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| Nameless Seas (Piano Concerto) Piano and Orchestra Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5). ISBN 9790550113725. Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work. $49.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Ludwig van Beethoven: Concerto for Piano and Orchestra no. 3 c minor op. 37
Piano and Orchestra G. Henle
(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Be...(+)
(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Beethoven (1770-1827), edited by Hans-werner Kuthen. Single piece and for 2 Pianos four-hands. With introductory text and fingerings. Piano Reduction-paper bound. 100 pages. Published by G. Henle.
$34.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Kinetic Poem / Kineettinen Runo Piano and Orchestra Fennica Gehrman
Piano, Orchestra SKU: FG.042-08428-1 Composed by Usko Merilainen. Score. ...(+)
Piano, Orchestra SKU: FG.042-08428-1 Composed by Usko Merilainen. Score. Published by Fennica Gehrman (FG.042-08428-1). ISBN 979-0-042-08428-1. Kinetic Poem is, after two piano concertos and Dialogues for piano and orchestra, Merilainen's fourth and latest work (1981) in which the piano plays a concertante role. The piano-orchestra relationship is synergetic: small motifs, which draw their material from the spectacular solo part, are rotated by the orchestra and change their form, only to he absorbed back into the relentless solo stream. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Beautiful Music for Two String Instruments, Book II Piano and Orchestra [Sheet music] Alfred Publishing
By Samuel Applebaum. For Piano Acc. String Orchestra Method/Supplement. Book. 68...(+)
By Samuel Applebaum. For Piano Acc. String Orchestra Method/Supplement. Book. 68 pages. Published by Alfred Publishing.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto No. 2 in Bb major Op.19 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str) <...(+)
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str) SKU: BR.PB-14560 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Classical. Full score. 80 pages. Duration 24'. Breitkopf and Haertel #PB 14560. Published by Breitkopf and Haertel (BR.PB-14560). ISBN 9790004211014. 10 x 12.5 inches. Beethoven's autographs of the first three piano concertos opp. 15, 19 and 37 are the earliest of all orchestral scores which have survived integrally. Thanks to source studies, we know today that a first version of the Concerto in Bb major op. 19 had already originated in Bonn in 1790 at the latest. It was followed by a second version written in Vienna most likely in 1793 which included the Rondo in Bb major WoO 6 as finale. A third version followed most probably in 1794 and led to the fourth and final version, written in Prague in October 1798, as Beethoven sojourned there at the beginning of the concert season. (from the Preface)This autograph together with the autograph solo part which was made at the beginning of 1801 and the parts printed in the same year, are the main sources of the present edition. $65.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A Glimpse Retraced Piano and Orchestra [Score] Carl Fischer
(Piano Solo And Chamber Ensemble). By Jason Eckardt (1971-). For piano solo, flu...(+)
(Piano Solo And Chamber Ensemble). By Jason Eckardt (1971-). For piano solo, flute (doubling piccolo), clarinet in Bb, violin, violoncello. Full score. 40 pages. Published by Carl Fischer
$63.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Beatles Best - 2nd Edition Piano and Orchestra - Easy Hal Leonard
For Easy Piano. By The Beatles. Easy Piano Personality. Softcover. 384 pages....(+)
For Easy Piano. By The
Beatles. Easy Piano
Personality. Softcover. 384
pages. Published by Hal
Leonard
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Klaviermusik mit Orchester, Op. 29 Piano and Orchestra [Study Score / Miniature] Schott
(1923) Piano: Left Hand. By Paul Hindemith. (Score). Schott. Book only. Size 8....(+)
(1923) Piano: Left Hand. By Paul Hindemith. (Score). Schott. Book only. Size 8.25x11.75 inches. 74 pages. Published by Schott.
$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| On The Wings Of The
Morning (DUFOURT HUGUES) Français Piano and Orchestra [Sheet music] Lemoine, Henry
Par DUFOURT HUGUES. / contemporain / Répertoire / Piano et Orchestre
76.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Hans Abrahamsen: Concerto
For Piano And Orchestra:
Piano: Score Piano and Orchestra Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...(+)
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
60.99 GBP - Sold by Musicroom UK | |
| Neljä Suomalaista
Kansanlaulua Op. 12
(KLAMI UUNO) Piano and Orchestra [Sheet music] Fennica Gehrman
Four Finnish Folksongs. Par KLAMI UUNO. Four Finnish Folksongs/ Répertoire / Pi...(+)
Four Finnish Folksongs. Par KLAMI UUNO. Four Finnish Folksongs/ Répertoire / Piano et Orchestre
27.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Philip Glass: Piano
Concerto No.2: Piano:
Score Piano and Orchestra [Sheet music] - Intermediate/advanced Dunvagen Music Publishers
Internationally renowned minimalist Philip Glass composed this Piano concerto in...(+)
Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement titled ‘The Vision’ is classic Glass with a steamroller quality that suggests the immensedrive and ambition the two explorers needed to draw on for their journey into the wilderness. At the beginning of the second movement the theme in the solo Indian Flute musically represents the name ‘Sacajawea’ the ShoshoneIndian mother and guide who assisted the explorers on their way for whom the movement is named.The final movement entitled ‘The Land’ is an exploration of expansiveness both of the land that was being explored but also of thegeologically expanded time over which the landscape has evolved and the great changes that followed Lewis and Clark’s journey.This concerto is designated as part of The Concerto Project recording series started by Glass in theyear 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
34.99 GBP - Sold by Musicroom UK | |
| Sergei Prokofiev: Piano
Concerto No.2 In G Minor
Op.16: Piano: Study Score Piano and Orchestra Boosey and Hawkes
Interestingly there are two different versions of Prokofiev’s second pian...(+)
Interestingly there are two different versions of Prokofiev’s second piano concerto the first written between 1912 and 1913 the second written in 1923. However during the Russian Civil War the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory effectively composing the second edition of the work which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime).At the time of composition the concerto's wild temperamentleft some exalted whereas others were horrified by the jarring and at the time futuristic sound. Today however it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire.Available here is the Hawkes Pocket Score edition (No.877) of Prokoviev’s virtuosic Piano Concerto No.2 in G minor Op.16 and is ideal for study and perusal usage.
42.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Piano Concerto A Minor
Op. 54 Piano and Orchestra Schott
Concerto pour Piano de Schumann est connu dans le monde entier, mais malgré sa ...(+)
Concerto pour Piano de Schumann est connu dans le monde entier, mais malgré sa popularité, il reste dans un certain sens un travail inconnu. L'objectif de cette édition n'est pas seulement de fournir un score de critique de le oeuvre, mais en même temps pour indiquer quelles questions de détail devrait faire l'objet de recherches futures. L'analyse critique offert ici donc discussion d'offres de la relation entre la version de Fantasia un mouvement et la version de Concerto pour trois mouvements, le problème de la transition de la deuxième à la troisième mouvement et une série de questions relatives à la version terminée en 1853. Un livret de fac-similés complète le volume. / Piano Et Orchestre
288.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Concerto No 2 B Major Op.
100 Piano and Orchestra Belaieff
Les deux concertos pour piano de Glazounov appartiennent au genre du concerto sy...(+)
Les deux concertos pour piano de Glazounov appartiennent au genre du concerto symphonique, qui rend néanmoins très grandes exigences sur le soliste. Avec ses harmonies modernes intéressants, le Piano Concerto #2 opus 100 (1917) est sur le même niveau que le populaire Concerto pour violon opus 82. ' Dans ce concerto Glazounov a fourni un exemple brillant de sa compréhension de la variation thématique. Il nous dit qu'il se classe parmi les plus grands. ' (Alex van Amerongen) / Piano Et Orchestre
22.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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