SKU: CY.CC3143

ISBN 9790530111116. 8.5 x 11 in inches.

Here is a description of this beautiful work by the composer: Reflection and Celebration for 8-part Trombone Ensemble is a musical homage to a man who was revered for his mentorship, musical intellect and delightful humor. The work opens with a somber melodic solo, capturing the noble spirit of this great mentor. Several repetitive 5-note ascending motives follow which is a symbolic reference to students learning and accomplishing under Conklin's mentorship. The bold fanfare style (in measure 32) is presented to capture the presence and tall stature of Conklin. Finally, Conklin's down-to-earth personality and his infectious humor is referenced (in measure 83). Even the fanfare theme returns in a faster tempo, thus highlighting the frivolity, lightheartedness, and wisdom of this adored music teacher. The music is about 6 1/2 minutes in length and is appropriate for moderately advanced performers.

SKU: CY.CC3087

ISBN 9790530110645. 8.5 x 11 in inches.

Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work. This music is about 15 minutes in length and is for advanced performers. The four movements of the work are: Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement. Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot. The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes. Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish. Cherry Classics is proud to be the new distributor of this great work.

SKU: CY.CC2762

The Evening-Watch was written in 1925, when Holst lived in Thaxted, England
having had to temporarily leave his teaching duties because of overwork and illness. This setting of Henry Vaughan's ‘Dialogue between the Body and the Soul' was too
austere for listeners of its day and it remained out of print for thirty years, until 1965. Its mood of calm strength and passionate resignation sounds as if it belongs to the 1960's.


This beautiful arrangement for 8-part trombone choir by Ronald Baron seems altogether appropriate given the instrument's vocal character, its frequent use for music at funerals and Holst's other musical passion; his short career as a trombonist.

The 4 minute piece is appropriate for moderately advanced performers.

SKU: CY.CC3111

ISBN 9790530110881. 8.5 x 11 in inches.

Symphonie Fantastique was written in 1830 as one of the first program symphonies in musical history. The March of the Scaffold is the fourth of five movements, telling the story of a drugged-induced dream where an artist who has murdered his lover is condemned to death and marched to the scaffold where he witnesses his head being chopped off by a guillotine. This arrangement for 8-part Trombone Ensemble of about 7 minutes in length by Randall Malmstrom is an arrangement of the full movement and is appropriate for advanced performers.

SKU: CY.CC3172

ISBN 9790530111420. 8.5 x 11 in inches.

Motet Lobet den Herrn, BWV 230, for four part chorus has no known date of composition and was first published in 1821. It has a different character from the previous motets in that it was not written for a funeral and has no chorale melody, but rather a joyous Hallelujah. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is is inspired from text drawn from Psalm 117 and is about 6 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: CY.CC3167

ISBN 9790530111376. 8.5 x 11 in inches.

Motet Komm, Jesu, komm, BWV 229, for double choir, was most likely composed for a funeral written in Leipzig and first performed in 1731-32. It's biblical text was written as a poem by Paul Thymich. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC2972

ISBN 9790530057919.

BIG RIFF is a new work by John Frith for 8-part Trombone Ensemble. It was written as the opening Anthem for Trombonanza 2017, which is a festival takes place annually in the town of Santa Fe, Argentina.
Mr. Frith was commissioned to compose this work to open the Festival.
The music is about 5 minutes in length and features strong Latin rhythms throughout. The work builds and builds as it adds layers of complexities including a jazz solo for one of the players.
The all the middle parts are playable by intermediate performers. Part 1 can be performed on alto or tenor and goes up to high f's. Part 8 is quite low.
The work ends in a big climax after building up throughout. Very fun work to perform with a massed group.