Concert Band. Growing Band Series. Level: Level 3 (grade 3). Conductor Score & Parts. 2 pages. Published by Alfred Publishing.
$50.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Upriver Concert band Theodore Presser Co.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L). UPC: 680160600151. 11 x 14 inches. I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Royal Coronation Dances Concert band - Intermediate Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| O Canada (multi-level version) Concert band [Score and Parts] Eighth Note Publications
By Calixa Lavall�©e and Calixa Lavallee (1842-1891). Arranged by David Marl...(+)
By Calixa Lavall�©e and Calixa Lavallee (1842-1891). Arranged by David Marlatt. Concert Band. Concert Band; Masterworks. Eighth Note Publications. Romantic. Conductor Score and Parts. Duration 00:01:35. Published by Eighth Note Publications . Score and Parts. Romantic.
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Call of the Aboriginals Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175815-010 Uluru - Kata T...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175815-010 Uluru - Kata Tjuta. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2017. De Haske Publications #DHP 1175815-010. Published by De Haske Publications (BT.DHP-1175815-010). English-German-French-Dutch. Call of the Aboriginals Uluru - Kata Tjuta was commissioned by Nara Municipal Ichijo Senior High School Symphonic Band, Nara City, Nara Prefecture, Japan, to commemorate their 60th anniversary. Uluru, also known as Ayers Rock, is an immense monolith rising in the vastness of the Australian outback. Famously also known as Ayers Rock, it is listed by UNESCO as a World Heritage Site. It is a sacred site for the Aboriginal people of the area, the Pitjantjatjara Anangu, but has also become a popular tourist destination, creating cultural and environmental conflicts. This work, which is written in a style typical of the composer, tells a dramatic tale adventure inspired bythe life of the indigenous people and the magnificent scenery of Uluru. This work is suited for contests as well as thematic concerts.
Call of the Aboriginals Uluru-Kata-Tjuta werd geschreven in opdracht van de Nara Municipal Ichijo Senior High School Symphonic Band uit Nara, de hoofdstad van de Japanse prefectuur Nara, ter gelegenheid van het zestigjarig bestaan van het orkest. Uluru is een immense monoliet die oprijst in de uitgestrektheid van de Australische outback. Deze enorme rots, die ook bekendstaat als Ayers Rock, staat op de Werelderfgoedlijst van de UNESCO. Het is een heilige plek voor de Aboriginals uit het gebied, de Pitjantjatjara Anangu, en tevens een populaire toeristische bestemming, wat heeft geresulteerd in conflicten op het gebied van cultuur en milieu. Dit werk is geschiktvoor wedstrijden, maar ook voor een thematisch concert.
Call of the Aboriginals Uluru Kata Tjuta est une commande du Nara Municipal Ichijo Senior High School Symphonic Band, de la ville de Nara, dans la préfecture japonaise du même nom, pour la commémoration de son 60e anniversaire. Uluru, aussi connu sous le nom d’Ayers Rock, est un énorme monolithe qui se trouve dans l’étendue de l’outback australien. Il est sur la liste du patrimoine international de l’UNESCO. C’est un lieu sacré pour le peuple aborigène de la région, les Pitjantjatjara Anangu, mais sa popularité croissante comme destination touristique cause des conflits culturels et environnementaux. Cette œuvre, dans le style typique du compositeur, illustre unrécit d’aventure dramatique inspiré par la vie des peuples indigènes et du magnifique paysage d’Uluru. L’œuvre est idéale pour vos concours ou vos concerts thématiques. $181.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Call of the Aboriginals Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175815-140 Uluru - Kata T...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175815-140 Uluru - Kata Tjuta. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2017. 35 pages. De Haske Publications #DHP 1175815-140. Published by De Haske Publications (BT.DHP-1175815-140). English-German-French-Dutch. Call of the Aboriginals Uluru - Kata Tjuta was commissioned by Nara Municipal Ichijo Senior High School Symphonic Band, Nara City, Nara Prefecture, Japan, to commemorate their 60th anniversary. Uluru, also known as Ayers Rock, is an immense monolith rising in the vastness of the Australian outback. Famously also known as Ayers Rock, it is listed by UNESCO as a World Heritage Site. It is a sacred site for the Aboriginal people of the area, the Pitjantjatjara Anangu, but has also become a popular tourist destination, creating cultural and environmental conflicts. This work, which is written in a style typical of the composer, tells a dramatic tale adventure inspired bythe life of the indigenous people and the magnificent scenery of Uluru. This work is suited for contests as well as thematic concerts.
Call of the Aboriginals Uluru-Kata-Tjuta werd geschreven in opdracht van de Nara Municipal Ichijo Senior High School Symphonic Band uit Nara, de hoofdstad van de Japanse prefectuur Nara, ter gelegenheid van het zestigjarig bestaan van het orkest. Uluru is een immense monoliet die oprijst in de uitgestrektheid van de Australische outback. Deze enorme rots, die ook bekendstaat als Ayers Rock, staat op de Werelderfgoedlijst van de UNESCO. Het is een heilige plek voor de Aboriginals uit het gebied, de Pitjantjatjara Anangu, en tevens een populaire toeristische bestemming, wat heeft geresulteerd in conflicten op het gebied van cultuur en milieu. Dit werk is geschiktvoor wedstrijden, maar ook voor een thematisch concert.
Call of the Aboriginals Uluru Kata Tjuta est une commande du Nara Municipal Ichijo Senior High School Symphonic Band, de la ville de Nara, dans la préfecture japonaise du même nom, pour la commémoration de son 60e anniversaire. Uluru, aussi connu sous le nom d’Ayers Rock, est un énorme monolithe qui se trouve dans l’étendue de l’outback australien. Il est sur la liste du patrimoine international de l’UNESCO. C’est un lieu sacré pour le peuple aborigène de la région, les Pitjantjatjara Anangu, mais sa popularité croissante comme destination touristique cause des conflits culturels et environnementaux. Cette œuvre, dans le style typique du compositeur, illustre unrécit d’aventure dramatique inspiré par la vie des peuples indigènes et du magnifique paysage d’Uluru. L’œuvre est idéale pour vos concours ou vos concerts thématiques. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring symphony Concert band EMB (Editio Musica Budapest)
Concert Band - Grade 6 SKU: BT.EMBZ14686SET Composed by László Dubr...(+)
Concert Band - Grade 6 SKU: BT.EMBZ14686SET Composed by László Dubrovay. EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2010. 656 pages. Editio Musica Budapest #EMBZ14686SET. Published by Editio Musica Budapest (BT.EMBZ14686SET). 9x12 inches. Symphony no. 6 dates from the spring of 2009. It is dedicated to the conductor Károly Neumayer and his orchestra, the Pécs Railway Workers' Concert Wind Ensemble. About the work, the composer writes: 'This three-movement composition follows the classical traditions, but the first movement further develops the Scriabin-type sonata form, combining two fast movements. In contrast to the lyricism of the second movement a subterranean, negative force also makes its presence felt but in a dramatic conflict is overcome by the massive, inspired communal singing of the lyrical material, which becomes chorale-like as it emanates from the modal scales. The third movement is acheerful, dance-like scherzo, with comical, humorous sound-effects '
Die 6. Symphonie entstand im Frühling 2009. Sie ist dem Dirigenten Károly Neumayer und seinem Orchester, dem Bläserorchester der Ungarischen Staatsbahnen Pécs, gewidmet. Der Komponist schreibt über sein Werk: 'Die dreisätzige Komposition folgt den klassischen Traditionen, der erste Satz aber entwickelt durch die Verbindung von zwei schnellen Sätzen die Form von Skrjabin weiter. Im zweiten Satz erscheint als Gegenspieler zur lyrischen Grundstimmung auch eine negative, in die Tiefe ziehende Kraft. Letztere wird aber im dramatischen Gefecht vom lyrischen Stoff und vom choralähnlichen, aus der modalen Tonleitern stammenden, blockförmigen, gemeinschaftlichen Lied besiegt. Der dritteSatz ist ein fröhliches, tänzerisches Scherzo mit komischen, humorvollen Klangeffekten.'. $211.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| From a Book of Hours Concert band Merion Music
Orchestra Concert Band SKU: PR.11640976S For Soprano and Orchestra...(+)
Orchestra Concert Band SKU: PR.11640976S For Soprano and Orchestra. Composed by James Primosch. Full score. Duration 18 minutes. Merion Music #116-40976S. Published by Merion Music (PR.11640976S). UPC: 680160682768. Das Stundenbuch. This cycle of orchestral songs sets four poems from an early collection by Rilke entitled Das Stundenbuch, or in English, Book of Hours. Although the title refers to a medieval book of prayers for the various times of day and seasons of the liturgical year, Rilke's texts occupy a position some distance from conventional piety. There is a melancholy to the spirituality expressed here, which speaks of an experience of God that is fragmentary, imperfect, and unattainable. The solitude evoked in the second song (as layers of busy activity are gradually peeled away) offers some solace, but the third song is very dark and fierce, filled with a desperate, even manic desire for God. The last song returns to the mood of the first, but now in a global rather than individual context. This song, like the set as a whole, speaks of our world's brokenness, yet strives to stammer fragments of God's name. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Concert band Theodore Presser Co.
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra. Composed by Behzad Ranjbaran. Perfect. Contemporary. Full score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366. Published by Theodore Presser Company (PR.416413660). ISBN 9781598063578. UPC: 680160601899. 9x12 inches. Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Head Rush Concert band - Advanced Hal Leonard
Score Only Concert Band (Score) - Grade 5 SKU: HL.4004317 Composed by Jay...(+)
Score Only Concert Band (Score) - Grade 5 SKU: HL.4004317 Composed by Jay Bocook. MusicWorks Grade 5. Festival. 36 pages. Duration 300 seconds. Published by Hal Leonard (HL.4004317). UPC: 888680072766. 10.5x14.0x0.1 inches. This masterful work by Jay Bocook was composed for fellow South Carolinian and highly regarded educator Scott Rush, known for his accomplishments with the nationally acclaimed Wando High School band program. Employing a minimalistic approach, this dynamic piece uses layers of constantly evolving textures and rhythmic devices, while propelled throughout by an energetic underlying pulse. Sprinkled with surprises and dramatic effects, and culminating with the full force of the entire ensemble, Head Rush is a dramatic and unique addition to the repertoire for mature ensembles. Dur: 5:00. $20.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pulcinella Concert band - Intermediate/advanced Anglo Music
Concert Band (Score & Parts) - Grade 4 SKU: HL.4007161 For Euphonium a...(+)
Concert Band (Score & Parts) - Grade 4 SKU: HL.4007161 For Euphonium and Concert Band. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Softcover. Duration 375 seconds. Anglo Music Press #032940. Published by Anglo Music Press (HL.4007161). UPC: 840126965711. Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teacher euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close. $170.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pulcinella Concert band - Intermediate/advanced Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.4007162 For Euphonium and Conce...(+)
Concert Band (Score) - Grade 4 SKU: HL.4007162 For Euphonium and Concert Band. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Softcover. Duration 375 seconds. Anglo Music Press #032940. Published by Anglo Music Press (HL.4007162). UPC: 840126965728. Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teacher euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close. $33.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Art of Expressive Playing for Winds and Percussion Concert band [Teacher Editions] Carl Fischer
(A Study in Individual,Small Ensemble and Large Group Performance). By Henry Now...(+)
(A Study in Individual,Small Ensemble and Large Group Performance). By Henry Nowak Jerry Nowak. Concert Band. For Winds, Percussion. Carl Fischer Band Books Series. Classical. Teacher's Book. Standard notation. 96 pages
$32.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Twittering Machine Concert band - Easy FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1715S Score Only. C...(+)
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1715S Score Only. Composed by Brian Balmages. Concert Band. FJH Young Band. Score. Duration 4:20. The FJH Music Company Inc #98-B1715S. Published by The FJH Music Company Inc (FJ.B1715S). English. Inspired by the ambiguous 1922 artwork by Swiss-German painter Paul Klee, this dark music depicts a struggle between nature and machine. A haunting melody slowly transforms as the machine around it grows (represented by a series of layered percussion sounds). A deeply rich and powerful work for young bands that invites many opportunities for cross-curricular discussion. About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Gunther Schuller:
Nature's Way: Concert
Band: Score & Parts Concert band [Score and Parts] American Composers Forum
From the composer: “Nature's Way for intermediate level band was commissio...(+)
From the composer: “Nature's Way for intermediate level band was commissioned by BandQuest a project initiated by the American Composers Forum. Their mission is for major composers of national reputation to writeworks of high quality that take into consideration the (still comparatively limited) levels of musical development--both technical and conceptual--typical of such ensembles. I eagerly accepted the commission and the challengesimplied thereby--that is to reign in my creative imagination to some extent and limit the technical/conceptual demands to a more moderate level than is to be found in my previous compositions for band. Nonetheless since theprocess of rehearsing studying and performing a work created specifically for the school student market is--and must be in my view--primarily educational it was very clear to me that my work would (and should) challenge theplayers at least to their top levels and even a little beyond that. Thus Nature's Way in no way represents a compromise of my personal style nor my long held concepts of form continuity texture and instrumentation. Ihave known for a long time that young inquisitive minds are eager to learn from new experiences from previously never encountered challenges that is to say to be pushed--gently--to rise above their present levels ofachievement. That's what education is all about.”
74.99 GBP - Sold by Musicroom UK | |
| Alecia Moore Jeff Bhasker
Nate Ruess: Just Give Me
a Reason: Concert Band:
Score Concert band Hal Leonard
Recorded by Pink featuring Nate Ruess-Recorded by Pink and Nate Ruess (from the ...(+)
Recorded by Pink featuring Nate Ruess-Recorded by Pink and Nate Ruess (from the group fun.) this pop anthem has become one of the standout hits from 2013. The tuneful nature and moderate rock style make this particularly appealing to players and audiencealike.
5.50 GBP - Sold by Musicroom UK | |
| Philip Sparke: The
Painted Desert: Concert
Band: Score & Parts Concert band [Score and Parts] Anglo Music
The south-western US state of Arizona has more than its fair share of stunning l...(+)
The south-western US state of Arizona has more than its fair share of stunning landscapes natural phenomena and National Monuments. Best known is the Grand Canyon but there are also numerous deserts a petrified forest extinct volcanoes and the huge Sunset Crater. Not surprisingly it has featured as the backdrop to many Western movies.The Painted Desert is a narrow crescent-shaped arc about 160 miles long which begins near the Grand Canyon and varies in width from 10 to 35 miles. It is largely void of vegetation and years of erosion by wind and rain have exposed sedimentary layers of rock up to 250 million years old. Chemical differences in the various layers result in aneffect not unlike a multicoloured layer cake with contrasting hues of red orange and pink blue grey and lavender creating a silent and barren landscape which looks like it has been hand-painted. As with much of the planet’s stunning landscapes all the observer can do is stand and stare.
64.99 GBP - Sold by Musicroom UK | |
| Philip Sparke: The
Painted Desert: Concert
Band: Score Concert band Anglo Music
The south-western US state of Arizona has more than its fair share of stunning l...(+)
The south-western US state of Arizona has more than its fair share of stunning landscapes natural phenomena and National Monuments. Best known is the Grand Canyon but there are also numerous deserts a petrified forest extinct volcanoes and the huge Sunset Crater. Not surprisingly it has featured as the backdrop to many Western movies.The Painted Desert is a narrow crescent-shaped arc about 160 miles long which begins near the Grand Canyon and varies in width from 10 to 35 miles. It is largely void of vegetation and years of erosion by wind and rain have exposed sedimentary layers of rock up to 250 million years old. Chemical differences in the various layers result in aneffect not unlike a multicoloured layer cake with contrasting hues of red orange and pink blue grey and lavender creating a silent and barren landscape which looks like it has been hand-painted. As with much of the planet’s stunning landscapes all the observer can do is stand and stare.
9.99 GBP - Sold by Musicroom UK | |
| Michael Oare: Cyclone:
Concert Band: Score Concert band Hal Leonard
The power and intensity of our ever-changing marine environment is portrayed in ...(+)
The power and intensity of our ever-changing marine environment is portrayed in this descriptive work for young players. Incorporating a simple melodic motif along with syncopated rhythmic energy Michael Oare effectively depictsthe power of nature's most violent storms. Opening with a calm yet foreboding introduction the work quickly transforms as the storm draws near. Thundering bass drum rolls driving rhythmic and melodic ostinatos and dynamic andtextural contrasts propel the piece towards a bold and exciting conclusion. (Grade 2) Dur: 2:55
5.50 GBP - Sold by Musicroom UK | |
| Alain Boublil
Claude-Michel Schönberg
Herbert Kretzmer
Jean-Marc Natel: Music Concert band [Score and Parts] Hal Leonard
The songs included are Work Song I Dreamed a Dream Master of the House and Do...(+)
The songs included are Work Song I Dreamed a Dream Master of the House and Do You Hear the People Sing? This is suitable for players around a grade 3 standard.
59.99 GBP - Sold by Musicroom UK | |
| Jay Bocook: Head Rush:
Concert Band: Score &
Parts Concert band [Score and Parts] Hal Leonard
This masterful work by Jay Bocook was composed for fellow South Carolinian and h...(+)
This masterful work by Jay Bocook was composed for fellow South Carolinian and highly regarded educator Scott Rush known for his accomplishments with the nationally acclaimed Wando High School band program. Employing a minimalistic approach this dynamic piece uses layers of constantly evolving textures and rhythmic devices while propelled throughout by an energetic underlying pulse. Sprinkled with surprises and dramatic effects and culminating with the full force of the entire ensemble Head Rush is a dramatic and unique addition to the repertoire for mature ensembles. Dur: 5:00
141.99 GBP - Sold by Musicroom UK | |
| Jay Bocook: Head Rush:
Concert Band: Score Concert band Hal Leonard
This masterful work by Jay Bocook was composed for fellow South Carolinian and h...(+)
This masterful work by Jay Bocook was composed for fellow South Carolinian and highly regarded educator Scott Rush known for his accomplishments with the nationally acclaimed Wando High School band program. Employing a minimalistic approach this dynamic piece uses layers of constantly evolving textures and rhythmic devices while propelled throughout by an energetic underlying pulse. Sprinkled with surprises and dramatic effects and culminating with the full force of the entire ensemble Head Rush is a dramatic and unique addition to the repertoire for mature ensembles. Dur: 5:00
19.99 GBP - Sold by Musicroom UK | |
| Michael Oare: Cyclone:
Concert Band: Score &
Parts Concert band [Score and Parts] Hal Leonard
The power and intensity of our ever-changing marine environment is portrayed in ...(+)
The power and intensity of our ever-changing marine environment is portrayed in this descriptive work for young players. Incorporating a simple melodic motif along with syncopated rhythmic energy Michael Oare effectively depictsthe power of natures most violent storms. Opening with a calm yet foreboding introduction the work quickly transforms as the storm draws near. Thundering bass drum rolls driving rhythmic and melodic ostinatos and dynamic andtextural contrasts propel the piece towards a bold and exciting conclusion. (Grade 2) Dur: 2:55
57.50 GBP - Sold by Musicroom UK | |
| Thomas Doss: Genesis:
Concert Band: Score &
Parts Concert band [Score and Parts] Mitropa Music
Fantasie-Après avoir achevé la création de la Terre Dieu créa l?homme et la...(+)
Fantasie-Après avoir achevé la création de la Terre Dieu créa l?homme et la femme. Il les bénit et leur dit : « Soyez féconds multipliez-vous remplissez la terre et soumettez-la. (?) ». Cette fantaisie illustre la manière dont l?homme a réellement fait usage de cette recommandation. Le passage d?ouverture décrit la création de l?être humain. Et puis très vite l?homme part en guerre contre ses frères. L?impossibilité d?enrayer le processus en cours conduit l?homme vers une déshumanisation. La nature et l?environnement souffrent plus que jamais des dommages causés par l?humanité. Dans sa logique de domination absolue l?homme a détourné et oublié le sens premier de la recommendationdivine : la responsabilité et le respect envers la terre.La nature finit toujours par reprendre ses droits. S?il veut survivre l?homme doit se réconcilier avec elle sinon il est amené à disparaître. L?humanité hésite encore quant au chemin à suivre tandis que des fanfares annoncent le Jugement dernier. Genesis (La Genèse se développe dans un environnement harmonique bitonal et dissonant en osmose avec la nature du sujet traité. Impressionnante sur le plan sonore cette œuvre reste néanmoins accessible et agréable pour les musiciens et le public.
100.99 GBP - Sold by Musicroom UK | |
| Thomas Doss: Genesis:
Concert Band: Score Concert band Mitropa Music
Fantasie-Après avoir achevé la création de la Terre Dieu créa l?homme et la...(+)
Fantasie-Après avoir achevé la création de la Terre Dieu créa l?homme et la femme. Il les bénit et leur dit : « Soyez féconds multipliez-vous remplissez la terre et soumettez-la. (?) ». Cette fantaisie illustre la manière dont l?homme a réellement fait usage de cette recommandation. Le passage d?ouverture décrit la création de l?être humain. Et puis très vite l?homme part en guerre contre ses frères. L?impossibilité d?enrayer le processus en cours conduit l?homme vers une déshumanisation. La nature et l?environnement souffrent plus que jamais des dommages causés par l?humanité. Dans sa logique de domination absolue l?homme a détourné et oublié le sens premier de la recommendationdivine : la responsabilité et le respect envers la terre.La nature finit toujours par reprendre ses droits. S?il veut survivre l?homme doit se réconcilier avec elle sinon il est amené à disparaître. L?humanité hésite encore quant au chemin à suivre tandis que des fanfares annoncent le Jugement dernier. Genesis (La Genèse se développe dans un environnement harmonique bitonal et dissonant en osmose avec la nature du sujet traité. Impressionnante sur le plan sonore cette œuvre reste néanmoins accessible et agréable pour les musiciens et le public.
18.99 GBP - Sold by Musicroom UK | |
| Heavy Mettle (OARE
MICHAEL) Concert band [Score] Hal Leonard
Par OARE MICHAEL. The title Heavy Mettle is naturally a play on words and affect...(+)
Par OARE MICHAEL. The title Heavy Mettle is naturally a play on words and affectionately refers to the low brass section. Filled with enthusiasm and a resilient spirit, these students are often the foundation and heart of any band. Although not specifically a low brass feature, Heavy Mettle is a driving and energetic work that pays tribute to these indispensable players! Dur: 1:50 / Date parution : 2022-07-23/ Répertoire / Concert Band
6.89 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Heavy Mettle (OARE
MICHAEL) Concert band Hal Leonard
Par OARE MICHAEL. The title Heavy Mettle is naturally a play on words and affect...(+)
Par OARE MICHAEL. The title Heavy Mettle is naturally a play on words and affectionately refers to the low brass section. Filled with enthusiasm and a resilient spirit, these students are often the foundation and heart of any band. Although not specifically a low brass feature, Heavy Mettle is a driving and energetic work that pays tribute to these indispensable players! Dur: 1:50 / Date parution : 2022-07-23/ Répertoire / Concert Band
64.08 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Philip Sparke: The
Centurion: Concert Band:
Score & Parts Concert band [Score and Parts] Anglo Music
Lively and upbeat in nature The Centurion follows the conventional British marc...(+)
Lively and upbeat in nature The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.
81.99 GBP - Sold by Musicroom UK | |
| Philip Sparke: The
Centurion: Concert Band:
Score Concert band Anglo Music
Lively and upbeat in nature The Centurion follows the conventional British marc...(+)
Lively and upbeat in nature The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.
14.99 GBP - Sold by Musicroom UK | |
| Samuel R. Hazo:
Everything Beautiful:
Concert Band: Score &
Parts Concert band [Score and Parts] Hal Leonard
Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band...(+)
Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band of America this spectacular memorial for renowned band director Charles Campbell will surround your students and audiences in layers of emotion. Expressive moments upon moments allow the ensemble to follow their musical instincts gaining an aesthetic reward each time. Typical of performances the work fades into introspective silence then is followed by lengthy applause. Available in the original three-movement set and also just Mvt. 1 The Stillness of Remembering. Dur: 9:00(Live concert recording by the University of Kentucky Wind Symphony - Dr. John Cody Birdwell conductor - Samuel R.Hazo guest conductor)
134.99 GBP - Sold by Musicroom UK | |
| Michael Sweeney: Swamp
Rabbit Stomp: Concert
Band: Score & Parts Concert band [Score and Parts] Hal Leonard
Written to celebrate the natural scenic beauty of the famed Swamp Rabbit Trail i...(+)
Written to celebrate the natural scenic beauty of the famed Swamp Rabbit Trail in South Carolina and commissioned by the 2015 South Carolina All-State Junior Band Michael Sweeney's Swamp Rabbit Stomp is a joyous romp of rhythm and harmony. Exploring layers of sounds as well as an expanded role for the percussion section this work also calls for a middle section where all members of the band perform with egg shakers. A substantial work but with a dash of fun! Dur: 7:15
79.99 GBP - Sold by Musicroom UK | |
| Ofelia (SPARKE PHILIP) Concert band [Score] Anglo Music
for Euphonium and Concert Band. Par SPARKE PHILIP. Pulcinella was commissioned b...(+)
for Euphonium and Concert Band. Par SPARKE PHILIP. Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke?s series of euphonium solos named after characters of the Italian commedia dell?arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close. / Date parution : 2021-11-03/ Répertoire / Orchestre D\'Harmonie
36.98 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Samuel R. Hazo:
Everything Beautiful:
Concert Band: Score Concert band Hal Leonard
Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band...(+)
Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band of America this spectacular memorial for renowned band director Charles Campbell will surround your students and audiences in layers of emotion. Expressive moments upon moments allow the ensemble to follow their musical instincts gaining an aesthetic reward each time. Typical of performances the work fades into introspective silence then is followed by lengthy applause. Available in the original three-movement set and also just Mvt. 1 The Stillness of Remembering. Dur: 9:00
25.99 GBP - Sold by Musicroom UK | |
| Victor Herbert: March of
the Toys: Concert Band:
Score Concert band Southern Music Ltd
This Victor Herbert classic has been thoughtfully reimagined in this new arrange...(+)
This Victor Herbert classic has been thoughtfully reimagined in this new arrangement for young band by Nathan Jones. Parts have been tailored to better suit the abilities of developing players considering all aspects of performance including range rhythms time signature key and overall length while keeping the overall feeling and charm of this holiday favorite! (Grade 2.5)
10.99 GBP - Sold by Musicroom UK | |
| Stephen Bulla: Kennesaw
Mountain Blues: Concert
Band: Score & Parts Concert band [Score and Parts] Curnow Music
Blues to the MAX! With lots of drive and down home blues harmonies KENNESAW MOU...(+)
Blues to the MAX! With lots of drive and down home blues harmonies KENNESAW MOUNTAIN BLUES will latch on to your audience for keeps.Very accessible to Grade 2 1/2 bands this is one of the most enjoyable pieces you’ll find for any level of ability. If you have a kickin’ drumset player so much the better. Every section has gratifying parts to play and the easy mixed-meter section sounds so natural but will keep ‘em all thinking.The concert band doesn’t often get the chance to play in styles like this which is a shame because it’s so much fun. How about letting your band try a style that’s about as far from John Phillip Sousa as you can get! Get down with some Blues! KENNESAW MOUNTAIN BLUES is a winner!
69.99 GBP - Sold by Musicroom UK | |
| Stephen Bulla: Kennesaw
Mountain Blues: Concert
Band: Score & Parts Concert band Curnow Music
Blues to the MAX! With lots of drive and down home blues harmonies KENNESAW MOU...(+)
Blues to the MAX! With lots of drive and down home blues harmonies KENNESAW MOUNTAIN BLUES will latch on to your audience for keeps.Very accessible to Grade 2 1/2 bands this is one of the most enjoyable pieces you’ll find for any level of ability. If you have a kickin’ drumset player so much the better. Every section has gratifying parts to play and the easy mixed-meter section sounds so natural but will keep ‘em all thinking.The concert band doesn’t often get the chance to play in styles like this which is a shame because it’s so much fun. How about letting your band try a style that’s about as far from John Phillip Sousa as you can get! Get down with some Blues! KENNESAW MOUNTAIN BLUES is a winner!
69.99 GBP - Sold by Musicroom UK | |
| James Curnow: A Moment in
Time: Concert Band: Score Concert band Curnow Music
Inspired by the poetry of Henry David Thoreau and Japanese poet Matsuo Basho th...(+)
Inspired by the poetry of Henry David Thoreau and Japanese poet Matsuo Basho this symphonic poem in three movements for winds brings Eastern and Western cultures together meeting on the common thread of Thoreau's and Matsuo's love of nature. Eastern and Western musical elements are layered throughout making for a unique effect.
19.99 GBP - Sold by Musicroom UK | |
| James Curnow: A Moment in
Time: Concert Band: Score
& Parts Concert band [Score and Parts] Curnow Music
Inspired by the poetry of Henry David Thoreau and Japanese poet Matsuo Basho th...(+)
Inspired by the poetry of Henry David Thoreau and Japanese poet Matsuo Basho this symphonic poem in three movements for winds brings Eastern and Western cultures together meeting on the common thread of Thoreau's and Matsuo's love of nature. Eastern and Western musical elements are layered throughout making for a unique effect.
174.99 GBP - Sold by Musicroom UK | |
| André Waignein: Rhapsody
for Flugelhorn: Concert
Band: Score & Parts Concert band [Score and Parts] Scherzando
As a trumpet player André Waignein has composed many pieces for this instrument...(+)
As a trumpet player André Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players and more demanding works for professionals.With his rhapsody André Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity andoffers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.
119.99 GBP - Sold by Musicroom UK | |
| No Stop Rock (PASTORE
CARMINE) Concert band [Score and Parts] - Beginner Curnow Music
Par PASTORE CARMINE. A Grade 1 rock anthem! It’s a perfect way to keep your be...(+)
Par PASTORE CARMINE. A Grade 1 rock anthem! It’s a perfect way to keep your beginners motivated while you drill them on that new concept called “eighth notes. ” Lots of repetition of simple eighth note figures will help your young band players enter the fascinating world of the divided beat with ease. This solid minor key rock-type piece will also help to keep your audience attentive by letting them hear a bit of a style they are so accustomed to. The overwhelming rhythmic nature of the piece also makes it a possible choice for use with an elementary level massed band. When faced with more than 100 beginners at a time, one likes to do music that has a beat they can hang on to! Whether it’s for asmall one-school band or a giant massed group, this one is sure to work for you. / Niveau : 1 / Musique légère originale / Répertoire / Concert Band
64.08 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Michael Sweeney: Hudson
River Run: Concert Band:
Score and Parts Concert band Hal Leonard
(includes alternate parts for beginning level players). Suggesting an exciting b...(+)
(includes alternate parts for beginning level players). Suggesting an exciting boat race on the majestic Hudson River, this energy-filled work features an underlying 8th note pulse and a dynamic percussion score. Even given the concise nature of the piece a variety of textures and styles are used, and the melodic elements are passed around to all sections of the band. As an added bonus, parts are included for beginning players allowing this to be used with a multi-level massed band.
59.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Mike Hannickel: Horse and
Buffalo: Concert Band:
Score Concert band Curnow Music
Take your band to the great North American plains to a post-Columbian Sioux vil...(+)
Take your band to the great North American plains to a post-Columbian Sioux village. A tone poem describing the life of a young Sioux Horse and Buffalo is based upon actual Native American melodies. A lullaby an honor song and a courting song are the basis of this dynamic arrangement. Your young players will be especially intrigued by the energetic meter-shifting honor song! Great possibilities for cross-curriculum work with Social Studies teachers. One of the most memorable pieces you’ll perform this year!
9.99 GBP - Sold by Musicroom UK | |
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