SKU: UT.NAP-4

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

SKU: MA.EMR-47025C

Possible instrumentations:

Alto Recorder, Tenor Recorder & CD Playback (Play Along)
Alto Recorder, Tenor Recorder & CD Playback (Play Along).

SKU: HL.14042891

6.5x9.75x0.055 inches.

The Twenty-Eight Times is a Vocal piece composed by British composer and conductor James Whitbourn . The Twenty-Eight Times was commissioned by the United Westminster Schools and Grey Coat Hospital Foundation to commemorate the fiftieth anniversary of the assassination of John F. Kennedy, and performed in Westminster Abbey on 25 October 2013 by the choir of Queen Anne's school, Caversham. This ancient Hebrew text from Ecclesiastes (Qoheleth) was a favourite of President Kennedy and formed partof the Eulogy delivered at his funeral service on 25 November 1963. He was assassinated on 22 November 1963.

SKU: M7.BP-1259

ISBN 9790015125904.